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Edward Gardner|Bartók: Concerto for Orchestra, Dance Suite & Rhapsodies Nos. 1 & 2

Bartók: Concerto for Orchestra, Dance Suite & Rhapsodies Nos. 1 & 2

Edward Gardner, Bergen Philharmonic Orchestra, James Ehnes, Hans-Kristian Kjos Sørensen

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Among the rare works by Bartók for a full orchestra, the Dance Suite "immediately" precedes the Concerto for Orchestra, albeit by more than two decades... As with the Concerto, this was commissioned by Budapest City Hall for the 50th anniversary in 1923 of the unification of Buda, on the north bank of the Danube, with Pest, on the south. As so often with Bartók, this is "imaginary folk music": the themes are assembled on a formal melodic and rhythmic base, made up from a stock of popular airs from Hungarian villages, but also from Romanian, Slovak and North African Arab sources. Unlike the two major orchestral works recorded here - the Concerto for Orchestra and the Dance Suite - the two rhapsodies for violin and orchestra from 1928 show us a Bartók who is returning to the "export" style of Eastern Europe, which he had inherited – like Brahms and Liszt before him – from Viennese café musicians: that is, from musicians much closer to the Romany accents than to the reality of Magyar folk music. The First Rhapsody is tinted with local colour thanks to the addition of a cimbalom in the orchestra, his one and only use of this instrument. As for the score for the Concerto for Orchestra - the most major work that he would produce in the last five years of his life in the USA, where he was a sick and demoralised refugee - it was commissioned by Serge Koussevitzky. Bartók began the work in August 1943 and completed it in eight weeks, a remarkably short period which proves that the was genuinely reinvigorated by the work: "Perhaps it's thanks to this improvement that I was able to write the work Koussevitzky commissioned – or vice versa," he wrote. The work was performed in December 1944 by the Boston Symphony Orchestra, and Bartók then altered the final portion, which became a little longer. On solo violin for the Rhapsodies we have James Ehnes, while Norway's Bergen Orchestra is conducted with admirable clarity by Edward Gardner. © MT / Qobuz

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Bartók: Concerto for Orchestra, Dance Suite & Rhapsodies Nos. 1 & 2

Edward Gardner

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Concerto for Orchestra, Sz. 116, BB 123 (Béla Bartók)

1
I. Introduzione. Andante non troppo
00:10:31

Bela Bartok, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist

2017 Chandos Records 2017 Chandos Records

2
II. Giuoco delle coppie. Allegro scherzando
00:06:19

Bela Bartok, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist

2017 Chandos Records 2017 Chandos Records

3
III. Elegia. Andante, non troppo
00:07:04

Bela Bartok, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist

2017 Chandos Records 2017 Chandos Records

4
IV. Intermezzo interrotto. Allegretto
00:04:16

Bela Bartok, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist

2017 Chandos Records 2017 Chandos Records

5
V. Finale. Pesante
00:09:50

Bela Bartok, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist

2017 Chandos Records 2017 Chandos Records

Rhapsody No. 1 for Violin and Orchestra, Sz. 87, BB 94b (Béla Bartók)

6
I. Lassú. Moderato
00:04:31

Bela Bartok, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist - James Ehnes, MainArtist - Hans-Kristian Kjos Sørensen, MainArtist

2017 Chandos Records 2017 Chandos Records

7
II. Friss. Allegro moderato
00:05:51

Bela Bartok, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist - James Ehnes, MainArtist - Hans-Kristian Kjos Sørensen, MainArtist

2017 Chandos Records 2017 Chandos Records

8
II. Friss. Allegro moderato (Second Version)
00:05:10

Bela Bartok, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist - James Ehnes, Violin, MainArtist

2017 Chandos Records 2017 Chandos Records

Rhapsody No. 2 for Violin and Orchestra, Sz. 90, BB 96b (Béla Bartók)

9
I. Lassú. Moderato
00:04:25

Bela Bartok, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist - James Ehnes, Violin, MainArtist

2017 Chandos Records 2017 Chandos Records

10
II. Friss. Allegro moderato
00:06:04

Bela Bartok, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist - James Ehnes, Violin, MainArtist

2017 Chandos Records 2017 Chandos Records

Dance Suite, Sz. 77, BB 86a (Béla Bartók)

11
I. Moderato
00:03:29

Bela Bartok, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist

2017 Chandos Records 2017 Chandos Records

12
II. Allegro molto
00:02:08

Bela Bartok, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist

2017 Chandos Records 2017 Chandos Records

13
III. Allegro vivace
00:02:59

Bela Bartok, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist

2017 Chandos Records 2017 Chandos Records

14
IV. Molto tranquillo
00:02:49

Bela Bartok, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist

2017 Chandos Records 2017 Chandos Records

15
V. Comodo
00:00:59

Bela Bartok, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist

2017 Chandos Records 2017 Chandos Records

16
VI. Finale. Allegro
00:03:53

Bela Bartok, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist

2017 Chandos Records 2017 Chandos Records

Album review

Among the rare works by Bartók for a full orchestra, the Dance Suite "immediately" precedes the Concerto for Orchestra, albeit by more than two decades... As with the Concerto, this was commissioned by Budapest City Hall for the 50th anniversary in 1923 of the unification of Buda, on the north bank of the Danube, with Pest, on the south. As so often with Bartók, this is "imaginary folk music": the themes are assembled on a formal melodic and rhythmic base, made up from a stock of popular airs from Hungarian villages, but also from Romanian, Slovak and North African Arab sources. Unlike the two major orchestral works recorded here - the Concerto for Orchestra and the Dance Suite - the two rhapsodies for violin and orchestra from 1928 show us a Bartók who is returning to the "export" style of Eastern Europe, which he had inherited – like Brahms and Liszt before him – from Viennese café musicians: that is, from musicians much closer to the Romany accents than to the reality of Magyar folk music. The First Rhapsody is tinted with local colour thanks to the addition of a cimbalom in the orchestra, his one and only use of this instrument. As for the score for the Concerto for Orchestra - the most major work that he would produce in the last five years of his life in the USA, where he was a sick and demoralised refugee - it was commissioned by Serge Koussevitzky. Bartók began the work in August 1943 and completed it in eight weeks, a remarkably short period which proves that the was genuinely reinvigorated by the work: "Perhaps it's thanks to this improvement that I was able to write the work Koussevitzky commissioned – or vice versa," he wrote. The work was performed in December 1944 by the Boston Symphony Orchestra, and Bartók then altered the final portion, which became a little longer. On solo violin for the Rhapsodies we have James Ehnes, while Norway's Bergen Orchestra is conducted with admirable clarity by Edward Gardner. © MT / Qobuz

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