Ludwig van Beethoven
The events of Beethoven's life are the stuff of Romantic legend, evoking images of the solitary creator shaking his fist at Fate and finally overcoming it through a supreme effort of creative will. His compositions, which frequently pushed the boundaries of tradition and startled audiences with their originality and power, are considered by many to be the foundation of 19th century musical principles.
Born in the small German city of Bonn on or around December 16, 1770, he received his early training from his father and other local musicians. As a teenager, he earned some money as an assistant to his teacher, Christian Gottlob Neefe, then was granted half of his father's salary as court musician from the Electorate of Cologne in order to care for his two younger brothers as his father gave in to alcoholism. Beethoven played viola in various orchestras, becoming friends with other players such as Antoine Reicha, Nikolaus Simrock, and Franz Ries, and began taking on composition commissions. As a member of the court chapel orchestra, he was able to travel some and meet members of the nobility, one of whom, Count Ferdinand Waldstein, would become a great friend and patron to him. Beethoven moved to Vienna in 1792 to study with Haydn; despite the prickliness of their relationship, Haydn's concise humor helped form Beethoven's style. His subsequent teachers in composition were Johann Georg Albrechtsberger and Antonio Salieri. In 1794, he began his career in earnest as a pianist and composer, taking advantage whenever he could of the patronage of others. Around 1800, Beethoven began to notice his gradually encroaching deafness. His growing despondency only intensified his antisocial tendencies. However, the Symphony No. 3, "Eroica," of 1803 began a sustained period of groundbreaking creative triumph. In later years, Beethoven was plagued by personal difficulties, including a series of failed romances and a nasty custody battle over a nephew, Karl. Yet after a long period of comparative compositional inactivity lasting from about 1811 to 1817, his creative imagination triumphed once again over his troubles. Beethoven's late works, especially the last five of his 16 string quartets and the last four of his 32 piano sonatas, have an ecstatic quality in which many have found a mystical significance. Beethoven died in Vienna on March 26, 1827.
Beethoven's epochal career is often divided into early, middle, and late periods, represented, respectively, by works based on Classic-period models, by revolutionary pieces that expanded the vocabulary of music, and by compositions written in a unique, highly personal musical language incorporating elements of contrapuntal and variation writing while approaching large-scale forms with complete freedom. Though certainly subject to debate, these divisions point to the immense depth and multifariousness of Beethoven's creative personality. Beethoven profoundly transformed every genre he touched, and the music of the 19th century seems to grow from his compositions as if from a chrysalis. A formidable pianist, he moved the piano sonata from the drawing room to the concert hall with such ambitious and virtuosic middle-period works as the "Waldstein" (No. 21) and "Appassionata" (No. 23) sonatas. His song cycle An die ferne Geliebte of 1816 set the pattern for similar cycles by all the Romantic song composers, from Schubert to Wolf. The Romantic tradition of descriptive or "program" music began with Beethoven's "Pastoral" Symphony No. 6. Even in the second half of the 19th century, Beethoven still directly inspired both conservatives (such as Brahms, who, like Beethoven, fundamentally stayed within the confines of Classical form) and radicals (such as Wagner, who viewed the Ninth Symphony as a harbinger of his own vision of a total art work, integrating vocal and instrumental music with the other arts). In many ways revolutionary, Beethoven's music remains universally appealing because of its characteristic humanism and dramatic power.
© Rovi Staff /TiVo
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Happy New Year! Joyful Classical
Ludwig van Beethoven, Wolfgang Amadeus Mozart, Frédéric Chopin
Classical - Released by UME - Global Clearing House on 26 Dec 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Abbado conducts Beethoven
Ludwig van Beethoven, Claudio Abbado
Classical - Released by UME - Global Clearing House on 20 Jun 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Gilels plays Beethoven
Ludwig van Beethoven, Emil Gilels
Classical - Released by UME - Global Clearing House on 4 Jul 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Encores for Cello
Chamber Music - Released by Heritage Records on 16 Jul 2014
16-Bit CD Quality 44.1 kHz - Stereo -
A Tribute: Maurizio Pollini
Maurizio Pollini, Johann Sebastian Bach, Ludwig van Beethoven
Classical - Released by UME - Global Clearing House on 8 Apr 2024
16-Bit CD Quality 44.1 kHz - Stereo -
Beethoven: Piano Concertos 4 & 5
Hannes Minnaar, Jan Willem de Vriend
Classical - Released by Challenge Classics on 20 Feb 2015
16-Bit CD Quality 44.1 kHz - Stereo -
Voices
Beethoven Philharmonie, Thomas Rösner
Classical - Released by Odradek Records on 7 Aug 2020
24-Bit 96.0 kHz - Stereo -
Mozart & Beethoven: Works for Violin
Ji Won Song, Jose Gallardo, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Fritz Kreisler, Pablo de Sarasate
Classical - Released by Rondeau Production on 27 Apr 2018
24-Bit 96.0 kHz - Stereo -
Beethoven: Piano Sonatas Nos. 1, 6, & 7
Bruno Leonardo Gelber, Ludwig van Beethoven
Classical - Released by Denon on 1 Jan 2010
The Qobuz Essential Discography16-Bit CD Quality 44.1 kHz - Stereo -
Barenboim plays Beethoven
Daniel Barenboim, Ludwig van Beethoven
Classical - Released by UME - Global Clearing House on 11 Jun 2021
16-Bit CD Quality 44.1 kHz - Stereo -
Christian Elsner: Urgedanken (Beethoven, Mahler, Wagner, Brahms)
Christian Elsner, Burkhard Kehring, Ludwig van Beethoven, Gustav Mahler, Richard Wagner, Johannes Brahms
Classical - Released by Rondeau Production on 2 Dec 2022
24-Bit 48.0 kHz - Stereo -
Peaceful Classics
Classical - Released by Stradivari Classics on 23 Mar 2011
16-Bit CD Quality 44.1 kHz - Stereo -
Key of A: Beethoven Sonata No. 9 - Franck Sonata
Lara St. John, Matt Herskowitz
Chamber Music - Released by Ancalagon LLC on 17 Apr 2020
24-Bit 44.1 kHz - Stereo -
Beethoven: Complete Violin Sonatas
Chamber Music - Released by Heritage Records on 24 Jan 2015
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Beethoven: Violin Concerto, Symphony No.8 & Brahms: Sextet
Classical - Released by Onyx Classics on 15 Jun 2015
24-Bit 96.0 kHz - Stereo -
Beethoven: The Piano Sonatas
Classical - Released by Regis Records on 27 May 2013
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Beethoven: Piano Sonatas Nos. 13, 14 "Moonlight" & 15 "Pastorale"
Classical - Released by Mezhdunarodnaya Kniga Musica on 10 Oct 2005
16-Bit CD Quality 44.1 kHz - Stereo -
Pires plays Beethoven
Maria João Pires, Ludwig van Beethoven
Classical - Released by UME - Global Clearing House on 22 May 2021
16-Bit CD Quality 44.1 kHz - Stereo -
Piano Meditation - Bach, Beethoven, Mozart
Johann Sebastian Bach, Wolfgang Amadeus Mozart, Ludwig van Beethoven
Classical - Released by UME - Global Clearing House on 21 Feb 2021
16-Bit CD Quality 44.1 kHz - Stereo -
Beethoven: Piano Trio "Archduke"
Leonid Kogan, Mstislav Rostropovich, Emil Gilels
Classical - Released by MUSIC ONLINE on 1 Jan 1957
16-Bit CD Quality 44.1 kHz - Stereo -
Beethoven: The Sonatas & Variations for Cello and Piano
Chamber Music - Released by Onyx Classics on 9 Dec 2016
24-Bit 96.0 kHz - Stereo