Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Taking influence from sounds and styles ranging from the Laurel Canyon scene to exotica and film scores by likes of Morricone and Badalamenti, onetime working jazz vocalist Marta Del Grandi introduced her highly stylized art pop on Until We Fossilize in 2021. It was self-produced in her native Italy with contributions from collaborators in Brooklyn. While that album's subject matter was heavily inspired by world travel, she followed it up two years later with the more personal Selva (Italian for "forest"). For this album, she enlisted a co-producer, Bert Vliegen (Sophia, Whispering Sons), who helped her fashion a more muscular, bass-clef-heavy sound that was tracked in Ghent, Belgium. The set list opens with a section of off-center a cappella, multi-tracked by Del Grandi before exacting, unison bass and synth arpeggios lay down a tense backdrop for lyrics like, "There I found you/Huddled in your wounded heart/Acting like I wasn’t there." That song, "Mata Hari," soon expands to include a driving drum kit, a booming low drum, brass, woodwinds, guitars, and more, as the singer reflects on the value of love ("If not for love we’d be just like shadows"). Throughout the rest of Selva, art songs like the part-chant, partly cacophonous "Snapdragon," the chamber piece "Polar Bear Village," and the Italian-language title track, with its heavily edited singing and whispering voices, are balanced by more structured pop like the grungy, swaying rock ballad "Stay," the lilting synth folk entry "Marble Season," and the earnest "Two Halves," which ornaments strummed acoustic guitar with murmuring electronic noise ("I’m divided into two halves/One’s humming to herself/And one needs to show them"). After keeping listeners both beguiled and off-balance through 11 tracks, Selva ends with the bittersweet, organ-guided "End of the World, Pt. 2," in which Del Grandi literally dreams of having it all as she drifts off to sleep.
© Marcy Donelson /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de CHF 14,99/mois
Bert Vliegen, Producer, MixingEngineer - Brian Pyle, MasteringEngineer - Marta del Grandi, Composer, Producer, MainArtist, LeadVocals - Simon Raman, Drums, Percussion
2023 Fire Records 2023 Fire Records
Bert Vliegen, Producer, MixingEngineer - Brian Pyle, MasteringEngineer - Marta del Grandi, Composer, Producer, MainArtist, LeadVocals - Simon Raman, Drums, Percussion
2023 Fire Records 2023 Fire Records
Bert Vliegen, Producer, MixingEngineer - Brian Pyle, MasteringEngineer - Marta del Grandi, Composer, Producer, MainArtist, LeadVocals - Simon Raman, Drums, Percussion
2023 Fire Records 2023 Fire Records
Bert Vliegen, Producer, MixingEngineer - Brian Pyle, MasteringEngineer - Marta del Grandi, Composer, Producer, MainArtist, LeadVocals - Simon Raman, Drums, Percussion
2023 Fire Records 2023 Fire Records
Bert Vliegen, Producer, MixingEngineer - Brian Pyle, MasteringEngineer - Marta del Grandi, Composer, Producer, MainArtist, LeadVocals - Simon Raman, Drums, Percussion
2023 Fire Records 2023 Fire Records
Bert Vliegen, Producer, MixingEngineer - Brian Pyle, MasteringEngineer - Marta del Grandi, Composer, Producer, MainArtist, LeadVocals - Simon Raman, Drums, Percussion
2023 Fire Records 2023 Fire Records
Bert Vliegen, Producer, MixingEngineer - Brian Pyle, MasteringEngineer - Marta del Grandi, Composer, Producer, MainArtist, LeadVocals - Simon Raman, Drums, Percussion
2023 Fire Records 2023 Fire Records
Bert Vliegen, Producer, MixingEngineer - Brian Pyle, MasteringEngineer - Marta del Grandi, Composer, Producer, MainArtist, LeadVocals - Simon Raman, Drums, Percussion
2023 Fire Records 2023 Fire Records
Bert Vliegen, Producer, MixingEngineer - Brian Pyle, MasteringEngineer - Marta del Grandi, Composer, Producer, MainArtist, LeadVocals - Simon Raman, Drums, Percussion
2023 Fire Records 2023 Fire Records
Bert Vliegen, Producer, MixingEngineer - Brian Pyle, MasteringEngineer - Marta del Grandi, Composer, Producer, MainArtist, LeadVocals - Simon Raman, Drums, Percussion
2023 Fire Records 2023 Fire Records
Bert Vliegen, Producer, MixingEngineer - Brian Pyle, MasteringEngineer - Marta del Grandi, Composer, Producer, MainArtist, LeadVocals - Simon Raman, Drums, Percussion
2023 Fire Records 2023 Fire Records
Bert Vliegen, Producer, MixingEngineer - Brian Pyle, MasteringEngineer - Marta del Grandi, Composer, Producer, MainArtist, LeadVocals - Simon Raman, Drums, Percussion
2023 Fire Records 2023 Fire Records
Chronique
Taking influence from sounds and styles ranging from the Laurel Canyon scene to exotica and film scores by likes of Morricone and Badalamenti, onetime working jazz vocalist Marta Del Grandi introduced her highly stylized art pop on Until We Fossilize in 2021. It was self-produced in her native Italy with contributions from collaborators in Brooklyn. While that album's subject matter was heavily inspired by world travel, she followed it up two years later with the more personal Selva (Italian for "forest"). For this album, she enlisted a co-producer, Bert Vliegen (Sophia, Whispering Sons), who helped her fashion a more muscular, bass-clef-heavy sound that was tracked in Ghent, Belgium. The set list opens with a section of off-center a cappella, multi-tracked by Del Grandi before exacting, unison bass and synth arpeggios lay down a tense backdrop for lyrics like, "There I found you/Huddled in your wounded heart/Acting like I wasn’t there." That song, "Mata Hari," soon expands to include a driving drum kit, a booming low drum, brass, woodwinds, guitars, and more, as the singer reflects on the value of love ("If not for love we’d be just like shadows"). Throughout the rest of Selva, art songs like the part-chant, partly cacophonous "Snapdragon," the chamber piece "Polar Bear Village," and the Italian-language title track, with its heavily edited singing and whispering voices, are balanced by more structured pop like the grungy, swaying rock ballad "Stay," the lilting synth folk entry "Marble Season," and the earnest "Two Halves," which ornaments strummed acoustic guitar with murmuring electronic noise ("I’m divided into two halves/One’s humming to herself/And one needs to show them"). After keeping listeners both beguiled and off-balance through 11 tracks, Selva ends with the bittersweet, organ-guided "End of the World, Pt. 2," in which Del Grandi literally dreams of having it all as she drifts off to sleep.
© Marcy Donelson /TiVo
À propos
- 1 disque(s) - 12 piste(s)
- Durée totale : 00:41:15
- Artistes principaux : Marta del Grandi
- Compositeur : Marta del Grandi
- Label : Fire Records
- Genre : Pop/Rock Rock Alternatif et Indé
2023 Fire Records 2023 Fire Records
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.