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Elisaveta Blumina|Kancheli: A Little Daneliade, Valse Boston, 18 Miniatures & Largo & Allegro

Kancheli: A Little Daneliade, Valse Boston, 18 Miniatures & Largo & Allegro

Elisaveta Blumina, Hartmut Schill and Robert-Schumann-Philharmonie

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Composer Gija Kancheli is becoming more and more frequently performed, and if the four works here are not now common items, that may change. They are somewhat different in flavor from the composer's symphonies, but Rodion Shchedrin's maxim that Kancheli is "an ascetic with the temperament of a maximalist, a restrained Vesuvius" still applies. Kancheli wrote a good deal of film music, and the fascinating opening work here, A Little Daneliade for piano, strings, and percussion, relates to that; the title refers to film director Giya Daneliya, and the piece's rather strange discourse of single violin gestures punctuated by silences and stronger outbursts from the whole group evokes the director's science fiction comedy Kin-dza-dza!, with its telepathic characters. Also absorbing is the Valse Boston for piano and strings, which, for much of its length, seems to be anything but a waltz until one realizes that the waltz rhythm is generally hanging there in the background. These two pieces are conducted from the keyboard by Elisaveta Blumina, and she has a fine feeling for the slightly ironic language of these works and a good rapport with the venerable Robert-Schumann-Philharmonie. That quality is also present in the excerpts from the 18 Miniatures for violin and piano and the early Largo & Allegro for piano, strings, and timpani, although these are closer to a neo-Romantic language. Nothing here is dull in the least, and the album seems likely to expand the growing canon of performed Kancheli works.

© James Manheim /TiVo

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Kancheli: A Little Daneliade, Valse Boston, 18 Miniatures & Largo & Allegro

Elisaveta Blumina

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1
A Little Daneliade
00:09:12

Giya Kancheli, Composer - Elisaveta Blumina, Conductor, MainArtist - Hartmut Schill, MainArtist - Robert-Schumann-Philharmonie, Orchestra, MainArtist - Sikorski Music Publishing, MusicPublisher

2023 Capriccio, 1040 Vienna, Austria 2023 Capriccio, 1040 Vienna, Austria

2
Valse Boston
00:22:23

Giya Kancheli, Composer - Elisaveta Blumina, Conductor, MainArtist - Robert-Schumann-Philharmonie, Orchestra, MainArtist - Sikorski Music Publishing, MusicPublisher

2023 Capriccio, 1040 Vienna, Austria 2023 Capriccio, 1040 Vienna, Austria

3
18 Miniatures for Violin & Piano: No. 1, Lontano
00:02:06

Giya Kancheli, Composer - Elisaveta Blumina, MainArtist - Hartmut Schill, MainArtist

2023 Capriccio, 1040 Vienna, Austria 2023 Capriccio, 1040 Vienna, Austria

4
18 Miniatures for Violin & Piano: No. 3, Cantabile, rubato
00:02:36

Giya Kancheli, Composer - Elisaveta Blumina, MainArtist - Hartmut Schill, MainArtist

2023 Capriccio, 1040 Vienna, Austria 2023 Capriccio, 1040 Vienna, Austria

5
18 Miniatures for Violin & Piano: No. 7, Cantabile grazioso
00:02:24

Giya Kancheli, Composer - Elisaveta Blumina, MainArtist - Hartmut Schill, MainArtist

2023 Capriccio, 1040 Vienna, Austria 2023 Capriccio, 1040 Vienna, Austria

6
18 Miniatures for Violin & Piano: No. 8, Dolce
00:03:07

Giya Kancheli, Composer - Elisaveta Blumina, MainArtist - Hartmut Schill, MainArtist

2023 Capriccio, 1040 Vienna, Austria 2023 Capriccio, 1040 Vienna, Austria

7
18 Miniatures for Violin & Piano: No. 9, Dolcissimo
00:03:04

Giya Kancheli, Composer - Elisaveta Blumina, MainArtist - Hartmut Schill, MainArtist - Robert-Schumann-Philharmonie, MainArtist

2023 Capriccio, 1040 Vienna, Austria 2023 Capriccio, 1040 Vienna, Austria

8
18 Miniatures for Violin & Piano: No. 10, Sostenuto
00:02:45

Giya Kancheli, Composer - Elisaveta Blumina, MainArtist - Hartmut Schill, MainArtist

2023 Capriccio, 1040 Vienna, Austria 2023 Capriccio, 1040 Vienna, Austria

9
18 Miniatures for Violin & Piano: No. 12, Quasi recitando
00:03:01

Giya Kancheli, Composer - Elisaveta Blumina, MainArtist - Hartmut Schill, MainArtist

2023 Capriccio, 1040 Vienna, Austria 2023 Capriccio, 1040 Vienna, Austria

10
18 Miniatures for Violin & Piano: No. 17, Dolcissimo
00:03:27

Giya Kancheli, Composer - Elisaveta Blumina, MainArtist - Hartmut Schill, MainArtist

2023 Capriccio, 1040 Vienna, Austria 2023 Capriccio, 1040 Vienna, Austria

11
18 Miniatures for Violin & Piano: No. 18, Dolce
00:02:25

Giya Kancheli, Composer - Elisaveta Blumina, MainArtist - Hartmut Schill, MainArtist

2023 Capriccio, 1040 Vienna, Austria 2023 Capriccio, 1040 Vienna, Austria

12
Largo & Allegro: I. Largo
00:06:07

Giya Kancheli, Composer - Elisaveta Blumina, Conductor, MainArtist - Robert-Schumann-Philharmonie, Orchestra, MainArtist - Sikorski Music Publishing, MusicPublisher

2023 Capriccio, 1040 Vienna, Austria 2023 Capriccio, 1040 Vienna, Austria

13
Largo & Allegro: II. Allegro
00:04:42

Giya Kancheli, Composer - Elisaveta Blumina, Conductor, MainArtist - Robert-Schumann-Philharmonie, Orchestra, MainArtist - Sikorski Music Publishing, MusicPublisher

2023 Capriccio, 1040 Vienna, Austria 2023 Capriccio, 1040 Vienna, Austria

Album review

Composer Gija Kancheli is becoming more and more frequently performed, and if the four works here are not now common items, that may change. They are somewhat different in flavor from the composer's symphonies, but Rodion Shchedrin's maxim that Kancheli is "an ascetic with the temperament of a maximalist, a restrained Vesuvius" still applies. Kancheli wrote a good deal of film music, and the fascinating opening work here, A Little Daneliade for piano, strings, and percussion, relates to that; the title refers to film director Giya Daneliya, and the piece's rather strange discourse of single violin gestures punctuated by silences and stronger outbursts from the whole group evokes the director's science fiction comedy Kin-dza-dza!, with its telepathic characters. Also absorbing is the Valse Boston for piano and strings, which, for much of its length, seems to be anything but a waltz until one realizes that the waltz rhythm is generally hanging there in the background. These two pieces are conducted from the keyboard by Elisaveta Blumina, and she has a fine feeling for the slightly ironic language of these works and a good rapport with the venerable Robert-Schumann-Philharmonie. That quality is also present in the excerpts from the 18 Miniatures for violin and piano and the early Largo & Allegro for piano, strings, and timpani, although these are closer to a neo-Romantic language. Nothing here is dull in the least, and the album seems likely to expand the growing canon of performed Kancheli works.

© James Manheim /TiVo

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