Qobuz Store wallpaper
Categories:
Cart 0

Your cart is empty

Billie Eilish|WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish

Available in
logo Hi-Res
24-Bit 44.1 kHz - Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

“We are not serious when we are 17.” But Billie Eilish has all the marks of a serious young lady and someone who we should indeed take seriously. At the age of sixteen she released the noteworthy Don’t Smile at Me, an EP created with the help of her older brother, Finneas O’Connell. The EP is comprised of the singles Copycat, Bellyache and Ocean Eyes and was posted two years earlier on Soundcloud when Eilish was just 14 years old. Critics hailed her music due to its depiction of a lost adolescent with bleached hair, dressed in oversized sweaters. With the album When We All Fall Asleep, Where Do We Go? and its strange title and shocking cover, Eilish and her dark hair flaunt their more obscure side. One is immediately struck with how well polished Finneas O’Connell’s production is after an intro in which Eilish jokingly mocks her brother for his Invisalign (a kind of invisible dental brace). The first track Bad Guy features an EDM beat which contrasts with the dreaminess of the subsequent Xanny. The rest of the album follows this trend, weaving together both harsh and soft songs combined with the mature lyrics of a girl who was diagnosed with Tourette’s at the age of 11 and speaks of Xanax and young girls descent into a hellish existence. In this mix of gloomy pop and creepy trap beats, Eilish excels. A real eye-opener. © Charlotte Saintoin/Qobuz

More info

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 80 million songs with an unlimited streaming plan.

Listen to this playlist and more than 80 million songs with our unlimited streaming plans.

From £10.83/month

1
!!!!!!!
00:00:13

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist - Billie Eilish O'Connell, ComposerLyricist

℗ 2019 Darkroom/Interscope Records

2
bad guy
00:03:14

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist - Billie Eilish O'Connell, ComposerLyricist

℗ 2019 Darkroom/Interscope Records, Mit freundlicher Genehmigung: Universal Music Group, Inc.

3
xanny
00:04:03

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist - Billie Eilish O'Connell, ComposerLyricist

℗ 2019 Darkroom/Interscope Records

4
you should see me in a crown
00:03:00

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist - Billie Eilish O'Connell, ComposerLyricist

℗ 2018 Darkroom/Interscope Records

5
all the good girls go to hell
00:02:48

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist - Billie Eilish O'Connell, ComposerLyricist

℗ 2019 Darkroom/Interscope Records

6
wish you were gay
00:03:41

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist - Billie Eilish O'Connell, ComposerLyricist

℗ 2019 Darkroom/Interscope Records

7
when the party's over
00:03:16

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, Vocals, MainArtist, AssociatedPerformer - Finneas O'Connell, Producer, Percussion, Piano, Background Vocalist, AssociatedPerformer, ComposerLyricist, Bass (Vocal)

℗ 2018 Darkroom/Interscope Records

8
8
00:02:53

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist - Billie Eilish O'Connell, ComposerLyricist

℗ 2019 Darkroom/Interscope Records

9
my strange addiction
00:02:59

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist

℗ 2019 Darkroom/Interscope Records

10
bury a friend
00:03:13

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist - Billie Eilish O'Connell, ComposerLyricist

℗ 2019 Darkroom/Interscope Records

11
ilomilo
00:02:36

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist - Billie Eilish O'Connell, ComposerLyricist

℗ 2019 Darkroom/Interscope Records

12
listen before i go
00:04:02

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist - Billie Eilish O'Connell, ComposerLyricist

℗ 2019 Darkroom/Interscope Records

13
i love you
00:04:51

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist - Billie Eilish O'Connell, ComposerLyricist

℗ 2019 Darkroom/Interscope Records

14
goodbye
00:01:59

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist - Billie Eilish O'Connell, ComposerLyricist

℗ 2019 Darkroom/Interscope Records

Album Description

“We are not serious when we are 17.” But Billie Eilish has all the marks of a serious young lady and someone who we should indeed take seriously. At the age of sixteen she released the noteworthy Don’t Smile at Me, an EP created with the help of her older brother, Finneas O’Connell. The EP is comprised of the singles Copycat, Bellyache and Ocean Eyes and was posted two years earlier on Soundcloud when Eilish was just 14 years old. Critics hailed her music due to its depiction of a lost adolescent with bleached hair, dressed in oversized sweaters. With the album When We All Fall Asleep, Where Do We Go? and its strange title and shocking cover, Eilish and her dark hair flaunt their more obscure side. One is immediately struck with how well polished Finneas O’Connell’s production is after an intro in which Eilish jokingly mocks her brother for his Invisalign (a kind of invisible dental brace). The first track Bad Guy features an EDM beat which contrasts with the dreaminess of the subsequent Xanny. The rest of the album follows this trend, weaving together both harsh and soft songs combined with the mature lyrics of a girl who was diagnosed with Tourette’s at the age of 11 and speaks of Xanax and young girls descent into a hellish existence. In this mix of gloomy pop and creepy trap beats, Eilish excels. A real eye-opener. © Charlotte Saintoin/Qobuz

About the album

Improve this page

Qobuz logo Why buy on Qobuz...

On sale now...

I Dream Of Christmas

Norah Jones

I Dream Of Christmas Norah Jones

...‘Til We Meet Again - Live

Norah Jones

Ghost Song

Cécile McLorin Salvant

Ghost Song Cécile McLorin Salvant

Beethoven : 9 Symphonies (1963)

Herbert von Karajan

Beethoven : 9 Symphonies (1963) Herbert von Karajan
More on Qobuz
By Billie Eilish

Happier Than Ever (Explicit)

Billie Eilish

No Time To Die

Billie Eilish

No Time To Die Billie Eilish

dont smile at me

Billie Eilish

dont smile at me Billie Eilish

Happier Than Ever

Billie Eilish

Happier Than Ever Billie Eilish

Happier Than Ever

Billie Eilish

Happier Than Ever Billie Eilish

Playlists

You may also like...

A Light for Attracting Attention

The Smile

My Universe

Coldplay

My Universe Coldplay

Unlimited Love

Red Hot Chili Peppers

Unlimited Love Red Hot Chili Peppers

Dropout Boogie

The Black Keys

Dropout Boogie The Black Keys

Music Of The Spheres

Coldplay

In your panoramas...
The Black Keys in 10 Songs

From 2001, The Black Keys have been reminding the world about the real roots of the Blues, cutting away all the frills and unnecessary solos. Their music has always been untamed, abrupt and minimalist. Dan Auerbach and Patrick Carney developed this unique style over the course of two decades, without once selling their souls to the devil at a Mississippi crossroads. Here are ten songs to prove it.

40 Years of Post-punk in 10 Albums

In the twilight of the ’70s, as the shrapnel of the punk explosion was still settling, the movement was already inspiring new groups. As New Wave unfurled, the post-punk movement represented a tortured, even radical turn. From pioneers Joy Division and The Fall to current bands Shame and Fontaines D.C., here’s a close-up on the landmark albums that electrified the entire music world and continue to fascinate the rock’n’roll underground.

The Women of Nashville

It's not easy to elbow your way through the macho Music City scene, the birthplace of country music, when you're a woman. Over the years, some of them have nevertheless managed to shift lines and attitudes, like these ten pioneers and revolutionaries who have put – even stamped – their boots on Nashville's table.

In the news...