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Egberto Gismonti|Duas Vozes

Duas Vozes

Egberto Gismonti, Naná Vasconcelos

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"Aquarela do Brasil," an unofficial anthem of Brazil, may have received literally thousands of different version and interpretations, but even then, Egberto and Brazilian percussionist Naná Vasconcelos (his sole accompanist here) were able to devise an extremely original version, which opens with an unassuming stylized samba introduction, slowly bringing elements which conduce the listener to the piece's identification. Egberto is very fond of percussive attacks and ethereal configurations, both acquiring superior importance in his music, not being necessarily attached to or supportive for a musical theme or melody. Therefore, the next defined melody presented (in the low strings of his 10 string violão) is at track six, "Bianca," which is a complex yet lyrical construction based in which seems a folkloric rhythm motif. Follows "Dom Quixote," another beautiful, lyrical, courageously simple theme delivered at the piano, with Naná's emulating of an African chant and his triangle playing in the forró tradition.

© Alvaro Neder /TiVo

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Duas Vozes

Egberto Gismonti

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1
Aquarela Do Brasil
00:06:02

Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Egberto Gismonti, Arranger, Guitar, Work Arranger, MainArtist, AssociatedPerformer - Nana Vasconcelos, Arranger, Percussion, Work Arranger, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Ary Evangelista Barroso, ComposerLyricist

℗ 1985 ECM Records GmbH

2
Rio De Janeiro
00:06:27

Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Egberto Gismonti, Composer, Guitar, MainArtist, AssociatedPerformer - Nana Vasconcelos, Percussion, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1985 ECM Records GmbH

3
Tomarapeba
00:03:39

Traditional, ComposerLyricist - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Egberto Gismonti, Arranger, Guitar, Work Arranger, MainArtist, AssociatedPerformer - Nana Vasconcelos, Arranger, Percussion, Work Arranger, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1985 ECM Records GmbH

4
Dançando
00:07:55

Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Egberto Gismonti, Composer, Guitar, MainArtist, AssociatedPerformer - Nana Vasconcelos, Percussion, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1985 ECM Records GmbH

5
Fogueira
00:05:52

Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Egberto Gismonti, Composer, Guitar, MainArtist, AssociatedPerformer - Nana Vasconcelos, Percussion, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1985 ECM Records GmbH

6
Bianca
00:06:38

Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Egberto Gismonti, Composer, Guitar, MainArtist, AssociatedPerformer - Nana Vasconcelos, Percussion, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1984 ECM Records GmbH

7
Don Quixote
00:07:41

Geraldo Eduardo Carneiro, Composer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Egberto Gismonti, Composer, Guitar, MainArtist, AssociatedPerformer - Nana Vasconcelos, Percussion, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1985 ECM Records GmbH

8
O Dia, A Noite
00:03:51

Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Egberto Gismonti, Guitar, MainArtist, AssociatedPerformer - Nana Vasconcelos, Composer, Percussion, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1985 ECM Records GmbH

Chronique

"Aquarela do Brasil," an unofficial anthem of Brazil, may have received literally thousands of different version and interpretations, but even then, Egberto and Brazilian percussionist Naná Vasconcelos (his sole accompanist here) were able to devise an extremely original version, which opens with an unassuming stylized samba introduction, slowly bringing elements which conduce the listener to the piece's identification. Egberto is very fond of percussive attacks and ethereal configurations, both acquiring superior importance in his music, not being necessarily attached to or supportive for a musical theme or melody. Therefore, the next defined melody presented (in the low strings of his 10 string violão) is at track six, "Bianca," which is a complex yet lyrical construction based in which seems a folkloric rhythm motif. Follows "Dom Quixote," another beautiful, lyrical, courageously simple theme delivered at the piano, with Naná's emulating of an African chant and his triangle playing in the forró tradition.

© Alvaro Neder /TiVo

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