The decision to award a Qobuzism is made unanimously by the Qobuz team. In most cases, a Qobuzism is given to a “crossover” album in the best sense of the term, in that it will speak to all of our users.

By awarding a Qobuzism, we aim to draw attention to standout albums across a wide range of genres. In theory a Qobuzism is intended to alert you to an artist’s debut which has ventured into unexplored territory; but albums which merit this distinction can, in practice, come from anywhere! In each instance Qobuz endorses the album entirely, working with the artist in order to give them the greatest exposure possible – both within and outside of Qobuz. 

What we love is to give our Qobuz users the chance to discover recordings which are not necessarily what they would normally go for.

Albums

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€ 13,49

Alternative en Indie - Verschenen op 8 juni 2018 | Easy Eye Sound

Hi-Res Booklet Onderscheidingen Qobuzism
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Alternative en Indie - Verschenen op 18 mei 2018 | Marathon Artists

Hi-Res Onderscheidingen 4F de Télérama - Qobuzism
Courtney Barnett’s second studio album is as magnificent as it is simple. But not simplistic, no, just simple. The young Australian creates a rock’n’roll of an almost disarming purity and clarity. For the simple reason that the songs presented here are absolutely brilliant. Indeed, songs. That “detail” that can make or break an album… Just like the compilation of her first two EPs ( A Sea of Split Peas), her first album (Sometimes I Sit And Think, And Sometimes I Just Sit), and her duo album with Kurt Vile (Lotta Sea Lice), this Tell Me How You Really Feel strings together ten trips that perfectly blend cynical humour and sincere confession. Most importantly, Courtney Barnett appears more introspective than in years past. And because things are firing on all cylinders for her, both in her career (with an impressive critical and popular success on the global stage) and personal life (she’s been sharing her life with her peer Jen Cloher for quite a long time now), it becomes clear that the Australian artist took her time to polish perfectly each of these ten compositions. Even more impressive as she combines well-worn themes (her loves, anxieties, frustrations and opinions) while never sounding cliché. As per usual, Courtney Barnett wraps her prose in an impeccable indie rock on the guitar, that never feels overproduced. She’s been influenced by big names such as Lou Reed, Kurt Cobain, Neil Young and Jonathan Richman, including a collaboration on two tracks with the Deal sisters, Kim and Kelley, from The Breeders. What was Neil Young saying again on his famous Hey Hey, My My? Rock’n’roll can never die? © Marc Zisman/Qobuz
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Alternative en Indie - Verschenen op 6 april 2018 | Transgressive

Hi-Res Onderscheidingen Qobuzism
Adventurer. Storyteller. Artisan. Collector. And above all, Writer. Cosmo Sheldrake is all that. And more! A virtuoso one-man orchestra, master of an indecent number of instruments, the young Brit crafts magical and genre-defying little symphonies. These songs evoke Beirut's fanfare (a thing we often find ourselves thinking about) as much as they do repetitive minimalist music, world music, the baroque pop of the Kinks' Village Green Preservation Society and the late sixties, the iconoclast Moondog and countless other sounds. These are sounds that Cosmo Sheldrake merrily collects from across the globe, with his little tape recorder in hand. But the power of The Much Much How How And I lies in its refusal to wallow in experimental self-indulgence. On the contrary! Songs, real ones, with a beginning, middle and end – plus a chorus and a melody – remain his holy grail. His album is touching and beautiful because it was conceived with this unique goal in mind. With electro producer Matthew Herbert at the console, himself no stranger to bizarre collages, The Much Much How How And I has all the fertile imagination of a Lewis Carroll story, and all the colours of the rainbow. This has to be the most Cosmo-politan Qobuzissime yet! © Marc Zisman/Qobuz
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Alternative en Indie - Verschenen op 2 maart 2018 | Domino Recording Co

Hi-Res Onderscheidingen Qobuzism
Confusion guaranteed! They are Australian, Japanese, English, Korean and they have dropped their anchor in the UK capital. They love the pop of yesterday as much as the pop of today. They make musical collages look as easy as breathing in and out. What if Superorganism were THE group that captured all that's best in our times? This young collective of international musicians, all big fans of pop culture, met on YouTube; and they composed, recorded and produced their first album in a studio in East London, where they now live together! This sunny record is a rainbow of minimalist indie pop, synthetic and racing, as extravagant as it is kaleidoscopic, bringing praise from artists like Frank Ocean and Ezra Koenig from Vampire Weekend. For some this will bring to mind those distant cousins of the The Avalanches, The Go! Team or I'm From Barcelona: but Superorganism has a light touch and a dreamlike, soothing quality which are all their own, and which have made this album a heartwarming Qobuzissime. © Marc Zisman/Qobuz
€ 8,99

Alternative en Indie - Verschenen op 26 januari 2018 | LasVegas Records

Onderscheidingen Qobuzism
Ever since the release of their debut album Spanish Disco in 2015, Leyya’s music has been playing on loop on Austrian radio stations. The two young Vienna-based artists, producer and composer Marco Kleebauer and the singer Sophie Lindinger, have been accomplices since childhood, forming a duo in 2014 that becomes a quartet when they perform live. Their style is dominated by electronic sounds, which they have further developed for their second work, Sauna. Marco’s synth sounds are transformed into dreamy melodies and contemporary pop, enhanced by Sophie’s light, fresh voice that occasionally sounds like Feist. The duo composed the songs during their 2017 European tour, taking the time to reflect, a characteristic that’s not just unique to a Suana by the way. Leyya perform like painters that apply the utmost care to each and every brushstroke. On Sauna, a place for sweating and meeting people, the duo leave the beats running drop by drop (Oh Wow), turn up the heat (Drumsolo, Heat) and let the bubbling be heard (Candy). After this sudorific experience, you can’t help wanting to slide down their rainbow. Leyya transforms winter into summer and colours the fog. A Qobuzissime album that comes out just at the right time! © SD/Qobuz
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Alternative en Indie - Verschenen op 12 januari 2018 | Dead Oceans

Hi-Res Onderscheidingen 4F de Télérama - Qobuzism
As intense as an XS G-string stretched around an XL derrière, Shame isn’t here to joke around. The concentrated post-punk that is at the heart of this debut album from the London quintet stands out through its charisma, violence and originality. Songs Of Praise even sounds like the soundtrack to a really grey, frustrated England. There’s a lot of The Fall, Gang Of Four and Killing Joke in this sonic bundle of nerves, but it never sounds retro or backwards. Like Fat White Family, Ought or even Vietnam, Shame belongs in 2018 and you can definitely hear it! Straight from Brixton, singer Charlie Steen, guitarists Sean Coyle-Smith and Eddie Green, drummer Charlie Forbes and bass player Josh Finerty produce and cage their seemingly visceral irritation on punchy songs (Dust On Trial) that are sometimes poisonous and throbbing (The Lick) but at other points more genial (One Rizla). Here, Shame play brazen, uncompromising and unapologetic rock. Just one listen to Songs Of Praise and your body will come out bruised, yet you will keep asking for more. © MZ/Qobuz
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Alternative en Indie - Verschenen op 10 november 2017 | La Castanya

Hi-Res Onderscheidingen Qobuzism
Psych pop, surf music, shoegaze and dream pop isn’t just confined to America or the UK. Even in Barcelona they master the notions of this blend of electronic notes and dreamer harmonies. There in the heart of the Catalonian capital, we find three Chileans and one Spaniard; all experts in sugary melodies oozing with dreamlike guitars and reverb, The Zephyr Bones have concocted a superb sun-drenched record. The aptly named album Secret Place is a little island of hedonistic pop where the crystalline six-strings and muffled voices make the rules. A refined treaty that brings together a blend of their contemporary influences (DIIV, Beach House, Black Lips, Wild Nothing, Real Estate, Beach Fossils) while retaining a very personal tone. This warm and sunny Qobuzissime is more than perfect to keep you toasty as winter comes creeping in... © MZ/Qobuz
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Alternative en Indie - Verschenen op 13 oktober 2017 | Universal Music

Hi-Res Booklet Onderscheidingen Qobuzism
In the latest edition of the hipster series, Lawrence Rothman seems to be the world champion. An androgynous face (and voice) made for the glossy pages of fashion magazines, a passion for the noteworthy transformations in Cindy Sherman’s photography (Rothman changes his look with every clip!) and packed full with friends who came to lend a helping hand (Kim Gordon from Sonic Youth, Angel Olsen, Marissa Nadler, Duff McKagan from Guns’N’Roses, Stella Mozgawa from Warpaint, Tom Krell a.k.a. How To Dress Well, the bassist Pino Palladino, Kristin Kontrol from Dum Dum Girls…the list goes on!). To our ears, Rothman sounds like the soul dandy/R&B from the 80s. Talk Talk often comes to mind, as well as David Bowie, Depeche Mode or sometimes Prince and, a little closer to home, Ariel Pink and How To Dress Well. But under the glitzy varnish, this début album holds songs with staggering melodies. Some compositions bring a rather cathartic style of writing with which Rothman displays his personal quest for an identity that he defines as non-binary (gender queer). This Californian, who was born in Los Angeles 35 years ago and who claims to love Charles Bukowski just as much as R. Kelly and Tupac Shakur as much as Leonard Cohen, has assured that The Book Of Law is one of the most moving albums of 2017. A highly refined Qobuzissime. © MZ/Qobuz
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Alternative en Indie - Verschenen op 6 oktober 2017 | Abbey Records

Hi-Res Onderscheidingen Qobuzism
England possesses a unique capacity to reinvent the wheel of rock’n’roll. Although it seems to have been said time and time again, the country regularly gives birth to young groups that come to add their unique stone to an already solidly constructed building. And even if the influences may seem obvious from the outset, each personal touch elbows its way through to the front. Pale Seas belongs to this breed of musicians - the type whose music bursts on the palate from the very first taste. By the sea in Southhampton, the singer Jacob Scott, guitarist Graham Poole, bassist Mathew Bishop and drummer Andrew Richardson drew from the early albums from the likes of Radiohead and Suede in order to establish their own rock’n’roll rulebook. But even though this distinct taste for the English rock of the 90s jumps to mind throughout Stargazing For Beginners, this British foursome manages to draw up a guitar landscape, making their first album truly original. Largely recorded at night in an old Abbey, here’s a Qobuzism disc that teases the animal instincts of guitar band fans. A true revelation. © CM/Qobuz
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Alternative en Indie - Verschenen op 8 september 2017 | Bonsound

Hi-Res Onderscheidingen Qobuzism
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€ 14,49

Alternative en Indie - Verschenen op 21 juli 2017 | Columbia

Hi-Res Booklet Onderscheidingen Qobuzism
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€ 14,99

Alternative en Indie - Verschenen op 7 juli 2017 | Vertigo Berlin

Hi-Res Onderscheidingen Qobuzism
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€ 11,99

Alternative en Indie - Verschenen op 19 mei 2017 | ATO Records

Hi-Res Booklet Onderscheidingen Qobuzism
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A/B

Alternative en Indie - Verschenen op 10 juni 2016 | Elektra (NEK)

Hi-Res Booklet Onderscheidingen Qobuzism
Opening with a track entitled No Good? A surefire way to help listeners understand that what comes next is rock’n’roll inspired by the golden age of guitar. It’s easy to see why the TV series Vinyl chose the the track to integrate into their soundtrack. Kaleo mark their territory definitively here with energetic rock, deft instrumentalism and some great folk ballads. The vocals of JJ Julius Son goes from are at times rough, and at others, crystalline – the dynamism is impressive from start to finish. There is an element of brilliance on their album A/B (Way Down We Go). With the likes of the Jacquire King (Kings of Leon) and Mike Crossey (Arctic Monkeys), Kaleo has definitely ensured the quality of production – and the sound on this album is a testament to that fact. An incredibly diverse project well deserving of our Qobuzism award!
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Alternative en Indie - Verschenen op 3 juni 2016 | Marathon Artists

Hi-Res Booklet Onderscheidingen Qobuzism
No effects. No frills. No guests. No nada. Just songs, nothing but songs. Max Jury hasn’t completed a quarter century on this earth, yet his obsession remains with a timeless art of old: writing. The young American is clearly a man of taste and his world visibly (and audibly) collides with that of Neil Young, Townes Van Zandt, Gram Parsons, Randy Newman, Paul McCartney, Harry Nilsson and Tony Joe White, among others. His first album brings together many songs that you’ll be humming to yourself at the end of the night. On the facade of this almost-classicism, Jury integrates sublime melodies and sophisticated arrangements. He has opted for the piano rather than guitar here, interestingly enough. Jury has long since realized the inextricable link between country music and soul. Knowing this makes the heart of his art truly jubilant. © MZ / Qobuz
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Alternative en Indie - Verschenen op 16 oktober 2015 | Barclay

Hi-Res Booklet Onderscheidingen Qobuzism
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Alternative en Indie - Verschenen op 31 juli 2015 | Warner Bros.

Onderscheidingen Qobuzism
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Alternative en Indie - Verschenen op 31 juli 2015 | Warner Bros.

Hi-Res Onderscheidingen Qobuzism
After she completed extensive touring in support of Is Your Love Big Enough?, Lianne La Havas visited Jamaica with her native Jamaican mother and connected with distant relatives. Additionally inspired by her Greek roots through her father -- hence the album's title -- and possibly fortified by her experiences recording with Prince, Alt-J, and Tourist, Blood is no mere rehash of the Top Five U.K. debut that preceded it. Matt Hales, aka Aqualung, remains on board as a production and co-writing partner, but he contributes to fewer songs. Among the collaborators here are Stephen McGregor (son of Freddie McGregor), retro-soul specialist Jamie Lidell, Disclosure's Howard Lawrence, and pop heavy weights Mark Batson and Paul Epworth. La Havas goes for a bigger, bolder, more produced sound without glossing over her singer/songwriter/guitarist origin. The point is made in the opener, a storybook love song about being swept away that is carried on a rhythm firmer than anything heard on the debut. On "Tokyo," La Havas' yearning and state of disorientation is intensified by hazy effects and an appealingly chunky and slow groove that wouldn't be out of place on Jessie Ware's Devotion. "Midnight" and "Ghost" likewise wouldn't have the same resonance if merely sung and strummed, while "Never Get Enough" enters discretely but repeatedly veers into a dissonant stomp of lust and vexation. A few moments, like the wistful "Wonderful" and candid closer, are as hushed and restrained as the first album's highlights. The most vivid autobiographical song is "Green & Gold," a standout Lidell collaboration referencing La Havas' growth into an adult who is proud and understanding of her background and identity. This work leaves the debut, impressive as it was, in the dust. ~ Andy Kellman
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Alternative en Indie - Verschenen op 12 januari 2014 | Caroline Distribution

Hi-Res Onderscheidingen Qobuzism
After two delectable EPs, Benjamin Clementine has finally brought out his first album, At Least for Now. An impressive record. It is the strong, demanding work of a true voice, literally and figuratively. He is as charismatic a figure as those on whose shoulders he stands. It is hard not to think of Nina Simone, for example, when one hears the grain in Clementine's voice and his connection with the piano. But she is also there in his relationships to the musical styles which he mixes and matches with charm and ease. Jazz, soul, folk, blues and pop: At Least for Now makes no distinctions, eschewing labels because it is confident of its own vision... Even the instrumentation here alternates between the nakedness of a solo piano and the power of a violin section. A great aficionado of Maria Callas, but also of Léo Ferré and Jacques Brel, Clementine is also a fine raconteur. And so we will let ourselves be carried away by his storytelling. A star is well and truly born. © MD/Qobuz
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Alternative en Indie - Verschenen op 24 oktober 2014 | Warner Bros.

Hi-Res Booklet Onderscheidingen Qobuzism