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Chamber Music - Released October 20, 2017 | naïve classique

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Classical - Released October 7, 2016 | Deutsche Grammophon (DG)

Hi-Res Booklet Distinctions 5 de Diapason - 4F de Télérama - Gramophone Award - Gramophone Record of the Month - Choc de Classica - Choc Classica de l'année
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Classical - Released August 22, 2011 | Sony Classical

Hi-Res Booklet Distinctions Choc de Classica - Hi-Res Audio
To celebrate the 200th anniversary of Franz Liszt's birth, virtuoso pianist Lang Lang has selected some of the composer's most characteristic pieces for his 2011 Sony release, Liszt: My Piano Hero. Prominent on this album is the Piano Concerto No. 1 in E flat major, which features Lang Lang in a high-energy performance with Valery Gergiev and the Vienna Philharmonic. Without a doubt, most of Lang Lang's fans will savor this Romantic showpiece, and for technical brilliance and drama, the performance doesn't disappoint. He is especially lively and vivid in this work, and his interactions with the orchestra seem spontaneous and playful, as one might well imagine Liszt would have been. But Lang Lang seems more introspective and personally involved with the solo keyboard pieces that make up the greater part of the album. Here also is the flashy side of Liszt, but there is a greater emphasis on the poetic and rhapsodic, so Lang Lang indulges in reflective pieces as much as the flashy encores. Highlights include La Campanella, the Grand Galop chromatique, Liebestraum No. 3, the Hungarian Rhapsody No. 6, and the arrangement of Schubert's Ave Maria.
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Classical - Released October 24, 2011 | naïve classique

Distinctions Diapason d'or de l'année - Diapason d'or - Choc de Classica
Recorded in the spring and summer of 2011, Bertrand Chamayou's set of Franz Liszt's Années de pèlerinage (Years of Pilgrimage) was released just in time to honor the composer's 200th anniversary in October. That year saw a number of releases and reissues of the complete Années, and this ambitious collection of picturesque vignettes became increasingly popular despite its considerable length. The years in the title were the late 1830s, when Liszt and the Countess Marie d'Agoult traveled across Switzerland and Italy, and the pieces summon the full range of Romantic piano gestures and techniques, put at the service of poetic description and expressive power. Chamayou presents the music with great vitality and brilliance; indeed, the Années can only be played well by a virtuoso, which he certainly is. Yet there is always an undercurrent of reverie and restless wandering that he conveys, which shows a true sympathy with Liszt's aims, as well as an uncanny ability to create and maintain tension for extended periods, even when the music might offer some kind of resolution or release. A kind of "extreme pianist," Chamayou has dazzled critics with his concert performances of this expansive work, and he has impressed them with his stamina in pieces of similar difficulty and duration. The resonant recording in the Théâtre Auditorium de Poitiers adds a certain haziness in the soft, dreamlike sections, though loud passages and the most thunderous climaxes are sonorous and quite clear.
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Solo Piano - Released April 20, 2018 | Orfeo

Hi-Res Booklet Distinctions 5 de Diapason
The church bells that he heard aged four, walking in the streets of Zurich with his parents, were the point of departure for the young Swiss pianist Francesco Piemontesi who still remembers this moment as a shock that violently brought home the power of music. The sonic beauty and harmonic richness in the tolling of the bells set something off in his unconscious, sparking a lifelong quest for the timbres and sonorities that he is so deft at bringing to life on his piano. At the age of five, he tried to reproduce the sound of the bells on a little toy piano; at twelve, he played Grieg's Concerto in A Minor and started to perform in public. But two years later he became aware of the limits of his technical abilities and also of the strange tensions wracking his body. His encounter with the pianist Cécile Ousset was decisive. He re-learned his entire technique and turned to face his career with renewed confidence. Just like in a fairy tale, one day he received a letter from Alfred Brendel who had heard him by chance on the radio, and asked to work with him. After spending a whole hour on the first lines of Beethoven's Fourth Concerto, the young man would work on his whole repertoire with the great master, whom he would regularly visit in London. Later Murray Perahia would teach him the structures of a work, so he could build his own interpretations. Today, Francesco Piemontesi has become a master in his own right, playing all over the world with the greatest orchestras; he was also the musical director of the Ascona Music Weeks, where he heard all the greatest pianists of his youth. The Ticinese worked for a long time with Brendel to bring his Liszt to maturity, which allowed him to offer up this fine recording of the Première Année de pèlerinage, dedicated to his native Switzerland, which he knows so well. This new recording doesn't conjure up an image of Piemontesi as the superficial virtuoso, but rather of Liszt as a great creator of innovative harmonies, who would have so much influence on the generations that followed him. © François Hudry/Qobuz
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Classical - Released July 8, 2016 | Deutsche Grammophon Classics

Hi-Res Booklet
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Classical - Released January 1, 1987 | Decca Music Group Ltd.

Distinctions The Qobuz Ideal Discography
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Solo Piano - Released May 3, 2016 | Piano Classics

Hi-Res Distinctions Gramophone Editor's Choice
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Classical - Released August 23, 2011 | naïve classique

Booklet Distinctions Diapason d'or - Gramophone Editor's Choice
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Classical - Released January 1, 1980 | Decca Music Group Ltd.

Distinctions The Qobuz Ideal Discography
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Classical - Released April 27, 2018 | Aparté

Hi-Res Booklet Distinctions 5 Sterne Fono Forum Klassik
Athanor. A mysterious name to designate, in alchemy, the long-combustion furnace that produces the philosopher’s stone. This matrix, which symbolises the quest of one who seeks to the Absolute, is a metaphor of Liszt’s approach. With the patience of the alchemist who pursues the perfection of the material, the virtuoso composer and pianist has long matured the genesis of his two Piano Concertos and of the Totentanz: in fact, more than 20 years separate the first sketches of their publication. These three major works are each crossed by a powerfull and captivating leading theme, and driven by a logic of transformation: the Totentanz uses the theme and variations form while the concertos are unifyed by a unique theme that nourishes the whole musical flow through its metamorphoses. Pianist Beatrice Berrut, who was already venturing on the Lisztian paths in her previous record, testifies here to the infinite invention of the composer: she performs the first Concerto with its last variants noted by Liszt himself on the copy of his pupil Hans von Bülow. © Aparté
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Classical - Released February 10, 1986 | Decca Music Group Ltd.

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Classical - Released January 1, 1992 | Deutsche Grammophon (DG)

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Classical - Released January 1, 2011 | Decca

Distinctions Diapason d'or
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Classical - Released January 1, 1988 | Deutsche Grammophon Classics

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Solo Piano - Released January 20, 2017 | Aparté

Hi-Res Booklet Distinctions 4 étoiles de Classica
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Classical - Released January 1, 1977 | Deutsche Grammophon (DG)

Distinctions The Qobuz Ideal Discography
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Solo Piano - Released September 29, 2017 | Mirare

Hi-Res Booklet Distinctions 5 de Diapason - Choc de Classica
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Classical - Released February 15, 2001 | Warner Classics

Distinctions The Qobuz Ideal Discography
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Classical - Released January 1, 2001 | Decca Music Group Ltd.

Distinctions The Qobuz Ideal Discography