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Violin Concertos - Released April 13, 2018 | Ondine

Hi-Res Booklet Distinctions Diapason d'or - Gramophone Award - Gramophone Record of the Month - Exceptional sound - 5 Sterne Fono Forum Klassik - 5 étoiles de Classica
Today, Finland is one of the richest musical countries on Earth. Thanks to the exceptional quality of its musical teaching it produces numerous composers, conductors and artists who perform all over the world. The very rich catalogue of the dynamic Finnish publisher Ondine contains several recordings of the German violinist Christian Tetzlaff (Sonatas and Partitas for Solo Violin) by Bach, Mozart's sonatas, Trios by Brahms, concertos by Mendelssohn, Schumann and Shostakovich); and the Finnish conductor Hannu Lintu (Sibelius, Mahler, Enescu, Berio, Messiaen, Lindberg, Melartin), but it is their first record together. Bartók's two Violin Concertos were written thirty years apart, for two virtuosos. While the Second Concerto in the form of variations on a theme that develop ingeniously across three movements, has been well-known for a long time, the first remained unheard for years. Written as a declaration of love for the Hungarian-Swiss violinist Stefi Geyer, for whom Bartók had fallen, it was a secret kept by the dedicatee: it was only long after the composer's death that the violinist let Bartók's patron and close friend, the conductor Paul Sacher, know about the work. He would see that it was performed, with Hansheinz Schneeberger, but only in 1958. Bartók's two concertos, essential parts of the repertoire for violin and orchestra would enjoy a well-deserved resurgence in interest among a younger generation of violinists – the recording of the same works by Renaud Capuçon for Warner came out a few weeks ago. This new version, magnificently recorded, carefully explores all the orchestral richness, in perfect dialogue with Christian Tetzlaff's outstanding violin. © François Hudry/Qobuz
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Classical - Released January 18, 2019 | naïve classique

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Following on from its highly-acclaimed complete cycle of string quartets from the Viennese School, the Quatuor Diotima reaches new heights in its discography with a recording of some of the most significant works of the 20th century music: the six quartets of Béla Bartok, born out of the different artistic and political influences of the time. “These six quartets give us a genuine overview of the composer’s personal life, from his first disappointment in love to the heartbreaking farewell to his mother and his homeland. The evolution of his musical language is equally spectacular. Starting with a post-Romanticism imbued with folklore, still very present in the first two quartets, the Bartókian identity is fully asserted in the great works of his maturity that are the Third, Fourth and Fifth Quartets, and culminates in the highly individual form of the Sixth Quartet, one great song of despair and nostalgia. […] There is a before and an after Bartók in the quartet world. He renews, reinvents all the issues of the genre, the question of the relationship between the voices of the quartet governing the forms, the search for the ‘little difference’, the search for heterogeneity in so homogeneous a medium.” © Naive Classique
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Classical - Released November 11, 2013 | harmonia mundi

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