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John Adams|Hallelujah Junction

Hallelujah Junction

John Adams

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John Adams: Hallelujah Junction serves as a best-of collection that chronicles the composer's career and points up the breadth and depth of Adams' contribution to American musical life in the late twentieth and early twenty first centuries. It was released to coincide with the publication of Adams' memoir, Hallelujah Junction: Composing an American Life. This kind of broad retrospective always raises the question about whether omissions leave gaping holes in its summation of a composer's work, and it must be said that this collection gets it right; the important works are covered, and when only a section or movement of a larger piece is chosen, it's the right one, most likely because the composer was involved in the selection process. Two of Adams' most widely performed and recorded pieces, Short Ride in a Fast Machine and The Chairman Dances, are not included, but in the grand scheme of things they are less significant than the works that are included. All of these performances come from the Nonesuch catalog. It doesn't hurt that Adams has an exclusive contract with Nonesuch to release the first recording of each work, and most of the performances here have the authority of being recorded with the composer's input.
The collection covers works beginning with Shaker Loops from 1978 (in its orchestral version) to A Flowering Tree, Adams' 2006 opera. Other highlights include the first movement of Harmonielehre, the third movement of Harmonium, the sublime third scene of the first act of Nixon in China (which Adams describes as one of the favorite things he has written), "Mongrel Airs" from the Chamber Symphony, the two opening choruses from The Death of Klinghoffer, two excerpts from El Niño, and "A New Day" from The Dharma at Big Sur. The performances are uniformly superlative. The sound, too, is consistently good, except for Harmonium, which, uncharacteristically for ECM, has balance problems. The recordings were made in various circumstances, which may require some adjustment of volume between tracks. For the newcomer to Adams, there's no better introduction to his work, and even fans who already own recordings of many of these pieces may find this survey an exhilarating reminder of the scope of the composer's imagination.

© TiVo

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Hallelujah Junction

John Adams

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1
Harmonielehre, Pt. I
John Newton
00:17:04

San Francisco Symphony, Orchestra, MainArtist - Edo de Waart, Conductor, MainArtist - John Newton, Engineer - John Adams, Composer - Wilhelm Hellweg, Producer

© 2008 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. ℗ 1985 Nonesuch Records

2
Shaker Loops: I. Shaking and Trembling
Paul Zinman
00:08:25

John Adams, Composer, Conductor, MainArtist - Paul Zinman, Engineer - Philip Waldway, Producer - Orchestra Of St Luke's, Orchestra, MainArtist

© 2008 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. ℗ 1996 Nonesuch Records

3
Harmonium: III. Wild Nights
John Newton
00:11:41

San Francisco Symphony, Orchestra, MainArtist - John Newton, Engineer - John Adams, Composer, Conductor, MainArtist - Wilhelm Hellweg, Producer - San Francisco Symphony Chorus, Chorus, MainArtist

© 2008 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. ℗ 1999 Nonesuch Records

4
Nixon in China, Act I, Scene 3: "Ladies and Gentlemen, Comrades and Friends"
Wilhelm Hellweg
00:06:36

Sanford Sylvan, Baritone Vocals, MainArtist - Edo de Waart, Conductor, MainArtist - John Adams, Composer - Wilhelm Hellweg, Producer - Alice Goodman, Lyricist - Orchestra Of St Luke's, Orchestra, MainArtist

© 2008 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. ℗ 1988 Nonesuch Records

5
Nixon in China, Act I, Scene 3: "Mr. Premier, Distinguished Guests"
Wilhelm Hellweg
00:02:37

Edo de Waart, Conductor, MainArtist - John Adams, Composer - Wilhelm Hellweg, Producer - Alice Goodman, Lyricist - Orchestra Of St Luke's, Orchestra, MainArtist - James Maddalena, Baritone Vocals, MainArtist

© 2008 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. ℗ 1988 Nonesuch Records

6
Nixon in China, Act I, Scene 3: Cheers
Wilhelm Hellweg
00:03:46

Carolann Page, Soprano Vocals, MainArtist - Sanford Sylvan, Baritone Vocals, MainArtist - Edo de Waart, Conductor, MainArtist - John Adams, Composer - Wilhelm Hellweg, Producer - Alice Goodman, Lyricist - Orchestra Of St Luke's, Orchestra, MainArtist - James Maddalena, Baritone Vocals, MainArtist - Thomas Hammons, MainArtist, Bass-Baritone Vocals

© 2008 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. ℗ 1988 Nonesuch Records

7
Chamber Symphony: I. Mongrel Airs
JOHN MCCLURE
00:07:47

Dick Lewzey, Engineer - John Adams, Composer, Conductor, MainArtist - London Sinfonietta, Orchestra, MainArtist - JOHN MCCLURE, Producer

© 2008 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. ℗ 1994 Nonesuch Records

8
Gnarly Buttons: III. Put Your Loving Arms Around Me
John Adams
00:08:32

John Adams, Composer, Conductor, MainArtist - Geoff Foster, Engineer - Michael Collins, Clarinet - London Sinfonietta, Orchestra, MainArtist - Kees de Visser, MixingEngineer - Philip Waldway, Producer

© 2008 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. ℗ 1998 Nonesuch Records

9
Hoodoo Zephyr
Mark Grey
00:10:21

John Adams, Composer, Producer, Piano, MainArtist - Mark Grey, Engineer

© 2008 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. ℗ 1993 Nonesuch Records

10
The Death of Klinghoffer, Prologue: Chorus of Exiled Palestinians (LP Version)
Kent Nagano
00:08:34

John Adams, Composer - Kent Nagano, Conductor, MainArtist - JOHN MCCLURE, Producer - Alice Goodman, Librettist - The London Opera Chorus, Chorus, MainArtist - The Opera De Lyon, Orchestra, MainArtist

© 2008 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. ℗ 1992 Nonesuch Records - Elektra Entertainment, a division of Warner Communications, Inc.

11
The Death of Klinghoffer, Prologue: Chorus of Exiled Jews (LP Version)
Kent Nagano
00:08:35

John Adams, Composer - Kent Nagano, Conductor, MainArtist - JOHN MCCLURE, Producer - Alice Goodman, Librettist - The London Opera Chorus, Chorus, MainArtist - The Opera De Lyon, Orchestra, MainArtist

© 2008 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. ℗ 1992 Elektra Entertainment, a division of Warner Communications Inc. for the United States and WEA International Inc. for the world outside the United States.

12
¡Este Pais! / This Country
Tom Lazarus
00:04:24

Audra McDonald, Vocals - Michael McElroy, Vocals - John Adams, Composer, Conductor, MainArtist - Tom Lazarus, Engineer - Tommy Krasker, Producer - Seppo Kantonen, Keyboards - June Jordan, Lyricist - Marja Mutru, Keyboards - Janne Murto, Saxophone - Jari-Pekka Karvonen, Drums - Kari Tenkanen, Clarinet - Markku Tabell, Keyboards

© 2008 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. ℗ 1998 Nonesuch Records

13
Violin Concerto: III. Toccare
Martin Sauer
00:07:40

John Adams, Composer - London Symphony Orchestra, Orchestra, MainArtist - Gidon Kremer, Violin, MainArtist - Ulrich Ruscher, Engineer - Kent Nagano, Conductor, MainArtist - Martin Sauer, Producer

© 2008 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. ℗ 1996 Nonesuch Records

14
Naive and Sentimental Music: Pt. III - Chain to the Rhythm
Esa-Pekka Salonen
00:10:54

John Adams, Composer - Richard King, Engineer - Martin Sauer, Producer - Esa-Pekka Salonen, Conductor, MainArtist - Los Angeles Philharmonic, Orchestra, MainArtist

© 2008 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. ℗ 2002 Nonesuch Records

15
El Niño: The Babe Leaped in Her Womb
Kent Nagano
00:03:30

Mark Gray, Engineer - John Adams, Composer - Kent Nagano, Conductor, MainArtist - The London Voices, Choir, MainArtist - Wilhelm Hellweg, Producer - Patrick Marco, Director - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Theatre of Voices, Counter-Tenor Vocals

© 2008 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. ℗ 2001 Nonesuch Records

16
El Niño: Magnificat
Kent Nagano
00:03:23

Mark Gray, Engineer - John Adams, Composer - Dawn Upshaw, Soprano Vocals - Kent Nagano, Conductor, MainArtist - The London Voices, Choir, MainArtist - Wilhelm Hellweg, Producer - Patrick Marco, Director - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Theatre of Voices, Counter-Tenor Vocals

© 2008 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. ℗ 2001 Nonesuch Records

17
A Flowering Tree: Act II, Scene 4 - Kumudha and the Beggar Minstrels
London Symphony Orchestra
00:07:08

John Adams, Composer, Lyricist, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Peter Sellars, Lyricist - Jessica Rivera, Soprano Vocals, MainArtist

© 2008 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. ℗ 2008 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States.

18
The Dharma at Big Sur: Pt. I - A New Day
BBC Symphony Orchestra
00:14:33

Tracy Silverman, Violin, MainArtist - John Adams, Composer, Conductor, MainArtist - BBC Symphony Orchestra, Orchestra, MainArtist

© 2008 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. ℗ 2006 Nonesuch Records, Inc.

Album review

John Adams: Hallelujah Junction serves as a best-of collection that chronicles the composer's career and points up the breadth and depth of Adams' contribution to American musical life in the late twentieth and early twenty first centuries. It was released to coincide with the publication of Adams' memoir, Hallelujah Junction: Composing an American Life. This kind of broad retrospective always raises the question about whether omissions leave gaping holes in its summation of a composer's work, and it must be said that this collection gets it right; the important works are covered, and when only a section or movement of a larger piece is chosen, it's the right one, most likely because the composer was involved in the selection process. Two of Adams' most widely performed and recorded pieces, Short Ride in a Fast Machine and The Chairman Dances, are not included, but in the grand scheme of things they are less significant than the works that are included. All of these performances come from the Nonesuch catalog. It doesn't hurt that Adams has an exclusive contract with Nonesuch to release the first recording of each work, and most of the performances here have the authority of being recorded with the composer's input.
The collection covers works beginning with Shaker Loops from 1978 (in its orchestral version) to A Flowering Tree, Adams' 2006 opera. Other highlights include the first movement of Harmonielehre, the third movement of Harmonium, the sublime third scene of the first act of Nixon in China (which Adams describes as one of the favorite things he has written), "Mongrel Airs" from the Chamber Symphony, the two opening choruses from The Death of Klinghoffer, two excerpts from El Niño, and "A New Day" from The Dharma at Big Sur. The performances are uniformly superlative. The sound, too, is consistently good, except for Harmonium, which, uncharacteristically for ECM, has balance problems. The recordings were made in various circumstances, which may require some adjustment of volume between tracks. For the newcomer to Adams, there's no better introduction to his work, and even fans who already own recordings of many of these pieces may find this survey an exhilarating reminder of the scope of the composer's imagination.

© TiVo

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