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Margie Joseph|Margie Joseph

Margie Joseph

Margie Joseph

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Margie Joseph was never a huge name in soul -- she never became as famous as Aretha Franklin, Gladys Knight, Chaka Khan, or Tina Turner. But she is a talented, charming singer with a recognizable delivery; although greatly influenced by Franklin, Joseph has a softer, more girlish delivery. Unfortunately, she has rarely enjoyed the sort of promotion she deserves -- not at Stax, not at Atlantic. Joseph moved from Stax to Atlantic in 1972, recording this self-titled LP the following year. Produced by Arif Mardin, Margie Joseph offers an enjoyable mix of Northern and Southern soul styles. Much of the album is devoted to covers, and the songs that Joseph embraces range from Ellington Jordan's "I'd Rather Go Blind" and Al Green's "Let's Stay Together" to Brook Benton's "I'll Take Care of You." Joseph also picks a Dolly Parton song, putting a soul spin on "Touch Your Woman." Some people might be surprised to learn that Joseph recorded a tune by a country star, but then, a lot of country was very pop-minded in the early '70s. And besides, Parton is very much a crossover artist, not a hardcore honky-tonker a la Kitty Wells. This decent, if imperfect, LP has been out of print since the 1970s, but it's worth obtaining if you can track down a copy.

© Alex Henderson /TiVo

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Margie Joseph

Margie Joseph

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1
I Been Down
00:03:14

Ralph MacDonald, Percussion - Chuck Rainey, Bass - Arif Mardin, Arranger - David Spinozza, Guitar - Bernard Purdie, Drums - Cornell Dupree, Guitar - Richard Tee, Keyboards - Margie Joseph, Vocals, MainArtist - Maury Keener, Writer - Ron Galbraith, Writer

© 1973 Atlantic Recording Corp. ℗ 1975 Atlantic Records

2
Make Me Believe You'll Stay
00:04:27

Ralph MacDonald, Percussion - Arif Mardin, Arranger - Bernard Purdie, Drums - Cornell Dupree, Guitar - Hugh McCracken, Guitar - Richard Tee, Keyboards - Jerry Jemmott, Bass - JOHN ANDERSON, Writer - Margie Joseph, Vocals, MainArtist

© 1973 Atlantic Recording Corp. ℗ 1975 Atlantic Records

3
Let's Stay Together
00:03:27

Al Jackson, Writer - Chuck Rainey, Bass - Arif Mardin, Arranger - David Spinozza, Guitar - Bernard Purdie, Drums - Cornell Dupree, Guitar - Richard Tee, Keyboards - Norman Pride, Percussion - WILLIE MITCHELL, Writer - Al Green, Writer - Margie Joseph, Vocals, MainArtist

© 1973 Atlantic Recording Corp. ℗ 1975 Atlantic Records

4
Turn Around and Love You
00:03:34

Ralph MacDonald, Percussion - Donna Weiss, Writer - Arif Mardin, Arranger - Cornell Dupree, Guitar - Hugh McCracken, Guitar - Richard Tee, Keyboards - Jerry Jemmott, Bass - Margie Joseph, Vocals, MainArtist

© 1973 Atlantic Recording Corp. ℗ 1975 Atlantic Records

5
I'm Only a Woman
00:04:36

Ralph MacDonald, Percussion - Ben Peters, Writer - Chuck Rainey, Bass - Arif Mardin, Arranger - David Spinozza, Guitar - Bernard Purdie, Drums - Cornell Dupree, Guitar - Richard Tee, Keyboards - Margie Joseph, Vocals, MainArtist

© 1973 Atlantic Recording Corp. ℗ 1975 Atlantic Records

6
Let's Go Somewhere and Love
00:02:56

Kenny O'Dell, Writer - Larry Henley, Writer - Margie Joseph, Vocals, MainArtist

© 1973 Atlantic Recording Corp. ℗ 1975 Atlantic Records

7
You Better Know It
00:03:14

Ralph MacDonald, Percussion - Arif Mardin, Arranger - Bernard Purdie, Drums - Cornell Dupree, Guitar - Hugh McCracken, Guitar - Richard Tee, Keyboards - Jerry Jemmott, Bass - David Williams, Writer - Margie Joseph, Vocals, MainArtist - Calvin White, Writer

© 1973 Atlantic Recording Corp. ℗ 1975 Atlantic Records

8
Touch Your Woman
00:03:13

Ralph MacDonald, Percussion - Arif Mardin, Arranger - Cornell Dupree, Guitar - Hugh McCracken, Guitar - Richard Tee, Keyboards - Jerry Jemmott, Bass - Dolly Parton, Composer - Margie Joseph, Vocals, MainArtist - David Purdie, Drums

© 1973 Atlantic Recording Corp. ℗ 1975 Atlantic Records

9
I'll Take Care of You
00:03:39

Chuck Rainey, Bass - Arif Mardin, Arranger - David Spinozza, Guitar - Cornell Dupree, Guitar - Richard Tee, Keyboards - Brook Benton, Composer, Writer - Margie Joseph, Vocals, MainArtist - David Purdie, Drums

© 1973 Atlantic Recording Corp. ℗ 1975 Atlantic Records

10
I'm so Glad I'm Your Woman
00:03:53

Ralph MacDonald, Performance - Arif Mardin, Arranger, Electric Piano, Writer - Cornell Dupree, Guitar - Hugh McCracken, Guitar - Richard Tee, Keyboards - Jerry Jemmott, Bass - Margie Joseph, Vocals, Writer, MainArtist - David Purdie, Drums

© 1973 Atlantic Recording Corp. ℗ 1975 Atlantic Records

11
How Do You Spell Love
00:03:52

Chuck Rainey, Bass - David Spinozza, Guitar - Bernard Purdie, Drums - Cornell Dupree, Guitar - Richard Tee, Keyboards - Stickland, Writer - Patterson, Writer - Margie Joseph, Vocals, MainArtist - Boxley, Writer

© 1973 Atlantic Recording Corp. ℗ 1975 Atlantic Records

12
I'd Rather Go Blind
00:05:49

Ralph MacDonald, Percussion - Billy Foster, Writer - Ellington Jordan, Writer - Bernard Purdie, Drums - Cornell Dupree, Guitar - Hugh McCracken, Guitar - Richard Tee, Keyboards - Jerry Jemmott, Bass - Margie Joseph, Vocals, MainArtist - Etta James, Writer

© 1973 Atlantic Recording Corp. ℗ 1975 Atlantic Records

Album review

Margie Joseph was never a huge name in soul -- she never became as famous as Aretha Franklin, Gladys Knight, Chaka Khan, or Tina Turner. But she is a talented, charming singer with a recognizable delivery; although greatly influenced by Franklin, Joseph has a softer, more girlish delivery. Unfortunately, she has rarely enjoyed the sort of promotion she deserves -- not at Stax, not at Atlantic. Joseph moved from Stax to Atlantic in 1972, recording this self-titled LP the following year. Produced by Arif Mardin, Margie Joseph offers an enjoyable mix of Northern and Southern soul styles. Much of the album is devoted to covers, and the songs that Joseph embraces range from Ellington Jordan's "I'd Rather Go Blind" and Al Green's "Let's Stay Together" to Brook Benton's "I'll Take Care of You." Joseph also picks a Dolly Parton song, putting a soul spin on "Touch Your Woman." Some people might be surprised to learn that Joseph recorded a tune by a country star, but then, a lot of country was very pop-minded in the early '70s. And besides, Parton is very much a crossover artist, not a hardcore honky-tonker a la Kitty Wells. This decent, if imperfect, LP has been out of print since the 1970s, but it's worth obtaining if you can track down a copy.

© Alex Henderson /TiVo

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