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Fitzwilliam Quartet|Franck: String Quartet; Violin Sonata

Franck: String Quartet; Violin Sonata

Pierre Amoyal

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Whatever else they were meant to do in life, the members of the Fitzwilliam Quartet were not meant to play César Franck's String Quartet. The Fitzwilliam was fine for those who like their Shostakovich dry and their Delius cool. But the Fitzwilliam lets it all hang out in its Franck recording, and with self-restraint gone, the players let loose their inner Francophile -- and anything becomes possible. The vibrato is incredibly lush, the lines are excruciatingly intense, the intonation is unbelievably full, and the sonorities are immensely sensual. Unfortunately, this all sounds entirely inappropriate for the music. This is not to say that Franck's quartet isn't lush, intense, full, and sensual -- it certainly is -- but it is to say that the Fitzwilliam doesn't sound lush, intense, full, and sensual -- it sounds like an imitation one step up from a parody. The sound is more voluptuous than lush, more exasperated than intense, more overweight than full, and more intentionally sexual than implicitly sensual. It's all fairly embarrassing and ought to be avoided as an interpretive strategy and as a performance. However, the coupling of Franck's radiantly beautiful Violin Sonata performed here by Pierre Amoyal and Pascal Rogé is so light-filled, so soul-full, and so heartwarming that the disc will still be quite appealing to Franck aficionados, particularly in Decca's smoothly polished stereo sound. As half a disc, this release is well worth it -- but by all means skip the first four tracks.

© TiVo

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Franck: String Quartet; Violin Sonata

Fitzwilliam Quartet

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String Quartet in D major (César Franck)

1
1. Poco lento - Allegro - Tempo I
Christopher Rowland
00:17:10

Cesar Franck, Composer - Alan George, Viola, AssociatedPerformer - John Dunkerley, Balance Engineer, StudioPersonnel - Fitzwilliam Quartet, Ensemble, MainArtist - Peter Wadland, Producer - Ioan Davies, Cello, AssociatedPerformer - Jonathan Sparey, Violin, AssociatedPerformer - Christopher Rowland, Violin, AssociatedPerformer

℗ 1980 Decca Music Group Limited

2
2. Scherzo: Vivace
Fitzwilliam Quartet
00:04:53

Cesar Franck, Composer - Alan George, Viola, AssociatedPerformer - John Dunkerley, Balance Engineer, StudioPersonnel - Fitzwilliam Quartet, Ensemble, MainArtist - Peter Wadland, Producer - Ioan Davies, Cello, AssociatedPerformer - Jonathan Sparey, Violin, AssociatedPerformer - Christopher Rowland, Violin, AssociatedPerformer

℗ 1980 Decca Music Group Limited

3
3. Larghetto
Fitzwilliam Quartet
00:11:14

Cesar Franck, Composer - Alan George, Viola, AssociatedPerformer - John Dunkerley, Balance Engineer, StudioPersonnel - Fitzwilliam Quartet, Ensemble, MainArtist - Peter Wadland, Producer - Ioan Davies, Cello, AssociatedPerformer - Jonathan Sparey, Violin, AssociatedPerformer - Christopher Rowland, Violin, AssociatedPerformer

℗ 1980 Decca Music Group Limited

4
4. Finale: Allegro molto
Christopher Rowland
00:14:16

Cesar Franck, Composer - Alan George, Viola, AssociatedPerformer - John Dunkerley, Balance Engineer, StudioPersonnel - Fitzwilliam Quartet, Ensemble, MainArtist - Peter Wadland, Producer - Ioan Davies, Cello, AssociatedPerformer - Jonathan Sparey, Violin, AssociatedPerformer - Christopher Rowland, Violin, AssociatedPerformer

℗ 1980 Decca Music Group Limited

Sonata in A major for Violin & Piano, FWV 8 (César Franck)

5
1. Allegretto ben moderato
Pascal Rogé
00:06:36

Cesar Franck, Composer - Paul Myers, Producer - Pierre Amoyal, Violin, MainArtist, AssociatedPerformer - Pascal Rogé, Piano, MainArtist, AssociatedPerformer - Colin Moorfoot, Balance Engineer, StudioPersonnel - Michael Mailes, Balance Engineer, StudioPersonnel

℗ 1995 Decca Music Group Limited

6
2. Allegro - Quasi lento - Tempo 1 (Allegro)
Pierre Amoyal
00:08:40

Cesar Franck, Composer - Paul Myers, Producer - Pierre Amoyal, Violin, MainArtist, AssociatedPerformer - Pascal Rogé, Piano, MainArtist, AssociatedPerformer - Colin Moorfoot, Balance Engineer, StudioPersonnel - Michael Mailes, Balance Engineer, StudioPersonnel

℗ 1995 Decca Music Group Limited

7
3. Recitativo - Fantasia (Ben moderato - Largamente - Molto vivace)
Pierre Amoyal
00:07:34

Cesar Franck, Composer - Paul Myers, Producer - Pierre Amoyal, Violin, MainArtist, AssociatedPerformer - Pascal Rogé, Piano, MainArtist, AssociatedPerformer - Colin Moorfoot, Balance Engineer, StudioPersonnel - Michael Mailes, Balance Engineer, StudioPersonnel

℗ 1995 Decca Music Group Limited

8
4. Allegretto poco mosso
Pascal Rogé
00:06:35

Cesar Franck, Composer - Paul Myers, Producer - Pierre Amoyal, Violin, MainArtist, AssociatedPerformer - Pascal Rogé, Piano, MainArtist, AssociatedPerformer - Colin Moorfoot, Balance Engineer, StudioPersonnel - Michael Mailes, Balance Engineer, StudioPersonnel

℗ 1995 Decca Music Group Limited

Chronique

Whatever else they were meant to do in life, the members of the Fitzwilliam Quartet were not meant to play César Franck's String Quartet. The Fitzwilliam was fine for those who like their Shostakovich dry and their Delius cool. But the Fitzwilliam lets it all hang out in its Franck recording, and with self-restraint gone, the players let loose their inner Francophile -- and anything becomes possible. The vibrato is incredibly lush, the lines are excruciatingly intense, the intonation is unbelievably full, and the sonorities are immensely sensual. Unfortunately, this all sounds entirely inappropriate for the music. This is not to say that Franck's quartet isn't lush, intense, full, and sensual -- it certainly is -- but it is to say that the Fitzwilliam doesn't sound lush, intense, full, and sensual -- it sounds like an imitation one step up from a parody. The sound is more voluptuous than lush, more exasperated than intense, more overweight than full, and more intentionally sexual than implicitly sensual. It's all fairly embarrassing and ought to be avoided as an interpretive strategy and as a performance. However, the coupling of Franck's radiantly beautiful Violin Sonata performed here by Pierre Amoyal and Pascal Rogé is so light-filled, so soul-full, and so heartwarming that the disc will still be quite appealing to Franck aficionados, particularly in Decca's smoothly polished stereo sound. As half a disc, this release is well worth it -- but by all means skip the first four tracks.

© TiVo

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