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Woody Guthrie|GUTHRIE, Woody: Pastures of Plenty (1940-1947)

GUTHRIE, Woody: Pastures of Plenty (1940-1947)

GUTHRIE, Woody: Pastures of Plenty (1940-1947)

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Woody Guthrie's discography was a bit of a mess already before the 1990s began and his 50-year-old recordings began to go out of copyright in Europe. After the formal studio sessions for RCA Victor Records that produced the two three-disc 78 rpm albums Dust Bowl Ballads, Vol. 1 and Dust Bowl Ballads, Vol. 2 (later combined onto a single LP and CD) in 1940, Guthrie recorded hundreds of tracks for Moses Asch in the mid-'40s that Asch later released on his Folkways Records label, although some of them escaped to other hands in the wake of a 1947 bankruptcy, such that, when Guthrie became widely popular in the '60s, LPs of widely varying quality came out on various labels. After the Smithsonian Institution acquired the Folkways catalog in the '80s, some order began to emerge. But European copyright law once again opens the floodgates to low-quality, unauthorized, but technically legal Guthrie reissues. The British Prism Leisure label exists primarily to take advantage of the copyright limit, and Pastures of Plenty selects more or less randomly from material recorded for RCA and Asch, including tracks that later turned up on such labels as Stinson. The carelessness with which the tracks have been chosen is suggested by the inclusion of "Tom Joad, Pt. 2," the second half of a song Guthrie was forced to break into two parts for RCA because of the time limitations of a 78 disc, even though "Tom Joad, Pt. 1" is not included here. There are no annotations to speak of, only a brief biographical essay by Tony Watts that contains factual errors. (For example, Arlo Guthrie is not the progeny of Woody Guthrie's first marriage, contrary to Watts' contention.) This is hardly the ideal way to encounter Woody Guthrie, but the collection does provide value for the money if purchased at the modest price at which it was being offered in mail-order catalogs in the U.S. upon release (even though, technically, it should not be available for purchase in the U.S., where copyrights last much longer).
© William Ruhlmann /TiVo

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GUTHRIE, Woody: Pastures of Plenty (1940-1947)

Woody Guthrie

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Talking Dust Bowl Blues (Woody Guthrie)

1
Talking Dust Bowl Blues
Various Interprets
00:02:44

Woody Guthrie, Composer, Performer

2004 Naxos

Blowin' Down This Road (Woody Guthrie)

2
Blowin' Down This Road
Various Interprets
00:03:05

Lee Hays, Composer - Woody Guthrie, Lyricist, Performer

2004 Naxos

Do Re Mi (Woody Guthrie)

3
Do Re Mi
Various Interprets
00:02:38

Woody Guthrie, Lyricist, Performer

2004 Naxos

Tom Joad (Woody Guthrie)

4
Tom Joad
Various Interprets
00:06:31

Woody Guthrie, Lyricist, Performer

2004 Naxos

Dusty Old Dust (So long, it's been good to know ya) (Woody Guthrie)

5
Dusty Old Dust (So Long It's Been Good To Know Yuh)
Various Interprets
00:03:08

Woody Guthrie, Lyricist, Performer

2004 Naxos

Talking Sailor (Woody Guthrie)

6
Talking Sailor
Various Interprets
00:03:07

Woody Guthrie, Composer, Performer

2004 Naxos

Grand Coulee Dam (Woody Guthrie)

7
Grand Coulee Dam
Various Interprets
00:02:15

Woody Guthrie, Lyricist, Performer

2004 Naxos

Gypsy Davy (arr. W. Guthrie) (Traditional)

8
Gypsy Davy
Woody Guthrie
00:02:55

Woody Guthrie, Performer - Traditional, Composer

2004 Naxos

Jesus Christ (Woody Guthrie)

9
Jesus Christ
Various Interprets
00:02:45

Woody Guthrie, Composer, Performer

2004 Naxos

New York Town (Woody Guthrie)

10
New York Town
Cisco Houston
00:02:40

Woody Guthrie, Lyricist, Performer - Cisco Houston, Performer

2004 Naxos

Who's Gonna Shoe Your Pretty Little Feet (Traditional)

11
Who's Gonna Shoe Your Pretty Little Feet
Woody Guthrie
00:02:35

Woody Guthrie, Performer - Cisco Houston, Performer - Traditional, Composer

2004 Naxos

Mule Skinner Blues (Jimmie Rodgers)

12
Mule Skinner Blues
Woody Guthrie
00:02:53

PETE SEEGER, Performer - Woody Guthrie, Performer - Jimmie Rodgers, Composer - Cisco Houston, Performer

2004 Naxos

Biggest Thing Man Has Ever Done (Woody Guthrie)

13
Biggest Thing Man Has Ever Done
Various Interprets
00:02:23

Woody Guthrie, Composer, Performer

2004 Naxos

Ludlow Massacre (Woody Guthrie)

14
Ludlow Massacre
Various Interprets
00:03:33

Woody Guthrie, Composer, Performer

2004 Naxos

1913 Massacre (Woody Guthrie)

15
1913 Massacre
Various Interprets
00:03:40

Woody Guthrie, Composer, Performer

2004 Naxos

This Land Is Your Land (Woody Guthrie)

16
This Land Is Your Land
Various Interprets
00:02:17

Woody Guthrie, Lyricist, Performer

2004 Naxos

Pastures Of Plenty (Woody Guthrie)

17
Pastures Of Plenty
Various Interprets
00:02:31

Woody Guthrie, Lyricist, Performer

2004 Naxos

Ramblin' Blues (Woody Guthrie)

18
Ramblin' Blues
Various Interprets
00:02:19

Woody Guthrie, Composer, Performer

2004 Naxos

Talking Columbia Blues (Woody Guthrie)

19
Talking Columbia Blues
Various Interprets
00:02:33

Woody Guthrie, Lyricist, Performer

2004 Naxos

Album review

Woody Guthrie's discography was a bit of a mess already before the 1990s began and his 50-year-old recordings began to go out of copyright in Europe. After the formal studio sessions for RCA Victor Records that produced the two three-disc 78 rpm albums Dust Bowl Ballads, Vol. 1 and Dust Bowl Ballads, Vol. 2 (later combined onto a single LP and CD) in 1940, Guthrie recorded hundreds of tracks for Moses Asch in the mid-'40s that Asch later released on his Folkways Records label, although some of them escaped to other hands in the wake of a 1947 bankruptcy, such that, when Guthrie became widely popular in the '60s, LPs of widely varying quality came out on various labels. After the Smithsonian Institution acquired the Folkways catalog in the '80s, some order began to emerge. But European copyright law once again opens the floodgates to low-quality, unauthorized, but technically legal Guthrie reissues. The British Prism Leisure label exists primarily to take advantage of the copyright limit, and Pastures of Plenty selects more or less randomly from material recorded for RCA and Asch, including tracks that later turned up on such labels as Stinson. The carelessness with which the tracks have been chosen is suggested by the inclusion of "Tom Joad, Pt. 2," the second half of a song Guthrie was forced to break into two parts for RCA because of the time limitations of a 78 disc, even though "Tom Joad, Pt. 1" is not included here. There are no annotations to speak of, only a brief biographical essay by Tony Watts that contains factual errors. (For example, Arlo Guthrie is not the progeny of Woody Guthrie's first marriage, contrary to Watts' contention.) This is hardly the ideal way to encounter Woody Guthrie, but the collection does provide value for the money if purchased at the modest price at which it was being offered in mail-order catalogs in the U.S. upon release (even though, technically, it should not be available for purchase in the U.S., where copyrights last much longer).
© William Ruhlmann /TiVo

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