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Chet Baker|The Route

The Route

Chet Baker, Art Pepper

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Langue disponible : anglais

This 1989 CD issue compiles all known sides cut during a July 26, 1956, session led by Chet Baker (trumpet) and Art Pepper (alto sax). Keen-eyed enthusiasts will note that this particular date occurred during a remarkable week -- July 23 through July 31 -- of sessions held at the behest of Pacific Jazz label owner and session producer Dick Bock at the Forum Theater in Los Angeles. The recordings made during this week not only inform The Route, but three other long-players as well: Lets Get Lost (The Best of Chet Baker Sings), Chet Baker and Crew, and Chet Baker Quintet at the Forum Theatre. Likewise, these were the first sides cut by Baker since returning from his triumphant and extended stay in Europe. The Route compiles all 11 tracks by the sextet featuring Richie Kamuca (tenor sax), Pete Jolly (piano), Leroy Vinnegar (bass), and Stan Levey (drums) in support of Baker and Pepper. Bock had no immediate plans to use these recordings for any one album; that is to say he incorporated the tracks throughout various compilations released on Pacific Jazz. Three months later, however, Baker and Pepper did record with completely different personnel for the expressed purpose of issuing what would become known as Playboys and alternately Picture of Heath. Perhaps encouraged by the swinging interaction on Pepper's "Tynan Time" and "Minor Yours," both tracks were featured at this session as well as during the Picture of Heath collaboration. There are a few unexpected moments of sheer brilliance spread throughout, such as the Baker-penned title track, which contains supple and nicely contrasting solos from Kamuca and Vinnegar -- whose solid pendulum accuracy swings all through this collection. The Route is recommended for completists as well as curious consumers wishing to expand their knowledge of the light and airy rhythms that typify the cool West Coast jazz scene of the mid-'50s.

© Lindsay Planer /TiVo

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The Route

Chet Baker

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1
Tynan Time
Chet Baker
00:06:20

Ron McMaster, Mastering Engineer, StudioPersonnel - Richard Bock, Producer - Stan Levey, Drums, AssociatedPerformer - Chet Baker, MainArtist - Leroy Vinnegar, AssociatedPerformer, Bass (Vocal) - Pete Jolly, Piano, AssociatedPerformer - Art Pepper, Composer, MainArtist - Richie Kamuca, Tenor Saxophone, AssociatedPerformer

(C) 1989 Blue Note Records ℗ 1956 Blue Note Records

2
The Route
Chet Baker
00:05:06

Ron McMaster, Mastering Engineer, StudioPersonnel - Richard Bock, Producer - Stan Levey, Drums, AssociatedPerformer - Chet Baker, Composer, MainArtist - Leroy Vinnegar, AssociatedPerformer, Bass (Vocal) - Pete Jolly, Piano, AssociatedPerformer - Art Pepper, MainArtist - Richie Kamuca, Tenor Saxophone, AssociatedPerformer

(C) 1989 Blue Note Records ℗ 1956 Blue Note Records

3
Sonny Boy
Chet Baker
00:03:58

Ray Henderson, Composer - Lew Brown, Composer - Ron McMaster, Mastering Engineer, StudioPersonnel - Richard Bock, Producer - Stan Levey, Drums, AssociatedPerformer - Chet Baker, MainArtist - Al Jolson, Composer - Leroy Vinnegar, AssociatedPerformer, Bass (Vocal) - Pete Jolly, Piano, AssociatedPerformer - Art Pepper, MainArtist - Richie Kamuca, Tenor Saxophone, AssociatedPerformer - Buddy DeSylva, Composer

(C) 1989 Blue Note Records ℗ 1956 Blue Note Records

4
Minor Yours (Live At The Forum Theatre, Los Angeles, CA.,1956)
Chet Baker
00:07:15

Ron McMaster, Mastering Engineer, StudioPersonnel - Richard Bock, Producer - Stan Levey, Drums, AssociatedPerformer - Chet Baker, Trumpet, MainArtist, AssociatedPerformer - Leroy Vinnegar, Double Bass, AssociatedPerformer - Pete Jolly, Piano, AssociatedPerformer - Art Pepper, Composer, Alto Saxophone, MainArtist, AssociatedPerformer - Richie Kamuca, Tenor Saxophone, AssociatedPerformer

(C) 1989 Blue Note Records ℗ 1956 Capitol Records, LLC

5
Little Girl
Chet Baker
00:04:18

Francis Henry, Composer - Madeline Hyde, Composer - Ron McMaster, Mastering Engineer, StudioPersonnel - Richard Bock, Producer - Stan Levey, Drums, AssociatedPerformer - Chet Baker, MainArtist - Leroy Vinnegar, AssociatedPerformer, Bass (Vocal) - Pete Jolly, Piano, AssociatedPerformer - Art Pepper, MainArtist - Richie Kamuca, Tenor Saxophone, AssociatedPerformer

(C) 1989 Blue Note Records ℗ 1956 Blue Note Records

6
Ol' Croix
Art Pepper
00:05:30

Ron McMaster, Mastering Engineer, StudioPersonnel - Richard Bock, Producer - Stan Levey, Drums, AssociatedPerformer - Leroy Vinnegar, AssociatedPerformer, Bass (Vocal) - Pete Jolly, Piano, AssociatedPerformer - Art Pepper, Composer, Alto Saxophone, MainArtist, AssociatedPerformer

(C) 1989 Blue Note Records ℗ 1956 Blue Note Records

7
I Can't Give You Anything But Love
Art Pepper
00:04:11

Dorothy Fields, ComposerLyricist - Ron McMaster, Mastering Engineer, StudioPersonnel - Richard Bock, Producer - Stan Levey, Drums, AssociatedPerformer - Jimmy McHugh, ComposerLyricist - Leroy Vinnegar, AssociatedPerformer, Bass (Vocal) - Pete Jolly, Piano, AssociatedPerformer - Art Pepper, Alto Saxophone, MainArtist, AssociatedPerformer

(C) 1989 Blue Note Records ℗ 1956 Blue Note Records

8
The Great Lie
Art Pepper
00:04:19

Ron McMaster, Mastering Engineer, StudioPersonnel - Richard Bock, Producer - Stan Levey, Drums, AssociatedPerformer - Leroy Vinnegar, AssociatedPerformer, Bass (Vocal) - Pete Jolly, Piano, AssociatedPerformer - Art Pepper, Alto Saxophone, MainArtist, AssociatedPerformer - Cab Calloway, Composer - Andy Gibson, Composer

(C) 1989 Blue Note Records ℗ 1956 Blue Note Records

9
Sweet Lorraine
Chet Baker
00:03:12

Mitchell Parish, ComposerLyricist - Chet Baker, MainArtist - Clifford Burwell, ComposerLyricist

(C) 1989 Blue Note Records ℗ 2011 Blue Note Records

10
If I Should Lose You
Chet Baker
00:04:21

Ron McMaster, Mastering Engineer, StudioPersonnel - Leo Robin, Composer - Ralph Rainger, Composer - Richard Bock, Producer - Stan Levey, Drums, AssociatedPerformer - Chet Baker, MainArtist - Leroy Vinnegar, AssociatedPerformer, Bass (Vocal) - Pete Jolly, Piano, AssociatedPerformer - Art Pepper, MainArtist - Richie Kamuca, Tenor Saxophone, AssociatedPerformer

(C) 1989 Blue Note Records ℗ 1956 Blue Note Records

11
Younger Than Springtime
Chet Baker
00:04:32

Richard Rodgers, ComposerLyricist - Oscar Hammerstein II , ComposerLyricist - Ron McMaster, Mastering Engineer, StudioPersonnel - Richard Bock, Producer - Stan Levey, Drums, AssociatedPerformer - Chet Baker, MainArtist - Leroy Vinnegar, AssociatedPerformer, Bass (Vocal) - Pete Jolly, Piano, AssociatedPerformer - Art Pepper, MainArtist

(C) 1989 Blue Note Records ℗ 1956 Blue Note Records

Chronique

This 1989 CD issue compiles all known sides cut during a July 26, 1956, session led by Chet Baker (trumpet) and Art Pepper (alto sax). Keen-eyed enthusiasts will note that this particular date occurred during a remarkable week -- July 23 through July 31 -- of sessions held at the behest of Pacific Jazz label owner and session producer Dick Bock at the Forum Theater in Los Angeles. The recordings made during this week not only inform The Route, but three other long-players as well: Lets Get Lost (The Best of Chet Baker Sings), Chet Baker and Crew, and Chet Baker Quintet at the Forum Theatre. Likewise, these were the first sides cut by Baker since returning from his triumphant and extended stay in Europe. The Route compiles all 11 tracks by the sextet featuring Richie Kamuca (tenor sax), Pete Jolly (piano), Leroy Vinnegar (bass), and Stan Levey (drums) in support of Baker and Pepper. Bock had no immediate plans to use these recordings for any one album; that is to say he incorporated the tracks throughout various compilations released on Pacific Jazz. Three months later, however, Baker and Pepper did record with completely different personnel for the expressed purpose of issuing what would become known as Playboys and alternately Picture of Heath. Perhaps encouraged by the swinging interaction on Pepper's "Tynan Time" and "Minor Yours," both tracks were featured at this session as well as during the Picture of Heath collaboration. There are a few unexpected moments of sheer brilliance spread throughout, such as the Baker-penned title track, which contains supple and nicely contrasting solos from Kamuca and Vinnegar -- whose solid pendulum accuracy swings all through this collection. The Route is recommended for completists as well as curious consumers wishing to expand their knowledge of the light and airy rhythms that typify the cool West Coast jazz scene of the mid-'50s.

© Lindsay Planer /TiVo

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