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Lisa Friend|Essence - Lisa Friend Plays Fauré & Debussy

Essence - Lisa Friend Plays Fauré & Debussy

Lisa Friend, Rohan De Silva

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The flute takes a very special place in French music, particularly so in the late nineteenth and early twentieth centuries. As a result (and in addition to a great deal of original repertoire for the instrument) there is a significant body of work transcribed for flute and piano, which Lisa Friend and Rohan De Silva explore in this exquisite programme. Fauré’s first Violin Sonata, composed in 1875-76 works particularly well in transcription, with is sweeping melodies and lack of doublestopping.
The rapid scale passages in the third movement are especially effective. Debussy’s Prélude à l’après-midi d’un faune, based on a poem by Stéphane Mallarmé, is regarded by many (including Boulez) as the birthplace of modern music, Ravel choosing it to be played at his funeral. The original orchestral version opens with one of the bestknown flute solos in the repertoire, making this transcription particularly appropriate. © Chandos

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Essence - Lisa Friend Plays Fauré & Debussy

Lisa Friend

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1
Prélude à l'après-midi d'un faune, L. 86, CD 87 (Arr. for Flute and Piano by Karl Lenski)
00:10:02

Claude Debussy, Composer - Rohan De Silva, Piano, MainArtist - Lisa Friend, Flute, MainArtist - Karl Lenski, Arranger

2019 Chandos Records 2019 Chandos Records

2
3 mélodies, Op. 7: I. Après un rêve (Arr. for Flute and Piano by Alain Marion)
00:03:11

Gabriel Fauré, Composer - Alain Marion, Arranger - Rohan De Silva, Piano, MainArtist - Lisa Friend, Flute, MainArtist

2019 Chandos Records 2019 Chandos Records

3
Fantaisie for Flute and Piano, Op. 79
00:05:11

Gabriel Fauré, Composer - Rohan De Silva, Piano, MainArtist - Lisa Friend, Flute, MainArtist

2019 Chandos Records 2019 Chandos Records

4
Suite Bergamasque, L. 75, CD 82: III. Clair de lune (Arr. for Flute and Piano by Peter Kolman)
00:05:19

Claude Debussy, Composer - Rohan De Silva, Piano, MainArtist - Lisa Friend, Flute, MainArtist - Peter Kolman, Arranger

2019 Chandos Records 2019 Chandos Records

5
Préludes, Livre I, L. 117, CD 125: VIII. La Fille aux cheveux de lin (Arr. for Flute and Piano by Arthur Hartmann)
00:02:43

Claude Debussy, Composer - Arthur Hartmann, Arranger - Rohan De Silva, Piano, MainArtist - Lisa Friend, Flute, MainArtist

2019 Chandos Records 2019 Chandos Records

Sonata No. 1 in A Major, Op. 13 (Arr. for Flute and Piano by Robert Stallman & Robert Casadesus) (Gabriel Fauré)

6
I. Allegro molto
00:10:00

Gabriel Fauré, Composer - Robert Casadesus, Arranger - Rohan De Silva, Piano, MainArtist - Robert Stallman, Arranger - Lisa Friend, Flute, MainArtist

2019 Chandos Records 2019 Chandos Records

7
II. Andante
00:07:11

Gabriel Fauré, Composer - Robert Casadesus, Arranger - Rohan De Silva, Piano, MainArtist - Robert Stallman, Arranger - Lisa Friend, Flute, MainArtist

2019 Chandos Records 2019 Chandos Records

8
III. Allegro vivo
00:04:36

Gabriel Fauré, Composer - Robert Casadesus, Arranger - Rohan De Silva, Piano, MainArtist - Robert Stallman, Arranger - Lisa Friend, Flute, MainArtist

2019 Chandos Records 2019 Chandos Records

9
IV. Allegro quasi presto
00:05:49

Gabriel Fauré, Composer - Robert Casadesus, Arranger - Rohan De Silva, Piano, MainArtist - Robert Stallman, Arranger - Lisa Friend, Flute, MainArtist

2019 Chandos Records 2019 Chandos Records

Album review

The flute takes a very special place in French music, particularly so in the late nineteenth and early twentieth centuries. As a result (and in addition to a great deal of original repertoire for the instrument) there is a significant body of work transcribed for flute and piano, which Lisa Friend and Rohan De Silva explore in this exquisite programme. Fauré’s first Violin Sonata, composed in 1875-76 works particularly well in transcription, with is sweeping melodies and lack of doublestopping.
The rapid scale passages in the third movement are especially effective. Debussy’s Prélude à l’après-midi d’un faune, based on a poem by Stéphane Mallarmé, is regarded by many (including Boulez) as the birthplace of modern music, Ravel choosing it to be played at his funeral. The original orchestral version opens with one of the bestknown flute solos in the repertoire, making this transcription particularly appropriate. © Chandos

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