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Melody Gardot - Currency Of Man

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Currency Of Man

Melody Gardot

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On 2012's The Absence, Melody Gardot made her first shift away from the jazz-tinged ballads that drew such heavy comparisons to Norah Jones and Madeleine Peyroux. Lushly orchestrated, it was chock-full of songs inspired by Brazilian, Latin, and French forms. On Currency of Man, Gardot takes on a rootsier sound, embracing West Coast soul, funk, gospel, and pop from the early '70s as the backdrop for these songs. It is not only different musically, but lyrically. This is a less "personal" record; its songs were deeply influenced by the people she encountered in L.A., many of them street denizens. She tells their stories and reflects on themes of social justice. It's wide angle. Produced by Larry Klein, the cast includes members of her band, crack session players -- guitarist Dean Parks, drummer Vinnie Colaiuta, Larry Goldings, the Waters Sisters, et al. -- and strings and horns. The title track is a funky blues with a rumbling bassline, dramatic strings (à la Motown) and fat horns. Gardot uses the lens of Sam Cooke to testify to the inevitability of change: "We all hopin’ for the day that the powers see abdication and run/Said it gonna come…." First single "Preacherman" is similar, employing a wrangling, smoldering blues that indicts racism in the 20st century by referring to the violent death of Emmett Till, a catalyst in the then-emergent Civil Rights movement. A driving B-3, saxophone, and menacing lead guitar ratchet up the tension to explosive. A gospel chorus mournfully affirms Gardot's vocal as a harmonica moans in the background. "Morning Sun" and closer "Once I Was Loved" are tender ballads that emerge from simple, hymn-like themes and quietly resonant with conviction. "Same to You" evokes the spirit of Dusty Springfield atop the punchy horns from her Memphis period, albeit with a West Coast sheen. The nylon-string guitar in "Don't Misunderstand" recalls Bill Withers' earthy funkiness. The song's a groover, but it's also a warning to a possessive lover. "Don't Talk" uses spooky polyrhythms (à la Tom Waits) as brooding, spacy slide guitars, B-3, and backing singers slice through forbidding blues under Gardot's voice. "If Ever I Recall Your Face" is jazzier, a 21st century take on the film noir ballad with glorious strings arranged by Clément Ducol that rise above a ghostly piano. "Bad News" simultaneously looks back at L.A.'s Central Avenue and burlesque scenes. It's a jazz-blues with a sauntering horn section, snaky electric guitar, and squawking saxophone solo. Vocally, Gardot is stronger than ever here, her instrument is bigger and fuller yet it retains that spectral smokiness that is her trademark. Currency of Man is a further step away from the lithe, winsome pop-jazz that garnered her notice initially, and it's a welcome one.
© Thom Jurek /TiVo

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Currency Of Man

Melody Gardot

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1
It Gonna Come
00:05:25

Jerry Hey, Horn Arranger, AssociatedPerformer - Bernie Grundman, Mastering Engineer, StudioPersonnel - Chris Owens, Asst. Recording Engineer, StudioPersonnel - Vanessa Parr, Asst. Recording Engineer, StudioPersonnel - Vinnie Colaiuta, Drums, AssociatedPerformer - Dan Higgins, Tenor Saxophone, Baritone Saxophone, AssociatedPerformer - LARRY KLEIN, Producer - Andy Martin, Trombone, AssociatedPerformer - Gary Grant, Trumpet, AssociatedPerformer - Maxine Waters Willard, Background Vocalist, AssociatedPerformer - Lynne Earls, Engineer, StudioPersonnel - Leslie Jones, Engineer, StudioPersonnel - Clément Ducol, String Arranger, Piano, AssociatedPerformer - Melody Gardot, Vocals, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Pete Kuzma, Organ, AssociatedPerformer - Maxime Le Guil, Mixer, Recording Engineer, StudioPersonnel - Andy Ford, Asst. Recording Engineer, StudioPersonnel - Irwin Hall, Alto Saxophone, AssociatedPerformer - Jeff Gartenbaum, Asst. Recording Engineer, StudioPersonnel - Clydene Jackson-Edwards, Background Vocalist, AssociatedPerformer - Robert Gatley, Asst. Recording Engineer, StudioPersonnel - Chuck Staab, Drums, AssociatedPerformer - Julia Waters Tillman, Background Vocalist, AssociatedPerformer - Gabriel Burch, Asst. Recording Engineer, StudioPersonnel - Pete Korpela, Percussion, AssociatedPerformer - Aristide Rosier, Asst. Recording Engineer, StudioPersonnel

℗ 2015 Melody Gardot, under exclusive licence to Decca, a division of Universal Music Operations Ltd

2
Preacherman
00:04:30

Bernie Grundman, Mastering Engineer, StudioPersonnel - Chris Owens, Asst. Recording Engineer, StudioPersonnel - Vanessa Parr, Asst. Recording Engineer, StudioPersonnel - LARRY KLEIN, Producer, Bass Guitar, AssociatedPerformer - Larry Goldings, Organ, AssociatedPerformer - Maxine Waters Willard, Background Vocalist, AssociatedPerformer - Lynne Earls, Engineer, StudioPersonnel - Melody Gardot, Electric Guitar, Vocals, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Mitchell Long, Electric Guitar, AssociatedPerformer - Maxime Le Guil, Mixer, Recording Engineer, StudioPersonnel - Andy Ford, Asst. Recording Engineer, StudioPersonnel - Irwin Hall, Alto Saxophone, AssociatedPerformer - Jeff Gartenbaum, Asst. Recording Engineer, StudioPersonnel - Clydene Jackson-Edwards, Background Vocalist, AssociatedPerformer - Robert Gatley, Asst. Recording Engineer, StudioPersonnel - Chuck Staab, Drums, AssociatedPerformer, ComposerLyricist - Julia Waters Tillman, Background Vocalist, AssociatedPerformer - Gabriel Burch, Asst. Recording Engineer, StudioPersonnel - Pete Korpela, Percussion, AssociatedPerformer - Aristide Rosier, Asst. Recording Engineer, StudioPersonnel - Heather Donavon, Background Vocalist, AssociatedPerformer

℗ 2015 Melody Gardot, under exclusive licence to Decca, a division of Universal Music Operations Ltd

3
Morning Sun
00:05:05

Jerry Hey, Horn Arranger, AssociatedPerformer - Bernie Grundman, Mastering Engineer, StudioPersonnel - Chris Owens, Asst. Recording Engineer, StudioPersonnel - Vanessa Parr, Asst. Recording Engineer, StudioPersonnel - Dan Higgins, Tenor Saxophone, Baritone Saxophone, AssociatedPerformer - LARRY KLEIN, Producer - Andy Martin, Trombone, AssociatedPerformer - Gary Grant, Trumpet, AssociatedPerformer - Lynne Earls, Engineer, StudioPersonnel - Dan Lutz, Bass Guitar, AssociatedPerformer - Leslie Jones, Engineer, StudioPersonnel - Clément Ducol, String Arranger, AssociatedPerformer - Melody Gardot, Piano, Vocals, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Maxime Le Guil, Mixer, Recording Engineer, StudioPersonnel - Andy Ford, Asst. Recording Engineer, StudioPersonnel - Irwin Hall, Alto Saxophone, AssociatedPerformer - Jeff Gartenbaum, Asst. Recording Engineer, StudioPersonnel - Robert Gatley, Asst. Recording Engineer, StudioPersonnel - Chuck Staab, Drums, AssociatedPerformer - Gabriel Burch, Asst. Recording Engineer, StudioPersonnel - Pete Korpela, Percussion, AssociatedPerformer - Aristide Rosier, Asst. Recording Engineer, StudioPersonnel - Heather Donavon, Background Vocalist, AssociatedPerformer - Reese Richardson, Electric Guitar, AssociatedPerformer

℗ 2015 Melody Gardot, under exclusive licence to Decca, a division of Universal Music Operations Ltd

4
Same To You
00:04:59

Dean Parks, Electric Guitar, AssociatedPerformer - Jerry Hey, Horn Arranger, AssociatedPerformer - Bernie Grundman, Mastering Engineer, StudioPersonnel - Chris Owens, Asst. Recording Engineer, StudioPersonnel - Vanessa Parr, Asst. Recording Engineer, StudioPersonnel - Vinnie Colaiuta, Drums, AssociatedPerformer - Dan Higgins, Tenor Saxophone, Baritone Saxophone, AssociatedPerformer - LARRY KLEIN, Producer - Andy Martin, Trombone, Bass Trombone, AssociatedPerformer - Gary Grant, Trumpet, AssociatedPerformer - Larry Goldings, Organ, AssociatedPerformer - Maxine Waters Willard, Background Vocalist, AssociatedPerformer - Lynne Earls, Engineer, StudioPersonnel - Dan Lutz, Bass Guitar, AssociatedPerformer - Melody Gardot, Electric Guitar, Vocals, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Maxime Le Guil, Mixer, Recording Engineer, StudioPersonnel - Andy Ford, Asst. Recording Engineer, StudioPersonnel - Irwin Hall, Alto Saxophone, AssociatedPerformer - Jeff Gartenbaum, Asst. Recording Engineer, StudioPersonnel - Clydene Jackson-Edwards, Background Vocalist, AssociatedPerformer - Robert Gatley, Asst. Recording Engineer, StudioPersonnel - Julia Waters Tillman, Background Vocalist, AssociatedPerformer - Gabriel Burch, Asst. Recording Engineer, StudioPersonnel - Pete Korpela, Percussion, AssociatedPerformer - Aristide Rosier, Asst. Recording Engineer, StudioPersonnel

℗ 2015 Melody Gardot, under exclusive licence to Decca, a division of Universal Music Operations Ltd

5
Don't Misunderstand
00:04:14

Bernie Grundman, Mastering Engineer, StudioPersonnel - Chris Owens, Asst. Recording Engineer, StudioPersonnel - Vanessa Parr, Asst. Recording Engineer, StudioPersonnel - Jesse Harris, Nylon-String Guitar, AssociatedPerformer, ComposerLyricist - LARRY KLEIN, Producer, Bass Guitar, AssociatedPerformer - Lynne Earls, Engineer, StudioPersonnel - Leslie Jones, Engineer, StudioPersonnel - Clément Ducol, String Arranger, AssociatedPerformer - Melody Gardot, Electric Guitar, Vocals, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Pete Kuzma, Organ, AssociatedPerformer - Maxime Le Guil, Mixer, Recording Engineer, StudioPersonnel - Andy Ford, Asst. Recording Engineer, StudioPersonnel - Jeff Gartenbaum, Asst. Recording Engineer, StudioPersonnel - Robert Gatley, Asst. Recording Engineer, StudioPersonnel - Chuck Staab, Drums, AssociatedPerformer - Gabriel Burch, Asst. Recording Engineer, StudioPersonnel - Pete Korpela, Percussion, AssociatedPerformer - Aristide Rosier, Asst. Recording Engineer, StudioPersonnel

℗ 2015 Melody Gardot, under exclusive licence to Decca, a division of Universal Music Operations Ltd

6
Don't Talk
00:04:17

Bernie Grundman, Mastering Engineer, StudioPersonnel - Chris Owens, Asst. Recording Engineer, StudioPersonnel - Vanessa Parr, Asst. Recording Engineer, StudioPersonnel - LARRY KLEIN, Producer, Bass Guitar, AssociatedPerformer - Lynne Earls, Engineer, StudioPersonnel - Leslie Jones, Engineer, StudioPersonnel - Clément Ducol, String Arranger, Piano, AssociatedPerformer - Melody Gardot, Vocals, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Pete Kuzma, Keyboards, Organ, AssociatedPerformer - Maxime Le Guil, Mixer, Recording Engineer, StudioPersonnel - Andy Ford, Asst. Recording Engineer, StudioPersonnel - Jeff Gartenbaum, Asst. Recording Engineer, StudioPersonnel - Robert Gatley, Asst. Recording Engineer, StudioPersonnel - Chuck Staab, Drums, AssociatedPerformer - Gabriel Burch, Asst. Recording Engineer, StudioPersonnel - Pete Korpela, Percussion, AssociatedPerformer - Aristide Rosier, Asst. Recording Engineer, StudioPersonnel - Heather Donavon, Background Vocalist, AssociatedPerformer - Reese Richardson, Electric Guitar, AssociatedPerformer

℗ 2015 Melody Gardot, under exclusive licence to Decca, a division of Universal Music Operations Ltd

7
If Ever I Recall Your Face
00:06:51

Bernie Grundman, Mastering Engineer, StudioPersonnel - Chris Owens, Asst. Recording Engineer, StudioPersonnel - Vanessa Parr, Asst. Recording Engineer, StudioPersonnel - LARRY KLEIN, Producer - Lynne Earls, Engineer, StudioPersonnel - Leslie Jones, Engineer, StudioPersonnel - Clément Ducol, String Arranger, AssociatedPerformer - Melody Gardot, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Maxime Le Guil, Mixer, Recording Engineer, StudioPersonnel - Andy Ford, Asst. Recording Engineer, StudioPersonnel - Jeff Gartenbaum, Asst. Recording Engineer, StudioPersonnel - Robert Gatley, Asst. Recording Engineer, StudioPersonnel - Gabriel Burch, Asst. Recording Engineer, StudioPersonnel - Aristide Rosier, Asst. Recording Engineer, StudioPersonnel

℗ 2015 Melody Gardot, under exclusive licence to Decca, a division of Universal Music Operations Ltd

8
Bad News
00:04:38

Jerry Hey, Horn Arranger, AssociatedPerformer - Bernie Grundman, Mastering Engineer, StudioPersonnel - Chris Owens, Asst. Recording Engineer, StudioPersonnel - Vanessa Parr, Asst. Recording Engineer, StudioPersonnel - Dan Higgins, Tenor Saxophone, Baritone Saxophone, AssociatedPerformer - LARRY KLEIN, Producer - Andy Martin, Trombone, AssociatedPerformer - Gary Grant, Trumpet, AssociatedPerformer - Lynne Earls, Engineer, StudioPersonnel - Dan Lutz, Bass Guitar, AssociatedPerformer - Melody Gardot, Electric Guitar, Vocals, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Mitchell Long, Guitar, AssociatedPerformer - Maxime Le Guil, Mixer, Recording Engineer, StudioPersonnel - Andy Ford, Asst. Recording Engineer, StudioPersonnel - Irwin Hall, Alto Saxophone, AssociatedPerformer - Jeff Gartenbaum, Asst. Recording Engineer, StudioPersonnel - Robert Gatley, Asst. Recording Engineer, StudioPersonnel - Chuck Staab, Drums, AssociatedPerformer - Gabriel Burch, Asst. Recording Engineer, StudioPersonnel - Pete Korpela, Percussion, AssociatedPerformer - Aristide Rosier, Asst. Recording Engineer, StudioPersonnel

℗ 2015 Melody Gardot, under exclusive licence to Decca, a division of Universal Music Operations Ltd

9
She Don't Know
00:03:57

Dean Parks, Electric Guitar, AssociatedPerformer - Jerry Hey, Horn Arranger, AssociatedPerformer - Bernie Grundman, Mastering Engineer, StudioPersonnel - Chris Owens, Asst. Recording Engineer, StudioPersonnel - Vanessa Parr, Asst. Recording Engineer, StudioPersonnel - Dan Higgins, Tenor Saxophone, Baritone Saxophone, AssociatedPerformer - LARRY KLEIN, Producer - Andy Martin, Trombone, AssociatedPerformer - Gary Grant, Trumpet, AssociatedPerformer - Larry Goldings, Organ, AssociatedPerformer - Maxine Waters Willard, Background Vocalist, AssociatedPerformer - Lynne Earls, Engineer, StudioPersonnel - Dan Lutz, Bass Guitar, AssociatedPerformer - Melody Gardot, Electric Guitar, Vocals, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Mitchell Long, Electric Guitar, AssociatedPerformer - Maxime Le Guil, Mixer, Recording Engineer, StudioPersonnel - Andy Ford, Asst. Recording Engineer, StudioPersonnel - Irwin Hall, Flute, Alto Saxophone, AssociatedPerformer - Jeff Gartenbaum, Asst. Recording Engineer, StudioPersonnel - Clydene Jackson-Edwards, Background Vocalist, AssociatedPerformer - Robert Gatley, Asst. Recording Engineer, StudioPersonnel - Chuck Staab, Drums, AssociatedPerformer - Julia Waters Tillman, Background Vocalist, AssociatedPerformer - Gabriel Burch, Asst. Recording Engineer, StudioPersonnel - Pete Korpela, Percussion, AssociatedPerformer - Aristide Rosier, Asst. Recording Engineer, StudioPersonnel

℗ 2015 Melody Gardot, under exclusive licence to Decca, a division of Universal Music Operations Ltd

10
Once I Was Loved
00:04:49

Bernie Grundman, Mastering Engineer, StudioPersonnel - Chris Owens, Asst. Recording Engineer, StudioPersonnel - Vanessa Parr, Asst. Recording Engineer, StudioPersonnel - LARRY KLEIN, Producer - Lynne Earls, Engineer, StudioPersonnel - Leslie Jones, Engineer, StudioPersonnel - Clément Ducol, String Arranger, AssociatedPerformer - Melody Gardot, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Maxime Le Guil, Mixer, Recording Engineer, StudioPersonnel - Andy Ford, Asst. Recording Engineer, StudioPersonnel - Jeff Gartenbaum, Asst. Recording Engineer, StudioPersonnel - Robert Gatley, Asst. Recording Engineer, StudioPersonnel - Gabriel Burch, Asst. Recording Engineer, StudioPersonnel - Aristide Rosier, Asst. Recording Engineer, StudioPersonnel

℗ 2015 Melody Gardot, under exclusive licence to Decca, a division of Universal Music Operations Ltd

Album Description

On 2012's The Absence, Melody Gardot made her first shift away from the jazz-tinged ballads that drew such heavy comparisons to Norah Jones and Madeleine Peyroux. Lushly orchestrated, it was chock-full of songs inspired by Brazilian, Latin, and French forms. On Currency of Man, Gardot takes on a rootsier sound, embracing West Coast soul, funk, gospel, and pop from the early '70s as the backdrop for these songs. It is not only different musically, but lyrically. This is a less "personal" record; its songs were deeply influenced by the people she encountered in L.A., many of them street denizens. She tells their stories and reflects on themes of social justice. It's wide angle. Produced by Larry Klein, the cast includes members of her band, crack session players -- guitarist Dean Parks, drummer Vinnie Colaiuta, Larry Goldings, the Waters Sisters, et al. -- and strings and horns. The title track is a funky blues with a rumbling bassline, dramatic strings (à la Motown) and fat horns. Gardot uses the lens of Sam Cooke to testify to the inevitability of change: "We all hopin’ for the day that the powers see abdication and run/Said it gonna come…." First single "Preacherman" is similar, employing a wrangling, smoldering blues that indicts racism in the 20st century by referring to the violent death of Emmett Till, a catalyst in the then-emergent Civil Rights movement. A driving B-3, saxophone, and menacing lead guitar ratchet up the tension to explosive. A gospel chorus mournfully affirms Gardot's vocal as a harmonica moans in the background. "Morning Sun" and closer "Once I Was Loved" are tender ballads that emerge from simple, hymn-like themes and quietly resonant with conviction. "Same to You" evokes the spirit of Dusty Springfield atop the punchy horns from her Memphis period, albeit with a West Coast sheen. The nylon-string guitar in "Don't Misunderstand" recalls Bill Withers' earthy funkiness. The song's a groover, but it's also a warning to a possessive lover. "Don't Talk" uses spooky polyrhythms (à la Tom Waits) as brooding, spacy slide guitars, B-3, and backing singers slice through forbidding blues under Gardot's voice. "If Ever I Recall Your Face" is jazzier, a 21st century take on the film noir ballad with glorious strings arranged by Clément Ducol that rise above a ghostly piano. "Bad News" simultaneously looks back at L.A.'s Central Avenue and burlesque scenes. It's a jazz-blues with a sauntering horn section, snaky electric guitar, and squawking saxophone solo. Vocally, Gardot is stronger than ever here, her instrument is bigger and fuller yet it retains that spectral smokiness that is her trademark. Currency of Man is a further step away from the lithe, winsome pop-jazz that garnered her notice initially, and it's a welcome one.
© Thom Jurek /TiVo

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