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Langue disponible : anglais
Part of the appeal of Michelle Branch on her 2001 debut, The Spirit Room, was that she came across as a spirited normal girl with an enthusiasm for music. She wasn't teasingly sexy like Britney Spears, nor was she a brat like the then-unknown Avril Lavigne; she felt like a real teenager, something that was enhanced by her direct songs and earnest vocals, which were the furthest thing from flashy. Sure, The Spirit Room could be a little too polished at times, but it was tempered by her eagerness to make a record, so it turned out quite endearing. But like many second albums, her sophomore affair, Hotel Paper, finds Branch two years older and a whole lot more "mature," in the sense that any remnants of that adolescent passion have been removed as she positions herself as a serious singer/songwriter in the adult alternative vein. Branch remains appealing -- her blend of pop and mild roots rock sounds good and she has a nice, plainspoken charm and straight-ahead voice -- but she's buried beneath the slick veneer of Hotel Paper's production (largely by John Shanks) and does not help herself with her compositions, which are vaguely ingratiating, but rarely rise above the generic level. All of it is too self-consciously serious, too preoccupied with turning Branch into a younger but more somber Sheryl Crow (who duets with Branch on the record's best track, "Love Me Like That"). Taken on the surface, Hotel Paper is fine -- it's big and shiny and it glides as easy as tunes on an adult alternative radio station on a summer's day -- but without that infectious spirit she displayed on The Spirit Room or songs as catchy as "Everywhere," the album doesn't have the detail of character that made Michelle Branch so appealing the first time out. In its place is a professional, polished album that's nice to listen to, but doesn't resonate for much longer than its playing time.
© Stephen Thomas Erlewine /TiVo
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Michelle Branch, Vocals, MainArtist - PUBLIC DOMAIN, Writer - London & Co., Contributor
© 2003 Maverick Recording Company ℗ 2003 Maverick Recording Company
Michelle Branch, Lead Vocals, Writer, MainArtist - Paul Bushnell, Bass - Jamie Muhoberac, Keyboards - Mark Valentine, AssistantEngineer - CHRIS LORD-ALGE, Mixer - John Shanks, Producer, Guitar, Writer - Lars Fox, Recorded by - Brian "Big Bass" Gardner, Masterer - KENNY ARONOFF, Drums - Dan Chase, Recorded by - Shari Sutcliffe, Co-ordinator Production - DAVE NAVARRO, Guitar - Jeff Rothschild, Recorded by - Brian Humphrey, AssistantEngineer - Eric Reichers, AssistantEngineer - Marc De Sisto, Recorded by
© 2003 Maverick Recording Company ℗ 2003 Maverick Recording Company
Michelle Branch, Acoustic Guitar, Lead Vocals, Writer, MainArtist - Jamie Muhoberac, Keyboards - Mark Valentine, AssistantEngineer - CHRIS LORD-ALGE, Mixer - John Shanks, Producer, Guitar, Bass - Lars Fox, Recorded by - Brian "Big Bass" Gardner, Masterer - KENNY ARONOFF, Drums - Dan Chase, Recorded by - Jeff Rothschild, Recorded by - Brian Humphrey, AssistantEngineer - London & Co., Contributor - Eric Reichers, AssistantEngineer - Marc De Sisto, Recorded by
© 2003 Maverick Recording Company ℗ 2003 Maverick Recording Company
David Campbell, String Arranger - Michelle Branch, Acoustic Guitar, Lead Vocals, Writer, MainArtist - Chris Chaney, Bass - Mark Valentine, AssistantEngineer - Patrick Warren, Keyboards - CHRIS LORD-ALGE, Mixer - John Shanks, Producer, Guitar - Lars Fox, Recorded by - Brian "Big Bass" Gardner, Masterer - KENNY ARONOFF, Drums - Dan Chase, Recorded by - Jeff Rothschild, Recorded by - Brian Humphrey, AssistantEngineer - Eric Reichers, AssistantEngineer - Marc De Sisto, Recorded by
© 2003 Maverick Recording Company ℗ 2003 Maverick Recording Company
Michelle Branch, Acoustic Guitar, Lead Vocals, Writer, MainArtist - Chris Chaney, Bass - Mark Valentine, AssistantEngineer - Patrick Warren, Keyboards - CHRIS LORD-ALGE, Mixer - John Shanks, Producer, Guitar - Lars Fox, Recorded by - Brian "Big Bass" Gardner, Masterer - KENNY ARONOFF, Drums - Dan Chase, Recorded by - Jeff Rothschild, Recorded by - Brian Humphrey, AssistantEngineer - Eric Reichers, AssistantEngineer - Marc De Sisto, Recorded by
© 2003 Maverick Recording Company ℗ 2003 Maverick Recording Company
Michelle Branch, Lead Vocals, Writer, MainArtist - Jesse Gorman, Assistant Mixing Engineer - Josh Abraham, Producer, Mixer, Keyboards, Programmer - Ryan Williams, Engineer - Brian "Big Bass" Gardner, Masterer - Mark J. Kiccula, AssistantEngineer - Ollie Goldstein, Keyboards, Piano, Programmer
© 2003 Maverick Recording Company ℗ 2003 Maverick Recording Company
Stuart Smith, Mandolin - Michelle Branch, Lead Vocals, Writer, MainArtist - Chris Chaney, Bass - Mark Valentine, AssistantEngineer - Patrick Warren, Keyboards - CHRIS LORD-ALGE, Mixer - John Shanks, Producer, Guitar, Writer - Lars Fox, Recorded by - Brian "Big Bass" Gardner, Masterer - KENNY ARONOFF, Drums - Sheryl Crow, FeaturedArtist - Dan Chase, Recorded by - Jeff Rothschild, Recorded by - Brian Humphrey, AssistantEngineer - Eric Reichers, AssistantEngineer - Marc De Sisto, Recorded by
© 2003 Maverick Recording Company ℗ 2003 Maverick Recording Company
Greg Wells, Producer, Guitar, Organ, Piano, Bass - Michelle Branch, Acoustic Guitar, Lead Vocals, Writer, MainArtist - Brian "Big Bass" Gardner, Masterer - Luis Conte, Percussion - JIM SCOTT, Mixer - Chris Reynolds, SecondEngineer - Brian Scheuble, Engineer - Brian McCleod, Drums - Jessica Harp, Backing Vocals
© 2003 Maverick Recording Company ℗ 2003 Maverick Recording Company
Mike Elizondo, Bass - Michelle Branch, Lead Vocals, Writer, MainArtist - Jamie Muhoberac, Keyboards - Chris Chaney, Bass - Mark Valentine, AssistantEngineer - Patrick Warren, Keyboards - CHRIS LORD-ALGE, Mixer - John Shanks, Producer, Guitar, Writer, Bass - Lars Fox, Recorded by - Brian "Big Bass" Gardner, Masterer - KENNY ARONOFF, Drums - Jeff Rothschild, Recorded by - Brian Humphrey, AssistantEngineer - Eric Reichers, AssistantEngineer - Marc De Sisto, Recorded by
© 2003 Maverick Recording Company ℗ 2003 Maverick Recording Company
Greg Wells, Producer, Guitar, Additional Organ, Piano - Chris Holmes, Assistant Mixing Engineer - Michelle Branch, Guitar, Percussion, Writer, MainArtist - Brian "Big Bass" Gardner, Masterer - JIM SCOTT, Mixer - Chris Reynolds, Percussion, SecondEngineer - Brian Scheuble, Engineer - Brian McCleod, Drums - Dan Rothchild, Bass
© 2003 Maverick Recording Company ℗ 2003 Maverick Recording Company
Michelle Branch, Lead Vocals, Writer, MainArtist - JOHN LEVENTHAL, Producer, Guitar, Keyboards, Bass - Rob Clark, Assistant Mixing Engineer - Brian "Big Bass" Gardner, Masterer - ROGER MOUTENOT, Mixer - Rick Depofi, Engineer, Percussion, CoProducer - Shawn Pelton, Drums - Jorge Velez, AssistantEngineer - Jill Dell'Abate, Co-ordinator Production
© 2003 Maverick Recording Company ℗ 2003 Maverick Recording Company
Michelle Branch, Lead Vocals, Writer, MainArtist - Chris Chaney, Bass - Mark Valentine, AssistantEngineer - Patrick Warren, Keyboards - CHRIS LORD-ALGE, Mixer - John Shanks, Producer, Guitar, Writer - Lars Fox, Recorded by - Brian "Big Bass" Gardner, Masterer - KENNY ARONOFF, Drums - Dan Chase, Recorded by - Jeff Rothschild, Recorded by - Brian Humphrey, AssistantEngineer - Eric Reichers, AssistantEngineer - Marc De Sisto, Recorded by
© 2003 Maverick Recording Company ℗ 2003 Maverick Recording Company
Michelle Branch, Lead Vocals, Writer, MainArtist - JOHN LEVENTHAL, Producer, Guitar, Keyboards, Bass - Rob Clark, Assistant Mixing Engineer - Brian "Big Bass" Gardner, Masterer - ROGER MOUTENOT, Mixer - Rick Depofi, Engineer, Percussion, CoProducer - Shawn Pelton, Drums - Jorge Velez, AssistantEngineer - Jill Dell'Abate, Co-ordinator Production
© 2003 Maverick Recording Company ℗ 2003 Maverick Recording Company
Chronique
Part of the appeal of Michelle Branch on her 2001 debut, The Spirit Room, was that she came across as a spirited normal girl with an enthusiasm for music. She wasn't teasingly sexy like Britney Spears, nor was she a brat like the then-unknown Avril Lavigne; she felt like a real teenager, something that was enhanced by her direct songs and earnest vocals, which were the furthest thing from flashy. Sure, The Spirit Room could be a little too polished at times, but it was tempered by her eagerness to make a record, so it turned out quite endearing. But like many second albums, her sophomore affair, Hotel Paper, finds Branch two years older and a whole lot more "mature," in the sense that any remnants of that adolescent passion have been removed as she positions herself as a serious singer/songwriter in the adult alternative vein. Branch remains appealing -- her blend of pop and mild roots rock sounds good and she has a nice, plainspoken charm and straight-ahead voice -- but she's buried beneath the slick veneer of Hotel Paper's production (largely by John Shanks) and does not help herself with her compositions, which are vaguely ingratiating, but rarely rise above the generic level. All of it is too self-consciously serious, too preoccupied with turning Branch into a younger but more somber Sheryl Crow (who duets with Branch on the record's best track, "Love Me Like That"). Taken on the surface, Hotel Paper is fine -- it's big and shiny and it glides as easy as tunes on an adult alternative radio station on a summer's day -- but without that infectious spirit she displayed on The Spirit Room or songs as catchy as "Everywhere," the album doesn't have the detail of character that made Michelle Branch so appealing the first time out. In its place is a professional, polished album that's nice to listen to, but doesn't resonate for much longer than its playing time.
© Stephen Thomas Erlewine /TiVo
À propos
- 1 disque(s) - 13 piste(s)
- Durée totale : 00:46:48
- Artistes principaux : Michelle Branch
- Label : Maverick
- Genre : Pop/Rock Pop
© 2003 Maverick Recording Company ℗ 2003 Maverick Recording Company
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