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Blues - Released January 26, 2018 | J&R Adventures

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Fire alert! Gathering in the same room Beth Hart and Joe Bonamassa is the nightmare of every fireman in the world. True pyromaniacs of the blue note, those two have had their field day since their meeting in 2010. The Californian with her soul panther voice and the New Yorker, an epileptic of the electric guitar, join forces that are a perfect match. And their tandem is probably the most inspired thing to happen to blues rock in ages, as is confirmed by this third studio album, after Don’t Explain (2011) and Seesaw (2013). As usual, Beth Hart’s voice is some kind of irresistible magnet that tows every word, every sentence, each chorus… An intense singing which finds in Joe Bonamassa’s playing THE dream partner. As for the repertoire revisited for this Black Coffee, recorded in five days at the Studio at the Palms in Las Vegas in August 2016 (with drummer Anton Fig, saxophonists Ron Dziubla and Paulie Cerra, trumpet player Lee Thornburg, keyboardist Reese Wynans, bass player Michael Rhodes, guitarist Rob McNelley and backing vocalists Mahalia Barnes, Jade Macrae and Juanita Tippins), simply reading those names is enough to gauge the good tastes of the duo: Edgar Winter, Etta James, Ike Turner, Ella Fitzgerald, Lil’ Green, LaVern Baker, Howlin’ Wolf and Lucinda Williams. © CM/Qobuz

Blues - Released November 30, 2018 | Provogue

Beth Hart commands the stage with just one click of her fingers! The Californian tigress is still as feisty as ever without getting caught up in the clichés. In this live performance recorded on May 4th 2018 in London’s most prestigious setting, the Royal Albert Hall, she sets up her very own cabaret mixing blues, jazz and vintage soul. A woman who honours Nina Simone, Howlin’ Wolf, Dinah Washington, Buddy Guy and so many other key personalities of rhythm’n’blues, she shows us the full extent of her talent during this two-hour show. With a microphone to hand or sat behind her piano, what impresses us most is Beth Hart’s ability to mix all her musical influences and produce one very personal cocktail. Her secret? Her voice, of course. A kind of unstoppable magnet that pulls every word, every sentence, every chorus and which is made even more powerful by her contact with the audience. © Clotilde Maréchal/Qobuz

Blues - Released April 13, 2018 | Provogue

Beth Hart is never out of the charts. Working solo or with Joe Bonamassa, the beauty is throwing out albums at an impressive rate. But her live recordings are somewhat rarer. After two live recordings in Amsterdam, the first at the Paradiso in 2005, the second with Bonamassa, her follower since 2010 and a tattooed Californian panther, she has brought out an American release, recorded for the show Front and Center, in the close atmosphere of New York's Iridium. A smoky vocal power sanctified in the intimacy of a jazz club will please the faithful. In it, the beautiful Hart shows off the spirit of her latest solo works Fire On The Floor, Jazz Man, No Place Like Home and Fat Man as well as older numbers like Baddest Blues, recalling the twenty-year stretch of hard happiness she sentenced us to. © Charlotte Saintoin/Qobuz

Blues - Released March 24, 2014 | J&R Adventures


Rock - Released October 5, 2012 | Mascot Label Group - Provogue

Beth Hart received a considerable boost from her collaboration with guitarist Joe Bonamassa, but her 2013 album, Bang Bang Boom Boom, finds the blues-rock belter returning to her comfort zone, working with producer Kevin Shirley and running through a selection of songs that are originals; songs that emphasize Hart's range and power. In some ways, this is the purest record Hart has yet recorded; there is a real sense of what she can sing and how she lays back, waiting for the moment when her wailing would create the strongest disruption. That means Bang Bang Boom Boom feels familiar without being complacent: there is no surprise in style but rather in attack, how Hart waits for the precise moment to unleash her fury. Sometimes, it seems that Hart would be well-served by stretching herself just a bit, but Bang Bang Boom Boom isn't an album that's meant to surprise. It's supposed to hit its mark with precision and minimal flair, and that's exactly what it does. [The American edition contains a bonus track: the stellar live version of "I'd Rather Go Blind," that Hart performed with Jeff Beck at the 2012 Kennedy Center Honors in tribute to Buddy Guy.] ~ Stephen Thomas Erlewine

Rock - Released August 13, 2009 | Provogue


Rock - Released October 8, 2010 | Mascot Records


Blues - Released October 14, 2016 | Provogue

Beth Hart took some risks on 2015's Better Than Home, an ambitious record that sadly saw its co-producer Michael Stevens die from cancer during its recording. Given all this, it's not such a surprise to see Hart loosen up for its 2017 sequel, Fire on the Floor. Feeling the urgent need to exorcize lingering demons, Hart returned to the studio to cut Fire on the Floor before Better Than Home was released, and the record does carry a sense of urgency: It indeed feels fresh, even spontaneous. Certainly, it doesn't feel as weighty as the raw, yearning Better Than Home, not with the humor and swagger that Hart displays throughout the album. Working with producer Oliver Leiber, who helped assemble a selection of studio pros highlighted by the legendary studio guitarist Waddy Wachtel and organist Ivan Neville, Hart seems relaxed and playful -- a sensibility that's evident from the opening "Jazz Man." This song title suggests that she might be headed down a jazzy road, but Fire on the Floor showcases her versatility, bouncing between slinky jazz and grinding blues ("Love Gangster") while finding space for outright rockers ("Fat Man"), Southern soul ("Let's Get Together"), and a gospel-inflected ballad ("No Place Like Home"). None of this feels showy: it flows easily and naturally, the songs connected by their deep Americana roots and the snappy skill of the players. Even if the album is slick and in the pocket, it's soulful; it feels like Hart is reconnecting with the reason why she makes music and that's what gives Fire on the Floor a kick. ~ Stephen Thomas Erlewine

Pop/Rock - Released March 10, 2005 | Columbia


Pop - Released July 12, 1999 | Atlantic Records

L.A.-based rock singer Beth Hart released Screamin' for My Supper in 1999, three years after her debut, Immortal. Producing herself with help from longtime collaborator Tal Herzberg, and playing piano, keyboards, and arranging string sections, Screamin' for My Supper is a mature, fully realized sounding record. She kicks things off with "Just a Little Hole," a midtempo, smoldering cut with organ that gives it a blues/gospel feel. Hart's slightly raspy vocals complement things with a twinge of heartache and regret. "Delicious Surprise" is a punchy, roots-inflected rocker co-written with Glen Burtnik. "L.A. Song," the lead single, explores the darker side of sunny Southern California with gentle piano backing and hushed, understated vocals that make the song thought-provoking and compelling. Other noteworthy cuts include the slinky melody of "Is That Too Much to Ask," with an infectious chorus and smoking harmonica, and the poignant "By Her," which adds strings and accordion to the mix. Screamin' for My Supper is a confident effort that is a bit more rough-hewn than Sheryl Crow but fits comfortably into the same arena. ~ Tom Demalon

Blues - Released October 5, 2012 | Provogue


Pop/Rock - Released September 2, 2004 | Columbia


Rock - Released February 12, 2016 | Provogue


Blues - Released December 6, 2017 | J&R Adventures


Rock - Released September 14, 2012 | Mascot Label Group - Provogue


Rock - Released October 1, 2012 | Provogue Records


Blues - Released May 1, 2016 | Provogue


Rock - Released May 20, 2011 | Mascot Records


Blues - Released March 6, 2017 | Provogue


Blues - Released August 30, 2018 | Provogue


Beth Hart in the magazine