Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Surely no country produced as many composers per capita as did England during the twentieth century. Indeed, one passes many George Lloyds and Havergal Brians on the way to Richard Arnell, Guirne Creith, and Thomas Pitfield, the composers highlighted here. Yet as the enterprising English label Dutton has amply demonstrated, Arnell, Creith, and Pitfield are perhaps more worthy of attention than the magniloquent Lloyd or the malevolent Brian. Following premiere recordings of Arnell stirring symphonies, Dutton here releases a disc including his Violin Concerto along with similar works by the even less well-known composers Creith and Pitfield. All three works are written in a romantic style and a conservative harmonic idiom, but all three are convincing works imbued with the character of their composers. Pitfield's 1958 Concerto Lirico is modally inflected, while Creith's 1934 Concerto in G minor is lush and sensuous. Arnell's Violin Concerto in One Movement from 1948 is sweet, original, and possibly as fine a work in the form as anything by an English composer since Elgar. Soloist Lorraine McAslan sounds wholly under the skin of the music, and with the committed support of the Royal Scottish National Orchestra under the redoubtable Martin Yates, she turns in persuasive accounts of all three works. Captured in rich, clear digital sound, these performances deserve to be heard by anyone who likes twentieth century English music.
© TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de CHF 14,99/mois
Royal Scottish National Orchestra, MainArtist - Lorraine McAslan, MainArtist - Guirne Creith, Composer
(C) 2009 Vocalion Ltd (P) 2009 Vocalion Ltd
Royal Scottish National Orchestra, MainArtist - Lorraine McAslan, MainArtist - Guirne Creith, Composer
(C) 2009 Vocalion Ltd (P) 2009 Vocalion Ltd
Royal Scottish National Orchestra, MainArtist - Lorraine McAslan, MainArtist - Guirne Creith, Composer
(C) 2009 Vocalion Ltd (P) 2009 Vocalion Ltd
Royal Scottish National Orchestra, MainArtist - Lorraine McAslan, MainArtist - Thomas Pitfield, Composer
(C) 2009 Vocalion Ltd (P) 2009 Vocalion Ltd
Royal Scottish National Orchestra, MainArtist - Lorraine McAslan, MainArtist - Thomas Pitfield, Composer
(C) 2009 Vocalion Ltd (P) 2009 Vocalion Ltd
Royal Scottish National Orchestra, MainArtist - Lorraine McAslan, MainArtist - Thomas Pitfield, Composer
(C) 2009 Vocalion Ltd (P) 2009 Vocalion Ltd
Royal Scottish National Orchestra, MainArtist - Lorraine McAslan, MainArtist - Richard Arnell, Composer
(C) 2009 Vocalion Ltd (P) 2009 Vocalion Ltd
Chronique
Surely no country produced as many composers per capita as did England during the twentieth century. Indeed, one passes many George Lloyds and Havergal Brians on the way to Richard Arnell, Guirne Creith, and Thomas Pitfield, the composers highlighted here. Yet as the enterprising English label Dutton has amply demonstrated, Arnell, Creith, and Pitfield are perhaps more worthy of attention than the magniloquent Lloyd or the malevolent Brian. Following premiere recordings of Arnell stirring symphonies, Dutton here releases a disc including his Violin Concerto along with similar works by the even less well-known composers Creith and Pitfield. All three works are written in a romantic style and a conservative harmonic idiom, but all three are convincing works imbued with the character of their composers. Pitfield's 1958 Concerto Lirico is modally inflected, while Creith's 1934 Concerto in G minor is lush and sensuous. Arnell's Violin Concerto in One Movement from 1948 is sweet, original, and possibly as fine a work in the form as anything by an English composer since Elgar. Soloist Lorraine McAslan sounds wholly under the skin of the music, and with the committed support of the Royal Scottish National Orchestra under the redoubtable Martin Yates, she turns in persuasive accounts of all three works. Captured in rich, clear digital sound, these performances deserve to be heard by anyone who likes twentieth century English music.
© TiVo
À propos
- 1 disque(s) - 7 piste(s)
- Durée totale : 01:03:36
- Artistes principaux : The Royal Scottish National Orchestra Lorraine McAslan
- Compositeur : Various Composers
- Label : Dutton Epoch
- Genre : Classique
(C) 2009 Vocalion Ltd (P) 2009 Vocalion Ltd
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.