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Rascal Flatts|Nothing Like This

Nothing Like This

Rascal Flatts

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After the lethargic hubris of Rascal Flatts’ sixth album Unstoppable it seemed like the friendly trio had settled into a carefully calculated rut so it’s good to hear that switching labels for 2010’s Nothing Like This has revived the band considerably. Nothing Like This doesn’t offer anything new - if ever there was a band adverse to risk, it’s Rascal Flatts who have never strayed from the sunny sound of their 2000 debut - but everything from the melodies to the very sound of the tight 11-track record seems brighter than the trio’s last few records. Certainly, Rascal Flatts have made a conscious decision to not drift toward sleepiness, injecting a high number of propulsive tunes into the body of the record. Several of these have the echoing pulse of an arena - the opening “Why Wait,” “All Night To Get There” - but they also ride “Red Camero” on chords reminiscent of “Life Is A Highway,” jauntily skip through “Play” and take “Tonight Tonight” to the verge of rock & roll. Naturally, they haven’t abandoned ballads, going so far as to enlist Natasha Bedingfield for a questionable stab at pop radio crossover, but the emphasis isn’t these slow, swaying numbers, the album is all about balance, all about executing the usual with precision. It’s a fresh coat of paint on a sturdy old house.

© Stephen Thomas Erlewine /TiVo

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Nothing Like This

Rascal Flatts

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1
Why Wait
00:03:43

Tom Shapiro, ComposerLyricist - Neil Thrasher, ComposerLyricist - Jimmy Yeary, ComposerLyricist - Rascal Flatts, MainArtist

℗ 2010 Big Machine Records, LLC.

2
Easy
00:03:38

Katrina Elam, ComposerLyricist - Rascal Flatts, MainArtist - Natasha Bedingfield, FeaturedArtist - Mike Mobley, ComposerLyricist

℗ 2010 Big Machine Records, LLC.

3
Sunday Afternoon
00:03:50

Busbee, ComposerLyricist - Rascal Flatts, MainArtist - JOE DON ROONEY, ComposerLyricist

℗ 2010 Big Machine Records, LLC.

4
Play
00:03:43

Bonnie Baker, ComposerLyricist - Katrina Elam, ComposerLyricist - Rascal Flatts, MainArtist - Hunter Hayes, ComposerLyricist

℗ 2010 Big Machine Records, LLC

5
Nothing Like This
00:03:54

Tom Shapiro, ComposerLyricist - Michael Dulaney, ComposerLyricist - Neil Thrasher, ComposerLyricist - Rascal Flatts, MainArtist

℗ 2010 Big Machine Records, LLC.

6
All Night To Get There
00:03:20

Jason Sellers, ComposerLyricist - Jay DeMarcus, ComposerLyricist - Rascal Flatts, MainArtist - Paul Jenkins, ComposerLyricist

℗ 2010 Big Machine Records, LLC.

7
Red Camaro
00:03:47

Chris Tompkins, ComposerLyricist - Rascal Flatts, MainArtist - Joe Collins, ComposerLyricist

℗ 2010 Big Machine Records, LLC.

8
They Try
00:04:16

Tom Shapiro, ComposerLyricist - Neil Thrasher, ComposerLyricist - Jimmy Yeary, ComposerLyricist - Rascal Flatts, MainArtist

℗ 2010 Big Machine Records, LLC.

9
Summer Young
00:04:12

Neil Thrasher, ComposerLyricist - Wendell Mobley, ComposerLyricist - Gary Levox, ComposerLyricist - Rascal Flatts, MainArtist

℗ 2010 Big Machine Records, LLC.

10
Tonight Tonight
00:03:41

Aimee Mayo, ComposerLyricist - Chris Lindsey, ComposerLyricist - Ryan Tedder, ComposerLyricist - Gary Levox, ComposerLyricist - Rascal Flatts, MainArtist

℗ 2010 Big Machine Records, LLC.

11
I Won't Let Go
00:03:45

Jason Sellers, ComposerLyricist - Steve Robson, ComposerLyricist - Rascal Flatts, MainArtist

℗ 2010 Big Machine Records, LLC.

Chronique

After the lethargic hubris of Rascal Flatts’ sixth album Unstoppable it seemed like the friendly trio had settled into a carefully calculated rut so it’s good to hear that switching labels for 2010’s Nothing Like This has revived the band considerably. Nothing Like This doesn’t offer anything new - if ever there was a band adverse to risk, it’s Rascal Flatts who have never strayed from the sunny sound of their 2000 debut - but everything from the melodies to the very sound of the tight 11-track record seems brighter than the trio’s last few records. Certainly, Rascal Flatts have made a conscious decision to not drift toward sleepiness, injecting a high number of propulsive tunes into the body of the record. Several of these have the echoing pulse of an arena - the opening “Why Wait,” “All Night To Get There” - but they also ride “Red Camero” on chords reminiscent of “Life Is A Highway,” jauntily skip through “Play” and take “Tonight Tonight” to the verge of rock & roll. Naturally, they haven’t abandoned ballads, going so far as to enlist Natasha Bedingfield for a questionable stab at pop radio crossover, but the emphasis isn’t these slow, swaying numbers, the album is all about balance, all about executing the usual with precision. It’s a fresh coat of paint on a sturdy old house.

© Stephen Thomas Erlewine /TiVo

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