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Coro Della Rai Di Milano|Ildebrando Pizzetti: Debora E Jaele

Ildebrando Pizzetti: Debora E Jaele

Coro Della Rai Di Milano, Orchestra Della Rai Di Milano, Gianandrea Gavazeni

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Ildebrando Pizzetti's 1921 opera Dèbora e Jaéle has had a fluctuating reputation since its premiere at La Scala. Advocates for Pizzetti generally consider it his masterpiece, and in 1956, a panel of Italian critics voted it the third most important opera of the twentieth century, tied with Salome for the honor. It has subsequently received few productions, however; this release dates from a 1952 recording. The plot is loosely based on the Biblical story of the Hebrew Judge, Deborah, and her triumph over the Canaanites, with the assistance of Jael, who murders Sisera, the Canaanite captain. Pizzetti, who wrote the libretto himself, invented a romance between Jael and Sisera; she kills him only to save him from the cruel vengeance of the Hebrews. The set lacks a libretto, and contains only cursory notes and synopsis, in a marginally comprehensible translation. Lacking a libretto or a detailed summary, it's difficult to comment on the opera in terms of its success as a musical expression of the drama. Taken purely on its own terms, the music, while conscientious and skillfully constructed, sounds more illustrative than driven by an inexorable musical logic. The music is tonal, largely lyrical, and has some dramatic urgency, but it only rarely opens out into the full-throated lyricism that makes for compelling musical theater. The final scene is genuinely gripping; if the opera had more such moments, it would be easy to imagine the work finding a larger audience, but as it is, its obscurity is understandable. The soloists, including Cloe Elmo, Clara Petrella, Maria Amadini, and Gino Penno, sing with conviction and passion, successfully bringing the characters to life. The Orchestra Sinfonico di Milano della RAI, led by Gianandrea Gavazzeni, plays raggedly. The music for chorus, some of the most effective writing in the opera, is sung with precision and high energy by the Milan RAI chorus. The recorded sound is tolerable, but there is some persistent background noise.
© TiVo

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Ildebrando Pizzetti: Debora E Jaele

Coro Della Rai Di Milano

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1
Debora E Jaele: Erster Akt - Scillem, Scillem
00:05:56

Copyright Control, MusicPublisher - Ildebrando Pizzetti, Composer - Ildebrand Pizzetti, Lyricist - Coro Della Rai Di Milano, MainArtist - Orchestra Della Rai Di Milano, MainArtist

2011 Cantus Classics 2011 AfHO/Line Music GmbH

2
Debora E Jaele: Erster Akt - Chi puo saperla
00:06:26

Copyright Control, MusicPublisher - Ildebrando Pizzetti, Composer - Ildebrand Pizzetti, Lyricist - Coro Della Rai Di Milano, MainArtist - Orchestra Della Rai Di Milano, MainArtist

2011 Cantus Classics 2011 AfHO/Line Music GmbH

3
Debora E Jaele: Erster Akt - Largo! Fatemi largo!
00:07:38

Copyright Control, MusicPublisher - Ildebrando Pizzetti, Composer - Ildebrand Pizzetti, Lyricist - Coro Della Rai Di Milano, MainArtist - Orchestra Della Rai Di Milano, MainArtist

2011 Cantus Classics 2011 AfHO/Line Music GmbH

4
Debora E Jaele: Erster Akt - Se noi soffriamo dell'ira del Signore
00:07:11

Copyright Control, MusicPublisher - Ildebrando Pizzetti, Composer - Ildebrand Pizzetti, Lyricist - Coro Della Rai Di Milano, MainArtist - Orchestra Della Rai Di Milano, MainArtist

2011 Cantus Classics 2011 AfHO/Line Music GmbH

5
Debora E Jaele: Erster Akt - Tu che la stringi in braccio
00:05:37

Copyright Control, MusicPublisher - Ildebrando Pizzetti, Composer - Ildebrand Pizzetti, Lyricist - Coro Della Rai Di Milano, MainArtist - Orchestra Della Rai Di Milano, MainArtist

2011 Cantus Classics 2011 AfHO/Line Music GmbH

6
Debora E Jaele: Erster Akt - Dal monte d'Efraim Debora
00:08:02

Copyright Control, MusicPublisher - Ildebrando Pizzetti, Composer - Ildebrand Pizzetti, Lyricist - Coro Della Rai Di Milano, MainArtist - Orchestra Della Rai Di Milano, MainArtist

2011 Cantus Classics 2011 AfHO/Line Music GmbH

7
Debora E Jaele: Erster Akt - Beati quei che hanno confidato
00:04:11

Copyright Control, MusicPublisher - Ildebrando Pizzetti, Composer - Ildebrand Pizzetti, Lyricist - Coro Della Rai Di Milano, MainArtist - Orchestra Della Rai Di Milano, MainArtist

2011 Cantus Classics 2011 AfHO/Line Music GmbH

8
Debora E Jaele: Erster Akt - Madre, comandami
00:04:43

Copyright Control, MusicPublisher - Ildebrando Pizzetti, Composer - Ildebrand Pizzetti, Lyricist - Coro Della Rai Di Milano, MainArtist - Orchestra Della Rai Di Milano, MainArtist

2011 Cantus Classics 2011 AfHO/Line Music GmbH

9
Debora E Jaele: Zweiter Akt - Conceda il sommo Baal
00:03:56

Copyright Control, MusicPublisher - Ildebrando Pizzetti, Composer - Ildebrand Pizzetti, Lyricist - Coro Della Rai Di Milano, MainArtist - Orchestra Della Rai Di Milano, MainArtist

2011 Cantus Classics 2011 AfHO/Line Music GmbH

10
Debora E Jaele: Zweiter Akt - Le mani di costui
00:05:59

Copyright Control, MusicPublisher - Ildebrando Pizzetti, Composer - Ildebrand Pizzetti, Lyricist - Coro Della Rai Di Milano, MainArtist - Orchestra Della Rai Di Milano, MainArtist

2011 Cantus Classics 2011 AfHO/Line Music GmbH

11
Debora E Jaele: Zweiter Akt - Alala! Alala!
00:07:33

Copyright Control, MusicPublisher - Ildebrando Pizzetti, Composer - Ildebrand Pizzetti, Lyricist - Coro Della Rai Di Milano, MainArtist - Orchestra Della Rai Di Milano, MainArtist

2011 Cantus Classics 2011 AfHO/Line Music GmbH

12
Debora E Jaele: Zweiter Akt - Un giorno
00:06:05

Copyright Control, MusicPublisher - Ildebrando Pizzetti, Composer - Ildebrand Pizzetti, Lyricist - Coro Della Rai Di Milano, MainArtist - Orchestra Della Rai Di Milano, MainArtist

2011 Cantus Classics 2011 AfHO/Line Music GmbH

13
Debora E Jaele: Zweiter Akt - Egli era vecchio e folle
00:07:17

Copyright Control, MusicPublisher - Ildebrando Pizzetti, Composer - Ildebrand Pizzetti, Lyricist - Coro Della Rai Di Milano, MainArtist - Orchestra Della Rai Di Milano, MainArtist

2011 Cantus Classics 2011 AfHO/Line Music GmbH

14
Debora E Jaele: Zweiter Akt - Ohime! Ohime!
00:03:51

Copyright Control, MusicPublisher - Ildebrando Pizzetti, Composer - Ildebrand Pizzetti, Lyricist - Coro Della Rai Di Milano, MainArtist - Orchestra Della Rai Di Milano, MainArtist

2011 Cantus Classics 2011 AfHO/Line Music GmbH

15
Debora E Jaele: Zweiter Akt - Odi, Jaele?
00:08:54

Copyright Control, MusicPublisher - Ildebrando Pizzetti, Composer - Ildebrand Pizzetti, Lyricist - Coro Della Rai Di Milano, MainArtist - Orchestra Della Rai Di Milano, MainArtist

2011 Cantus Classics 2011 AfHO/Line Music GmbH

16
Debora E Jaele: Dritter Akt - E dice che scappavan come lepri
00:04:58

Copyright Control, MusicPublisher - Ildebrando Pizzetti, Composer - Ildebrand Pizzetti, Lyricist - Coro Della Rai Di Milano, MainArtist - Orchestra Della Rai Di Milano, MainArtist

2011 Cantus Classics 2011 AfHO/Line Music GmbH

17
Debora E Jaele: Dritter Akt - Ah! Ah! Sei tu
00:03:24

Copyright Control, MusicPublisher - Ildebrando Pizzetti, Composer - Ildebrand Pizzetti, Lyricist - Coro Della Rai Di Milano, MainArtist - Orchestra Della Rai Di Milano, MainArtist

2011 Cantus Classics 2011 AfHO/Line Music GmbH

18
Debora E Jaele: Dritter Akt - Sisera!
00:04:16

Copyright Control, MusicPublisher - Ildebrando Pizzetti, Composer - Ildebrand Pizzetti, Lyricist - Coro Della Rai Di Milano, MainArtist - Orchestra Della Rai Di Milano, MainArtist

2011 Cantus Classics 2011 AfHO/Line Music GmbH

19
Debora E Jaele: Dritter Akt - Sta la, dietro le grate
00:06:18

Copyright Control, MusicPublisher - Ildebrando Pizzetti, Composer - Ildebrand Pizzetti, Lyricist - Coro Della Rai Di Milano, MainArtist - Orchestra Della Rai Di Milano, MainArtist

2011 Cantus Classics 2011 AfHO/Line Music GmbH

20
Debora E Jaele: Dritter Akt - No, non ci sono piu
00:08:59

Copyright Control, MusicPublisher - Ildebrando Pizzetti, Composer - Ildebrand Pizzetti, Lyricist - Coro Della Rai Di Milano, MainArtist - Orchestra Della Rai Di Milano, MainArtist

2011 Cantus Classics 2011 AfHO/Line Music GmbH

21
Debora E Jaele: Dritter Akt - Sono certa
00:06:59

Copyright Control, MusicPublisher - Ildebrando Pizzetti, Composer - Ildebrand Pizzetti, Lyricist - Coro Della Rai Di Milano, MainArtist - Orchestra Della Rai Di Milano, MainArtist

2011 Cantus Classics 2011 AfHO/Line Music GmbH

22
Debora E Jaele: Dritter Akt - Gia le lance e le spade
00:04:51

Copyright Control, MusicPublisher - Ildebrando Pizzetti, Composer - Ildebrand Pizzetti, Lyricist - Coro Della Rai Di Milano, MainArtist - Orchestra Della Rai Di Milano, MainArtist

2011 Cantus Classics 2011 AfHO/Line Music GmbH

Album review

Ildebrando Pizzetti's 1921 opera Dèbora e Jaéle has had a fluctuating reputation since its premiere at La Scala. Advocates for Pizzetti generally consider it his masterpiece, and in 1956, a panel of Italian critics voted it the third most important opera of the twentieth century, tied with Salome for the honor. It has subsequently received few productions, however; this release dates from a 1952 recording. The plot is loosely based on the Biblical story of the Hebrew Judge, Deborah, and her triumph over the Canaanites, with the assistance of Jael, who murders Sisera, the Canaanite captain. Pizzetti, who wrote the libretto himself, invented a romance between Jael and Sisera; she kills him only to save him from the cruel vengeance of the Hebrews. The set lacks a libretto, and contains only cursory notes and synopsis, in a marginally comprehensible translation. Lacking a libretto or a detailed summary, it's difficult to comment on the opera in terms of its success as a musical expression of the drama. Taken purely on its own terms, the music, while conscientious and skillfully constructed, sounds more illustrative than driven by an inexorable musical logic. The music is tonal, largely lyrical, and has some dramatic urgency, but it only rarely opens out into the full-throated lyricism that makes for compelling musical theater. The final scene is genuinely gripping; if the opera had more such moments, it would be easy to imagine the work finding a larger audience, but as it is, its obscurity is understandable. The soloists, including Cloe Elmo, Clara Petrella, Maria Amadini, and Gino Penno, sing with conviction and passion, successfully bringing the characters to life. The Orchestra Sinfonico di Milano della RAI, led by Gianandrea Gavazzeni, plays raggedly. The music for chorus, some of the most effective writing in the opera, is sung with precision and high energy by the Milan RAI chorus. The recorded sound is tolerable, but there is some persistent background noise.
© TiVo

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