Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
And indeed, there it is on the cover. There's not much in the way of commentary or anything about that, though, so either call it a wry Kiwi joke at the Yanks' expense or just something that looked nice enough to use. Consisting of six tracks of unsurprisingly varying length -- fairly short or totally long -- in ways The White House is Dead C as per usual and in others a bit of a diversion from the usual form. Notably, there's evidence of relatively more production -- while it's hardly hard-disk billion-track digital sound or the like, there's effect pedals galore and senses of very careful arrangement as opposed to simply upping the shadowy, crumbling sound factor. Further keyboards and other strange noises from who knows where also slip into things. The off-kilter tones and noises on "The New Snow" sound a bit like Perry and Kingsley going nuts, at least here and there, while the usual noise, fuzz and detuned strangeness skips around the mix. Then there's the minute long "Aime to Prochain Comme toi meme," which could be anything from minimal guitars to kalimba. At the same time, there's songs like the majestic "Bitcher," with a just-epic enough swoop to it, sticking to a big and bold sound along with some heavy-duty flanging throughout on the lead guitar. Morley's vocals, when they appear, are much more cryptic and hard to understand than ever, almost providing a hook here and there. Absolutely no credits are provided beyond song listings, so if anyone helped, that's a mystery -- otherwise it's clearly the three doing once again what needs doing in Dead C land. Ending with one of the band's best ever songs -- the steady, addictive pace and surge of "Outside" -- The White House is another fine effort from New Zealand's best kept secret.
© Ned Raggett /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de CHF 14,99/mois
The Dead C, MainArtist
(C) 1996 Siltbreeze (P) 1996 Siltbreeze
The Dead C, MainArtist
(C) 1996 Siltbreeze (P) 1996 Siltbreeze
The Dead C, MainArtist
(C) 1996 Siltbreeze (P) 1996 Siltbreeze
The Dead C, MainArtist
(C) 1996 Siltbreeze (P) 1996 Siltbreeze
The Dead C, MainArtist
(C) 1996 Siltbreeze (P) 1996 Siltbreeze
The Dead C, MainArtist
(C) 1996 Siltbreeze (P) 1996 Siltbreeze
Chronique
And indeed, there it is on the cover. There's not much in the way of commentary or anything about that, though, so either call it a wry Kiwi joke at the Yanks' expense or just something that looked nice enough to use. Consisting of six tracks of unsurprisingly varying length -- fairly short or totally long -- in ways The White House is Dead C as per usual and in others a bit of a diversion from the usual form. Notably, there's evidence of relatively more production -- while it's hardly hard-disk billion-track digital sound or the like, there's effect pedals galore and senses of very careful arrangement as opposed to simply upping the shadowy, crumbling sound factor. Further keyboards and other strange noises from who knows where also slip into things. The off-kilter tones and noises on "The New Snow" sound a bit like Perry and Kingsley going nuts, at least here and there, while the usual noise, fuzz and detuned strangeness skips around the mix. Then there's the minute long "Aime to Prochain Comme toi meme," which could be anything from minimal guitars to kalimba. At the same time, there's songs like the majestic "Bitcher," with a just-epic enough swoop to it, sticking to a big and bold sound along with some heavy-duty flanging throughout on the lead guitar. Morley's vocals, when they appear, are much more cryptic and hard to understand than ever, almost providing a hook here and there. Absolutely no credits are provided beyond song listings, so if anyone helped, that's a mystery -- otherwise it's clearly the three doing once again what needs doing in Dead C land. Ending with one of the band's best ever songs -- the steady, addictive pace and surge of "Outside" -- The White House is another fine effort from New Zealand's best kept secret.
© Ned Raggett /TiVo
À propos
- 1 disque(s) - 6 piste(s)
- Durée totale : 00:47:50
- Artistes principaux : The Dead C
- Label : Siltbreeze
- Genre : Pop/Rock Rock Alternatif et Indé
(C) 1996 Siltbreeze (P) 1996 Siltbreeze
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.