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Steve Miller Band|J50: The Evolution Of The Joker (Deluxe)

J50: The Evolution Of The Joker (Deluxe)

Steve Miller Band

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Steve Miller's segue from the late '60s cosmic blues of Sailor and Children of the Future into his new role as a "space cowboy" was a gradual one that took place mostly out of the public eye and over a half dozen albums that would be largely unrecognizable to many of Miller's latest fans. Recall the Beginning...A Journey from Eden, Your Saving Grace, and Rock Love were weedy, ramshackle affairs that sound as unfocused as they do uncommercial but they were also where he worked out the foundational compositional approaches that would define his sound throughout the '70s.

You can hear the transformation on this J50 set, and the "early" version of "Mary Lou" may be the very point at which things pivoted. In this studio rehearsal take, the song sounds like a clanking, loose-limbed blues-raver (much like many of the tracks that Miller recorded a couple years previously), with banging percussion, warbly keyboard lines, and vocals that are high on vibe and low on precision. This set immediately sequences the album version of "Mary Lou" after the rehearsal, so you can easily hear that it's the same song. Whereas the rehearsal version wouldn't have been out of place on Rock Love, the album version—with all the same component parts, just rendered in a distinctly more thoughtful manner—is an absolutely new sound for the Steve Miller Band, the one that would make him one of the biggest stars of the decade.

Of course, J50 also provides similar revelatory insights into other aspects of this classic album: an acoustic demo, "Travelin'," is subtitled "Looking for a chorus for the Joker" and we also get five (yes, five!) versions of "Shu Ba Da Du Ma Ma Ma Ma." The approach is similar to the one taken on Big Star's Complete Third, where the evolution of the album, rather than the album-plus-some-outtakes, is the focus. The flow of the classic album is substituted for works-in-progress next to their finished versions, live tunes that showed where the band was at before they even started writing the album, and even interstitials of Miller talking. It's a beautifully contrarian way to celebrate a classic album since it has no pretense of replacing The Joker, but instead provides a deep, complementary look at it. © Jason Ferguson/Qobuz

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J50: The Evolution Of The Joker (Deluxe)

Steve Miller Band

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1
Steve Miller Commentary 1
00:00:19

Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, StudioPersonnel - Steve Miller Band, MainArtist

℗ 2023 Sailor Records

2
Children Of The Future (Live In Los Angeles, CA, May 20, 1972)
00:03:04

Gerald Johnson, Bass, AssociatedPerformer - JOHN KING, Drums, AssociatedPerformer - Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Guitar, Vocals, AssociatedPerformer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist - Dickey Thompson, Organ, AssociatedPerformer

℗ 2023 Sailor Records

3
Brave New World (Live In Los Angeles, CA, May 20, 1972)
00:02:38

Gerald Johnson, Bass, AssociatedPerformer - JOHN KING, Drums, AssociatedPerformer - Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Guitar, Vocals, AssociatedPerformer, StudioPersonnel - Steve Miller Band, MainArtist - Alan Thomson, Organ, AssociatedPerformer - Steven Haworth Miller, ComposerLyricist

℗ 2023 Sailor Records

4
Dear Mary (Live In Los Angeles, CA, May 20, 1972)
00:01:45

Gerald Johnson, Bass, AssociatedPerformer - JOHN KING, Drums, AssociatedPerformer - Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Guitar, Vocals, AssociatedPerformer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist - Dickey Thompson, Organ, AssociatedPerformer

℗ 2023 Sailor Records

5
Space Cowboy (Live In Berkeley, CA, July 14, 1972)
00:02:31

Gerald Johnson, Bass, AssociatedPerformer - JOHN KING, Drums, AssociatedPerformer - Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Guitar, Vocals, AssociatedPerformer, StudioPersonnel - Ben Sidran, ComposerLyricist - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist - Dickey Thompson, Organ, AssociatedPerformer

℗ 2023 Sailor Records

6
Ginger Man (Live In Berkeley, CA, July 14, 1972)
00:02:59

Gerald Johnson, Bass, AssociatedPerformer - JOHN KING, Drums, AssociatedPerformer - Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Guitar, Vocals, AssociatedPerformer, StudioPersonnel - Steve Miller Band, MainArtist - Geoff Muldaur, ComposerLyricist - Dickey Thompson, Organ, AssociatedPerformer

℗ 2023 Sailor Records

7
Nothing Lasts (Live In Berkeley, CA, July 14, 1972)
00:03:10

Gerald Johnson, Bass, AssociatedPerformer - JOHN KING, Drums, AssociatedPerformer - Kent Hertz, Mastering Engineer, Mix Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Guitar, Vocals, AssociatedPerformer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist - Dickey Thompson, Organ, AssociatedPerformer

℗ 2023 Sailor Records

8
Steve Miller Commentary 2
00:00:36

Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, StudioPersonnel - Steve Miller Band, MainArtist

℗ 2023 Sailor Records

9
Sugar Babe (Early Version) (Hotel 4-Track, April 21, 1972)
00:01:45

Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Guitar, Vocals, AssociatedPerformer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist

℗ 2023 Sailor Records

10
Sugar Babe (Live In Columbus, OH, December 8, 1973)
00:04:14

Gerald Johnson, Bass, AssociatedPerformer - JOHN KING, Drums, AssociatedPerformer - Kent Hertz, Mixer, Mastering Engineer, Mix Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Guitar, Vocals, AssociatedPerformer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist - Dickey Thompson, Organ, AssociatedPerformer

℗ 2023 Sailor Records

11
Sugar Babe (Remastered 1990)
00:04:35

Gene Hicks, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - STEVE MILLER, Producer, Guitar, Vocals, AssociatedPerformer - Sweet, Mastering Engineer, StudioPersonnel - Jay Ranellucci, Mixer, Engineer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist

℗ 1990 Capitol Records, LLC

12
Mary Lou (Early Version) (Studio Rehearsal, January 19, 1973)
00:03:57

Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Guitar, Vocals, AssociatedPerformer, StudioPersonnel - Steve Miller Band, MainArtist - Obediah Donnell Jessie, ComposerLyricist

℗ 2023 Sailor Records

13
Mary Lou (Remastered 1990)
00:02:25

Gene Hicks, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - STEVE MILLER, Producer, Guitar, Vocals, AssociatedPerformer - Sweet, Mastering Engineer, StudioPersonnel - Jay Ranellucci, Mixer, Engineer, StudioPersonnel - Steve Miller Band, MainArtist - Obediah Donnell Jessie, ComposerLyricist

℗ 1990 Capitol Records, LLC

14
Steve Miller Commentary 3
00:00:21

Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist

℗ 2023 Sailor Records

15
Hat (Pre-"Shu Ba Da Du Ma Ma Ma Ma") (Live In Sacramento, CA, June 6, 1971)
00:03:19

Gerald Johnson, Bass, AssociatedPerformer - JOHN KING, Drums, AssociatedPerformer - Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Guitar, Vocals, AssociatedPerformer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist - Dickey Thompson, Guitar, AssociatedPerformer

℗ 2023 Sailor Records

16
Say Hey Ray (Pre-"Shu Ba Da Du Ma Ma Ma Ma") (Studio Rehearsal, July 27, 1973)
00:03:50

Gerald Johnson, Bass, AssociatedPerformer - JOHN KING, Drums, AssociatedPerformer - Kent Hertz, Mixer, Mastering Engineer, Mix Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Guitar, Vocals, AssociatedPerformer, StudioPersonnel - Steve Miller Band, MainArtist - GLYN JOHNS, Producer - Steven Haworth Miller, ComposerLyricist - Dickey Thompson, Organ, AssociatedPerformer

℗ 2023 Capitol Records, LLC

17
White Elephant (Pre-"Shu Ba Da Du Ma Ma Ma Ma") (Studio Rehearsal, June 21, 1973)
00:07:31

Gerald Johnson, Bass, AssociatedPerformer - JOHN KING, Drums, AssociatedPerformer - Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Guitar, Vocals, AssociatedPerformer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist - Dickey Thompson, Organ, AssociatedPerformer

℗ 2023 Sailor Records

18
Shu Ba Da Du Ma Ma Ma (Early Version) (Hotel 4-Track, April 21, 1972)
00:01:13

Gerald Johnson, Bass, AssociatedPerformer - JOHN KING, Drums, AssociatedPerformer - Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Guitar, Vocals, AssociatedPerformer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist - Dickey Thompson, Organ, AssociatedPerformer

℗ 2023 Sailor Records

19
Shu Ba Da Du Ma Ma Ma (Remastered 1990)
00:05:41

Gene Hicks, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - STEVE MILLER, Producer, Guitar, Vocals, AssociatedPerformer - Sweet, Mastering Engineer, StudioPersonnel - Jay Ranellucci, Mixer, Engineer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist

℗ 1990 Capitol Records, LLC

20
Steve Miller Commentary 4
00:01:09

Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist

℗ 2023 Sailor Records

21
Your Cash Ain't Nothin' but Trash (Early Version) (Studio Jam, July 5, 1973)
00:03:42

Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Guitar, Vocals, AssociatedPerformer, StudioPersonnel - Steve Miller Band, MainArtist - Charles Calhoun, ComposerLyricist

℗ 2023 Sailor Records

22
Your Cash Ain't Nothin' But Trash (Remastered 1990)
00:03:22

Gene Hicks, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - STEVE MILLER, Producer, Guitar, Vocals, AssociatedPerformer - Sweet, Mastering Engineer, StudioPersonnel - Jay Ranellucci, Mixer, Engineer, StudioPersonnel - Steve Miller Band, MainArtist - Charles Calhoun, ComposerLyricist

℗ 1991 Capitol Records, LLC

23
Lidi (Twang Guitar) (Hotel 4-Track, April 21, 1972)
00:01:36

Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Guitar, AssociatedPerformer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist

℗ 2023 Sailor Records

24
Lidi (Studio, August 4, 1973)
00:01:50

Gerald Johnson, Bass, AssociatedPerformer - JOHN KING, Drums, AssociatedPerformer - Kent Hertz, Mixer, Mastering Engineer, Mix Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Guitar, Vocals, AssociatedPerformer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist - Dickey Thompson, Organ, AssociatedPerformer

℗ 2023 Sailor Records

25
Lidi / Travelin’ (Harmonics - Looking for a Chorus for "The Joker") (Hotel 4-Track, November 3, 1972)
00:01:59

Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Guitar, AssociatedPerformer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist

℗ 2023 Sailor Records

26
Travelin’ (Looking for a Chorus for "The Joker") (Live Radio, July 1, 1973)
00:02:06

Gerald Johnson, Bass, AssociatedPerformer - JOHN KING, Drums, AssociatedPerformer - Kent Hertz, Mixer, Mastering Engineer, Mix Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Vocals, AssociatedPerformer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist - Dickey Thompson, Organ, AssociatedPerformer

℗ 2023 Sailor Records

27
The Joker (Remastered 2017)
00:04:24

Gerald Johnson, Bass Guitar, AssociatedPerformer - JOHN KING, Drums, AssociatedPerformer - AHMET ERTEGUN, ComposerLyricist - Kent Hertz, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Steve Miller Band, MainArtist - EDDIE CURTIS, ComposerLyricist

℗ 2017 Capitol Records LLC

28
Steve Miller Commentary 5
00:00:34

STEVE MILLER, Producer - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist

℗ 2023 Sailor Records

29
The Lovin' Cup (Live In Lansing, MI, November 27, 1973)
00:02:21

Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Guitar, Vocals, AssociatedPerformer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist

℗ 2023 Sailor Records

30
The Lovin' Cup (Remastered 1990)
00:02:10

Gerald Johnson, Bass Guitar, AssociatedPerformer - Gene Hicks, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - JOHN KING, Drums, AssociatedPerformer - STEVE MILLER, Producer, Guitar, Vocals, Harmonica, AssociatedPerformer - Sweet, Mastering Engineer, StudioPersonnel - Jay Ranellucci, Mixer, Engineer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist

℗ 1991 Capitol Records, LLC

31
Come On In My Kitchen (Early Version) (Live In Dallas, TX, October 19, 1973)
00:02:50

Gerald Johnson, Bass, AssociatedPerformer - JOHN KING, Drums, AssociatedPerformer - Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Guitar, Vocals, AssociatedPerformer, StudioPersonnel - Robert Johnson, ComposerLyricist - Steve Miller Band, MainArtist - Dickey Thompson, Organ, AssociatedPerformer

℗ 2023 Sailor Records

32
Come On In My Kitchen (Live At Tower Theater, Philadelphia/1973)
00:04:09

Gene Hicks, Assistant Mixer, StudioPersonnel - STEVE MILLER, Producer, Guitar, Vocals, AssociatedPerformer - Sweet, Mastering Engineer, StudioPersonnel - Robert Johnson, ComposerLyricist - Jay Ranellucci, Mixer, StudioPersonnel - Steve Miller Band, MainArtist - Greg MacCarthy, Engineer, StudioPersonnel

℗ 1990 Capitol Records, LLC

33
Evil (Studio Demo, July 28, 1973)
00:04:17

Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Guitar, Vocals, AssociatedPerformer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist

℗ 2023 Sailor Records

34
Evil (Live At The Aquarius Theater, Boston/1973)
00:04:32

Gene Hicks, Assistant Mixer, StudioPersonnel - Dickie Thompson, Keyboards, AssociatedPerformer - JOHN KING, Drums, AssociatedPerformer - STEVE MILLER, Producer, Guitar, Vocals, AssociatedPerformer - Sweet, Mastering Engineer, StudioPersonnel - Jay Ranellucci, Mixer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist - Lonnie Turner, Bass, AssociatedPerformer - Greg MacCarthy, Engineer, StudioPersonnel

℗ 1990 Capitol Records, LLC

35
Steve Miller Commentary 6
00:00:38

Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist

℗ 2023 Sailor Records

36
Coupe de Ville (A Cappella) (Hotel 4-Track, July 1973)
00:03:04

Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Guitar, Vocals, AssociatedPerformer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist

℗ 2023 Sailor Records

37
Something To Believe In (Early Version) (Hotel 4-Track, November 3, 1972)
00:01:39

Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Guitar, Vocals, AssociatedPerformer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist

℗ 2023 Sailor Records

38
Something To Believe In (Tough Crowd) (Live In Austin, TX, October 19, 1973)
00:03:41

Gerald Johnson, Bass, AssociatedPerformer - JOHN KING, Drums, AssociatedPerformer - Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Guitar, Vocals, AssociatedPerformer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist - Dickey Thompson, Organ, AssociatedPerformer

℗ 2023 Sailor Records

39
Something To Believe In (Remastered 1990)
00:04:41

Gene Hicks, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - STEVE MILLER, Producer, Guitar, Vocals, AssociatedPerformer - Sweet, Mastering Engineer, StudioPersonnel - Jay Ranellucci, Mixer, Engineer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist - "Sneaky" Pete Kleinow, Pedal Steel, AssociatedPerformer

℗ 1991 Capitol Records, LLC

40
I Don't Mind (Hotel 4-Track, April 21, 1972)
00:02:45

Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Guitar, Vocals, AssociatedPerformer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist

℗ 2023 Sailor Records

41
I Don't Mind (Studio, July 31, 1973)
00:02:18

Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Guitar, Vocals, AssociatedPerformer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist

℗ 2023 Sailor Records

42
Mama Church (A Cappella) (Hotel 4-Track, April 21, 1972)
00:01:45

Kent Hertz, Mixer, Mastering Engineer, StudioPersonnel - STEVE MILLER, Producer, Mastering Engineer, Vocals, AssociatedPerformer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist

℗ 2023 Sailor Records

43
The Joker
00:03:37

Gerald Johnson, Bass Guitar, Background Vocalist, AssociatedPerformer - JOHN KING, Drums, AssociatedPerformer - AHMET ERTEGUN, ComposerLyricist - STEVE MILLER, Producer, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Steve Miller Band, MainArtist - EDDIE CURTIS, ComposerLyricist - Dick Thompson, Organ, AssociatedPerformer

℗ 1973 Capitol Records, LLC

Album review

Steve Miller's segue from the late '60s cosmic blues of Sailor and Children of the Future into his new role as a "space cowboy" was a gradual one that took place mostly out of the public eye and over a half dozen albums that would be largely unrecognizable to many of Miller's latest fans. Recall the Beginning...A Journey from Eden, Your Saving Grace, and Rock Love were weedy, ramshackle affairs that sound as unfocused as they do uncommercial but they were also where he worked out the foundational compositional approaches that would define his sound throughout the '70s.

You can hear the transformation on this J50 set, and the "early" version of "Mary Lou" may be the very point at which things pivoted. In this studio rehearsal take, the song sounds like a clanking, loose-limbed blues-raver (much like many of the tracks that Miller recorded a couple years previously), with banging percussion, warbly keyboard lines, and vocals that are high on vibe and low on precision. This set immediately sequences the album version of "Mary Lou" after the rehearsal, so you can easily hear that it's the same song. Whereas the rehearsal version wouldn't have been out of place on Rock Love, the album version—with all the same component parts, just rendered in a distinctly more thoughtful manner—is an absolutely new sound for the Steve Miller Band, the one that would make him one of the biggest stars of the decade.

Of course, J50 also provides similar revelatory insights into other aspects of this classic album: an acoustic demo, "Travelin'," is subtitled "Looking for a chorus for the Joker" and we also get five (yes, five!) versions of "Shu Ba Da Du Ma Ma Ma Ma." The approach is similar to the one taken on Big Star's Complete Third, where the evolution of the album, rather than the album-plus-some-outtakes, is the focus. The flow of the classic album is substituted for works-in-progress next to their finished versions, live tunes that showed where the band was at before they even started writing the album, and even interstitials of Miller talking. It's a beautifully contrarian way to celebrate a classic album since it has no pretense of replacing The Joker, but instead provides a deep, complementary look at it. © Jason Ferguson/Qobuz

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