Michäel Rabin
Michael Rabin managed to be one of the most talented and tragic violin virtuosi of his generation. Hailed as a child prodigy, his talent matured gracefully into an adult level, but he failed to follow in his emotional growth, resulting in a cutting short of his career. He never reached the age of 36, yet remains one of the most fondly remembered of virtuoso violinists for listeners and fellow musicians such as Pinchas Zukerman, with whom he shared a teacher.
Rabin's father was a violinist in the New York Philharmonic, and his mother a Juilliard-trained pianist. When he was one year old, Rabin was able to beat perfect time, and at three he demonstrated his possession of perfect pitch -- by five he was studying the piano, and not long after, while visiting a doctor whose hobby was the violin, Rabin took up a miniature version of the instrument that was in the office and began tuning and playing it, refusing to return it. His father began teaching him the instrument soon after, but before their fifth lesson, the elder Rabin realized that his son's musicianship exceeded his own. Ultimately Rabin studied with Ivan Galamian, the future teacher of Itzhak Perlman and Pinchas Zuckerman.
Rabin made his first professional appearance in 1947, at age ten, with the Havana Philharmonic under Artur Rodzinski, performing the Wieniawski Concerto No. 1. He made his recording debut two years later, on the Columbia Masterworks label, with a set of 11 of Paganini's Caprices for solo violin. The following year came Rabin's Carnegie Hall debut, at age 13, with the Vieuxtemps Concerto No. 5, in a performance that had him hailed in The New York Times as "already an accomplished artist...play[ing] with real grace and beauty of tone." No less a figure than the conductor George Szell declared Rabin the greatest violin talent that had come to his attention in the previous 30 years, and Dimitri Mitropoulos called Rabin "the genius violinist of tomorrow."
In the 1950s, Rabin signed with Capitol-EMI, for which he recorded the most important part of his legacy, including the PaganiniViolin Concerto No. 1, the first and second violin concertos of Wieniawski, and the Tchaikovsky, Mendelssohn, and Glazunov concertos. At the end of the 1950s, Rabin suddenly cut short his recording career, for reasons that were never clear. He continued to perform regularly in concerts around the world, and even made broadcast recitals during the 1960s which revealed his talents undiminished. There were accounts of his emotional instability, and an unstable personal life -- he had a rough time adjusting to the change from child prodigy to adult virtuoso, though his talent showed no signs of abatement; during the late '60s there were stories of chronic drug use; he also displayed some unusual neuroses, including a fear of falling off the stage, but none of that should have affected his recording career while leaving his concert career intact. In any case, Rabin never entered a recording studio again after 1959, and in 1972, while still in the prime of his life died in a fall when he slipped on a parquet floor and struck his head on a chair.
Rabin's legacy on record is principally concentrated in EMI's catalog. The complete Paganini 24 Caprices for solo violin are available as a single CD, while the rest of his output has been released in a specially-priced six-CD set, containing virtually all of his concerto recordings. Even a quarter century after his death, they remain seminal recordings of each of the pieces.
© Bruce Eder
The Art of Michael Rabin EMI Classics (Six-CD set) 7
Paganini 24 Caprices EMI Classics 7 /TiVo
Discography
13 album(s) • Sorted by Bestseller
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Paganini: Violin Concerto in D Major, Op. 6 by Michael Rabin
Michäel Rabin, Eugène Goossens, Philharmonia Orchestra
Classical - Released by Alexandre Bak - Classical Music Reference Recording on Feb 27, 2022
24-Bit 96.0 kHz - Stereo -
Niccolo Paganini : 24 Caprices for solo violin
Classical - Released by EMI Classics on Jan 1, 2003
The Qobuz Essential Discography16-Bit CD Quality 44.1 kHz - Stereo -
Michael Rabin - A Genius On The Violin
Classical - Released by Profil on Mar 13, 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Michael Rabin plays Bruch's Violin Concerto and Virtuoso Pieces for Violin and Piano [Live] (RIAS recordings from 1962/1969)
Michäel Rabin, Lothar Broddack
Classical - Released by audite Musikproduktion on May 15, 2009
24-Bit 48.0 kHz - Stereo -
FDS - 24 Caprices For Solo Violin, Op. 1
Classical - Released by Angel Records on Jan 1, 2001
16-Bit CD Quality 44.1 kHz - Stereo -
Paganini: Caprices pour violon (Les Indispensables de Diapason)
Classical - Released by Les Indispensables de Diapason on Oct 12, 2022
16-Bit CD Quality 44.1 kHz - Stereo -
Paganini by Michael Rabin: 24 Caprices Op.1
Classical - Released by Alexandre Bak - Classical Music Reference Recording on Oct 7, 2021
16-Bit CD Quality 44.1 kHz - Stereo -
Michael Rabin Vol. 1: Beethoven, Fauré & Paganini
Michäel Rabin, Lothar Broddack, Bell Telephone Hour Orchestra, Donald Voorhees
Chamber Music - Released by DOREMI on Apr 25, 2000
16-Bit CD Quality 44.1 kHz - Stereo -
L'Arte della Variazione [Paganini, Liszt, Brahms…]
Classical - Released by Praga Digitals on Apr 1, 2016
24-Bit 96.0 kHz - Stereo -
Michael Rabin, Vol. 3: Mozart & Tchaikovsky Concertos (Live)
Concertos - Released by DOREMI on Mar 9, 2010
16-Bit CD Quality 44.1 kHz - Stereo -
Rabin, Michael: Bruch, Kroll, Wieniawski, Tchaikovsky, Sarasate & Saint-Saens (1962, 1969) (Max Bruch - William Kroll - Henryk Wieniawski)
Classical - Released by Audite on May 15, 2009
16-Bit CD Quality 44.1 kHz - Stereo -
Classical Masters 1954-1960
Chamber Music - Released by Unchained Melodie on Jun 27, 2012
16-Bit CD Quality 44.1 kHz - Stereo -
Violin Classics
Symphonic Music - Released by Unchained Melodíe Records on Jun 1, 2010
16-Bit CD Quality 44.1 kHz - Stereo