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Kamermuziek - Verschenen op 29 maart 2011 | harmonia mundi

Hi-Res Booklets Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Choc de Classica - Exceptional Sound Recording - Hi-Res Audio
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Klassiek - Verschenen op 12 februari 1999 | Warner Classics International

Onderscheidingen Diapason d'or - Choc du Monde de la Musique - 10 de Répertoire - 4F de Télérama - The Qobuz Ideal Discography
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Klassiek - Verschenen op 25 februari 2013 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Award - Choc de Classica - Hi-Res Audio
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Kamermuziek - Verschenen op 17 maart 2017 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 19 augustus 2015 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 15 mei 2012 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama - Hi-Res Audio
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Kamermuziek - Verschenen op 11 maart 2011 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama - Hi-Res Audio
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Trio´s - Verschenen op 23 september 2016 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - 5 Sterne Fono Forum Klassik
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Piano solo - Verschenen op 13 maart 2020 | harmonia mundi

Hi-Res Booklet Onderscheidingen Choc de Classica
What exactly is this “new path” (neuer Weg) that the infamous fortepianist Andreas Staier is inviting us on with this new album published as part of harmonia mundi’s vast Beethoven 2020-2027 project? All the works offered here were composed at the dawn of the 19th century by a young tempestuous composer who was conscious of his worth but also of his weakness as he began to feel the first effects of the deafness that would go on to take over his life. This recital is mind blowing from the first few beats of the thundering Sonata No. 16 in G major. With his crystalline, weightless fortepiano built by Mathias Müller around 1810, Staier seems to show us how much this frail instrument labours to show the full spectrum of the composer’s genius, boundary-breaking as it was at the time. The three sonatas and two series of variations that make up this programme were all published in 1802, at a time when Beethoven wanted to “start something new” at the turn of the century after the slew of revolutionary torment that had shaken Europe to its core. It was a new way of thinking for a composer who spoke with a more authoritative tone than his predecessors, in the “first person”. Andreas Staier is without a doubt one of the best possible performers to portray this new era of musical and artistic thinking that arose during a troubled time (the rise of Napoleon) when the clarity of language rivalised the closing off of individuality. © François Hudry/Qobuz
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Kamermuziek - Verschenen op 26 maart 2010 | deutsche harmonia mundi

Onderscheidingen The Qobuz Ideal Discography
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Trio´s - Verschenen op 26 mei 2014 | harmonia mundi

Onderscheidingen Choc de Classica
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Klassiek - Verschenen op 27 augustus 1995 | deutsche harmonia mundi

Onderscheidingen Diapason d'or
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Klassiek - Verschenen op 23 februari 2010 | harmonia mundi

Booklet
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Klassiek - Verschenen op 19 oktober 2018 | harmonia mundi

Hi-Res Booklet
For a long, long time, the Iberian Peninsula remained separate from the mainstream currents of European music, and most of the musicians and composers active in Spain and Portugal in the 18th century came from Italy or other countries. The new Spanish royal family – The House of Bourbon, established by Louis XIV of France who allowed his grandson Philip V to take to the throne – had adopted Versailles' splendour. However, they still had to reckon with the Grandees of Spain with their aristocratic tradition, privileges, morgue, precedence, freezing austerity and extreme religious faith… And so, once the succession war was over, the arts found that they had been left somewhat neglected. It was therefore down to Italy and England to lead the musical dance in Spain for a while. Scarlatti and Boccherini, of course, are the most representative names of this influence, so it is normal that this album, "Á Portuguesa" (extended to Spain, it is true), gives prominence to these two composers. The masterpiece here is, and forever shall be, Boccherini’s extraordinary Musica notturna delle strade di Madrid. The work was initially conceived for a string quintet, though is redistributed here to a string orchestra with Andreas Staier’s harpsichord. Staier remains on the harpsichord for two concertos by José António Carlos de Seixas (1704-1742), a Portuguese composer who wrote an impressive corpus of some seven hundred toccatas, as well as some beautiful concertos. England offered up some Iberian works too, including William Corbett's amusing concerto Alla Portuguesa from his collection Le Bizzarie Universali, proof that the Iberian Peninsula was still considered to be some strange place at world’s end. Charles Avison transcribed Scarlatti's sonatas into concerto grossos, of which this is one of the most striking examples. Staier is accompanied by the excellent Baroque Orchestra of Porto. © SM/Qobuz
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Klassiek - Verschenen op 18 november 2008 | harmonia mundi

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Klassiek - Verschenen op 25 maart 2008 | harmonia mundi

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Kamermuziek - Verschenen op 1 februari 2005 | deutsche harmonia mundi

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Klassiek - Verschenen op 31 juli 2007 | harmonia mundi

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Klassiek - Verschenen op 22 februari 2005 | deutsche harmonia mundi

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Klassiek - Verschenen op 14 april 1993 | deutsche harmonia mundi