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Fatboy Slim|Palookaville

Palookaville

Fatboy Slim

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Langue disponible : anglais

Looking back on Fatboy Slim's discography, Palookaville is up against some stiff competition, which makes it the low point only because it isn't another beginning-to-end stunner. The Fatboy himself -- Norman Cook -- had given plenty of hints in the press before the album's release that this was going to be different. He went through marriage problems and declared a renewed interest in hip-hop over dance music, dance being a genre he sees as going through another dry period. Still, this isn't a "forget everything you know about..." album since the jittery "Slash Dot Dash" and "Jin Go Lo Ba" sound like old outtakes. They're the lesser tracks on an album that could have been tighter had Cook not played it safe by including them. There's so much more heart in the non-club numbers, with each one sounding inspired and full of that quirky Fatboy flair. A cover of Steve Miller's "The Joker" with Bootsy Collins on vocals is brilliant fun and the most direct example of the rolling along despite the nasty weather, naked hippy feel of the album. When Cook brings it down, he brings to mind the best of Tranquility Bass, just a lot more fun and approachable. For its hook, "Don't Let the Man Get You Down" uses the "long-haired freaky people" line from Five Man Electrical Band's "Signs" and guest singer Lateef's two appearances are nothing short of frolicsome. They offer the trippy ying to the marriage problem yang of "Put It Back Together" with Damon Albarn, and the intentionally maudlin "North West Three" (the first address where the recently patched-it-up Cook and Zoe Ball lived together). That "North West Three" samples from a husband-and-wife's record (John and Beverley Martyn's "Primrose Hill") is just one of Palookaville's deeper-than-before ideas. There are scars here, but with only hints of the specifics, you can apply Cook's heartbreak to any hurt of your own. Palookaville could stand one more trimming pass, but it gives Cook's canon the needed depth. Now there's a Fatboy Slim record for that rainy day and one the long-haired freaky people can enjoy.

© David Jeffries /TiVo

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Palookaville

Fatboy Slim

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1
Don't Let the Man Get You Down
00:04:01

Norman Cook, Composer, Producer, Instruments - Fatboy Slim, MainArtist - Les Emmerson, Composer

© 2004 Skint Records Limited, a BMG Company ℗ 2004 Skint Records Limited, a BMG Company

2
Slash Dot Dash
00:02:53

Norman Cook, Composer, Programmer, Instruments - Leigh Kenny, Composer - Fatboy Slim, MainArtist

© 2004 Skint Records Limited, a BMG Company ℗ 2004 Skint Records Limited, a BMG Company

3
Wonderful Night Explicit
00:02:43

Norman Cook, Composer, Producer, Vocals, Instruments - Lateef Daumont, Composer, Vocals - Fatboy Slim, MainArtist

© 2004 Skint Records Limited, a BMG Company ℗ 2006 Skint Records Limited, a BMG Company

4
Long Way from Home
00:04:44

Norman Cook, Producer, Instruments - Fatboy Slim, MainArtist

© 2004 Skint Records Limited, a BMG Company ℗ 2004 Skint Records Limited, a BMG Company

5
Put It Back Together (feat. Damon Albarn)
00:04:36

Norman Cook, Composer, Producer, Instruments - Damon Albarn, Composer, Instruments, FeaturedArtist - Fatboy Slim, MainArtist - Sharon Woolf, Backing Vocals

© 2004 Skint Records Limited, a BMG Company ℗ 2004 Skint Records Limited, a BMG Company

6
El Bebe Masoquista
00:04:26

Norman Cook, Producer, Vocals, Instruments - Fatboy Slim, MainArtist

© 2004 Skint Records Limited, a BMG Company ℗ 2004 Skint Records Limited, a BMG Company

7
Push and Shove
00:04:27

Norman Cook, Producer, Instruments - Justin Robertson, Guitar, Vocals, Bass - Fatboy Slim, MainArtist - Sharon Woolf, Backing Vocals

© 2004 Skint Records Limited, a BMG Company ℗ 2004 Skint Records Limited, a BMG Company

8
North West Three
00:04:30

Norman Cook, Producer, Vocals, Instruments - Danny Thompson, Performance - Fatboy Slim, MainArtist

© 2004 Skint Records Limited, a BMG Company ℗ 2004 Skint Records Limited, a BMG Company

9
The Journey
00:04:36

Norman Cook, Producer, Instruments - Lateef Daumont, Vocals - Fatboy Slim, MainArtist

© 2004 Skint Records Limited, a BMG Company ℗ 2004 Skint Records Limited, a BMG Company

10
Jin Go Lo Ba
00:04:40

Norman Cook, Composer, Producer, Instruments - Babatunde Olatunji, Composer - Simon Thornton, Mixer, Engineer - Fatboy Slim, Producer, Instruments, MainArtist

© 2004 Skint Records Limited, a BMG Company ℗ 2004 Skint Records Limited, a BMG Company

11
Song for Chesh
00:04:19

Norman Cook, Producer, Instruments - Fatboy Slim, MainArtist

© 2004 Skint Records Limited, a BMG Company ℗ 2004 Skint Records Limited, a BMG Company

12
The Joker
00:05:21

Bootsy Collins, Vocals - Norman Cook, Producer, Instruments - Steven Miller, Composer - AHMET ERTEGUN, Composer - Fatboy Slim, MainArtist - EDDIE CURTIS, Composer

© 2004 Skint Records Limited, a BMG Company ℗ 2004 Skint Records Limited, a BMG Company

Chronique

Looking back on Fatboy Slim's discography, Palookaville is up against some stiff competition, which makes it the low point only because it isn't another beginning-to-end stunner. The Fatboy himself -- Norman Cook -- had given plenty of hints in the press before the album's release that this was going to be different. He went through marriage problems and declared a renewed interest in hip-hop over dance music, dance being a genre he sees as going through another dry period. Still, this isn't a "forget everything you know about..." album since the jittery "Slash Dot Dash" and "Jin Go Lo Ba" sound like old outtakes. They're the lesser tracks on an album that could have been tighter had Cook not played it safe by including them. There's so much more heart in the non-club numbers, with each one sounding inspired and full of that quirky Fatboy flair. A cover of Steve Miller's "The Joker" with Bootsy Collins on vocals is brilliant fun and the most direct example of the rolling along despite the nasty weather, naked hippy feel of the album. When Cook brings it down, he brings to mind the best of Tranquility Bass, just a lot more fun and approachable. For its hook, "Don't Let the Man Get You Down" uses the "long-haired freaky people" line from Five Man Electrical Band's "Signs" and guest singer Lateef's two appearances are nothing short of frolicsome. They offer the trippy ying to the marriage problem yang of "Put It Back Together" with Damon Albarn, and the intentionally maudlin "North West Three" (the first address where the recently patched-it-up Cook and Zoe Ball lived together). That "North West Three" samples from a husband-and-wife's record (John and Beverley Martyn's "Primrose Hill") is just one of Palookaville's deeper-than-before ideas. There are scars here, but with only hints of the specifics, you can apply Cook's heartbreak to any hurt of your own. Palookaville could stand one more trimming pass, but it gives Cook's canon the needed depth. Now there's a Fatboy Slim record for that rainy day and one the long-haired freaky people can enjoy.

© David Jeffries /TiVo

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