Andreas Staier, Freiburger Barockorchester J. S. Bach: Harpsichord Concertos, BWV 1052-1058

J. S. Bach: Harpsichord Concertos, BWV 1052-1058

Andreas Staier, Freiburger Barockorchester

Verschenen op 20 augustus 2015 bij harmonia mundi

Hoofdartiest: Andreas Staier

Genre: Klassiek

Onderscheidingen: Choc de Classica ( september 2015) - 5 de Diapason ( september 2015) - 5 Sterne Fono Forum Klassik

Inbegrepen: 1 Booklet

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It was 1987. A young harpsichordist, a thirty-one year old from Göttingen, Germany, dazzled the musical world with his brilliant version of the fifth Brandenburg Concerto, recorded by Reinhard Goebel and the musicians of the Musica Antiqua Köln, for Archiv Produktion. Since then, Andreas Staier has often returned to the music of Johann Sebastian Bach. He has succeeded at everything that he has tried; including Partitas, the Italian Concerto, the French Overture, Fantaisies - a piece attached to his youth (Deutsche Harmonia Mundi, 1988, 1993), the simply inexhaustible Goldberg Variations (harmonia mundi), through to his amazing recital – never to be forgotten – of the Sonatas (1997). Now, he is publishing a recording of the seven Concertos for (one) keyboard. In total harmony with his co-conspirators at the Freiburg Baroque Orchestra, Staier offers classical lovers releases like no other. He moves away from the light spirit of "entertainment" in Telemann – the historical founder of the Collegium Musicum in Leipzig - for whom these concert works were originally executed. For Staier, these concertos betray an expressive depth, a contrapuntal density, which is incomparably sonorous. Listen, for example, to the Adagio in D minor. Here, the low rumble is tinged with tension and anxiety, under the cover of a singing lyricism. The addition in the last movement of the concerto, even in a relatively tortured cadence, is reminiscent of the young Bach (who was himself influenced by the "stylus phantasticus", or tempos retained, of E major, which goes on to reveal its full melancholic tone). For Staier, these stunning pieces are all authentic mini-dramas. We have long awaited such daring and original releases. © Qobuz
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Album : 2 albums - 21 tracks Totale duur : 01:51:53

    ALBUM 1
    Concerto No. 1 in D Minor , BWV 1052 (Johann Sebastian Bach)
  1. 1 I. Allegro

    Andreas Staier, Performer, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2015

  2. 2 II. Adagio

    Andreas Staier, Performer, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2015

  3. 3 III. Allegro

    Andreas Staier, Performer, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2015

  4. Concerto No. 2 in E Major, BWV 1053
  5. 4 I.

    Andreas Staier, Performer, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2015

  6. 5 II. Siciliano

    Andreas Staier, Performer, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2015

  7. 6 III. Allegro

    Andreas Staier, Performer, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2015

  8. Concerto No. 7 in G Minor, BWV 1058
  9. 7 I.

    Andreas Staier, Performer, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2015

  10. 8 II. Andante

    Andreas Staier, Performer, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2015

  11. 9 III. Allegro assai

    Andreas Staier, Performer, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2015

  12. ALBUM 2
    Concerto No. 3 in D Major, BWV 1054
  13. 1 I.

    Andreas Staier, Performer, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2015

  14. 2 II. Adagio e piano sempre

    Andreas Staier, Performer, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2015

  15. 3 III. Allegro

    Andreas Staier, Performer, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2015

  16. Concerto No. 4 in A Major, BWV 1055
  17. 4 I. Allegro

    Andreas Staier, Performer, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2015

  18. 5 II. Larghetto

    Andreas Staier, Performer, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2015

  19. 6 III. Allegro ma non troppo

    Andreas Staier, Performer, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2015

  20. Concerto No. 5 in F Minor, BWV 1056
  21. 7 I.

    Andreas Staier, Performer, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2015

  22. 8 II. Largo

    Andreas Staier, Performer, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2015

  23. 9 III. Presto

    Andreas Staier, Performer, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2015

  24. Concerto No. 6 in F Major, BWV 1057
  25. 10 I.

    Andreas Staier, Performer, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2015

  26. 11 II. Andante

    Andreas Staier, Performer, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2015

  27. 12 III. Allegro assai

    Andreas Staier, Performer, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2015

  • Beschrijving van het album
  • It was 1987. A young harpsichordist, a thirty-one year old from Göttingen, Germany, dazzled the musical world with his brilliant version of the fifth Brandenburg Concerto, recorded by Reinhard Goebel and the musicians of the Musica Antiqua Köln, for Archiv Produktion. Since then, Andreas Staier has often returned to the music of Johann Sebastian Bach. He has succeeded at everything that he has tried; including Partitas, the Italian Concerto, the French Overture, Fantaisies - a piece attached to his youth (Deutsche Harmonia Mundi, 1988, 1993), the simply inexhaustible Goldberg Variations (harmonia mundi), through to his amazing recital – never to be forgotten – of the Sonatas (1997). Now, he is publishing a recording of the seven Concertos for (one) keyboard. In total harmony with his co-conspirators at the Freiburg Baroque Orchestra, Staier offers classical lovers releases like no other. He moves away from the light spirit of "entertainment" in Telemann – the historical founder of the Collegium Musicum in Leipzig - for whom these concert works were originally executed. For Staier, these concertos betray an expressive depth, a contrapuntal density, which is incomparably sonorous. Listen, for example, to the Adagio in D minor. Here, the low rumble is tinged with tension and anxiety, under the cover of a singing lyricism. The addition in the last movement of the concerto, even in a relatively tortured cadence, is reminiscent of the young Bach (who was himself influenced by the "stylus phantasticus", or tempos retained, of E major, which goes on to reveal its full melancholic tone). For Staier, these stunning pieces are all authentic mini-dramas. We have long awaited such daring and original releases. © Qobuz

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