Similar artists

Albums

$12.99

Rock - Released January 1, 1973 | Capitol Records, LLC

The Joker is, without question, the turning point in Steve Miller's career, the album where he infused his blues with a big, bright dose of pop and got exactly what he deserved: Top Ten hits and stardom. He also lost a lot of fans, the ones who dug his winding improvs, because those spacy jams were driven by chops and revealed new worlds. The Joker isn't mind-expanding, it's party music, filled with good vibes, never laying a heavy trip, always keeping things light, relaxed and easygoing. Sometimes, the vibes are interrupted, but not in a harsh way -- the second side slows a bit, largely due to the sludgy "Come in My Kitchen" and "Evil," the two songs that were recorded live but lacking any kinetic energy -- but for the most part, this is all bright and fun, occasionally truly silly, as on "Shu Ba Da Du Ma Ma Ma Ma." This silliness, of course, alienated old fans all the more, but that sense of fun is both the most appealing thing about The Joker and it set a touchstone for the rest of his career. Here, it's best heard on the terrific opener "Sugar Babe" and, of course, the timeless title track, which is sunny and ridiculous in equal measure. If nothing else is quite up to that standard in terms of songs -- certainly, it's not as jammed-pack as its successor, Fly Like an Eagle -- The Joker nevertheless maintains its good-time vibe so well that it's hard not to smile along...provided you're on the same wavelength as Miller, of course. ~ Stephen Thomas Erlewine
$12.99

Rock - Released January 1, 1977 | Capitol Records, LLC

$12.99

Rock - Released January 1, 1984 | Capitol Records, LLC

$12.99

Rock - Released January 1, 1970 | Capitol Records, LLC

$12.99

Rock - Released January 1, 1969 | Capitol Records, LLC

$12.99

Rock - Released January 1, 1968 | Capitol Records, LLC

Most definitely a part of the late-'60s West Coast psychedelic blues revolution that was becoming hipper than hip, Steve Miller was also always acutely aware of both the British psychedelic movement that was swirling in tandem and of where the future lay, and how that would evolve into something even more remarkable. The result of all those ideas, of course, came together on 1968's magnificent Sailor LP. What was begun on Children of the Future is more fully realized on Sailor, most notably on the opening "Song for Our Ancestors," which begins with a foghorn and only gets stranger from there. Indeed, the song precognizes Pink Floyd's 1971 opus "Echoes" to such an extent that one wonders how much the latter enjoyed Miller's own wild ride. Elsewhere, the beautiful, slow "Dear Mary" positively shimmers in a haze of declared love, while the heavy drumbeats and rock riffing guitar of "Living in the U.S.A." are a powerful reminder that the Steve Miller Band, no matter what other paths they meandered down, could rock out with the best of them. And, of course, this is the LP that introduced many to the Johnny "Guitar" Watson classic "Gangster of Love," a song that would become almost wholly Miller's own, giving the fans an alter ego to caress long before "The Joker" arose to show his hand. Rounding out Miller's love of the blues is an excellent rendering of Jimmy Reed's "You're So Fine." At their blues-loving best, Sailor is a classic Miller recording and a must-have -- especially for the more contemporary fan, where it becomes an initiation into a past of mythic proportion. ~ Amy Hanson
$12.99

Rock - Released January 1, 1971 | Capitol Records, LLC