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Concertos - Released November 16, 2018 | Preiser Records

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Violin Concertos - Released November 16, 2018 | Channel Classics Records

Hi-Res Booklet
The Royal Liverpool Philharmonic Orchestra has played Edward Elgar's Violin Concerto in B minor, Op. 61, many times, but the work gets new dashes of flavor here from Chinese violinist Ning Feng and Mexican conductor Carlos Miguel Prieto. Regardless of your reaction to them, this release from Channel Classics is worth your time for the inclusion of the delightful little Violin Concerto by Gerald Finzi, which did not have its premiere until 1999. Few recordings are available. The blame for the work's suppression lies with Finzi himself, who considered it an imperfect youthful effort. Perhaps the middle movement lacks the concision of the other two (this was his objection), but it's an exceptionally attractive little neoclassical work, and Finzi was 26 when he wrote it, no teenager. Sample the vigorous hornpipe rondo finale. In the Elgar, Feng studiously avoids the work's reputation for sentimentality, and one could wish for a bit more expression to be applied, say, in the lower register at the beginning of the first movement. The slow movement is ethereal, however, with Prieto keeping the energy moving in an even flow and Feng handling the abundant technical challenges with ease. You may favor his interpretation, and with the Finzi you will be getting in almost on the ground floor.
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Concertos - Released November 16, 2018 | SKANI

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Concertos - Released November 9, 2018 | Fuga Libera

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Violin Concertos - Released October 26, 2018 | harmonia mundi

Hi-Res Booklet Distinctions Diapason d'or - Le Choix de France Musique
To say that the concerto was one of Haydn's favourite forms would be a bit much, daft even. The man wrote a good hundred symphonies, dozens of quartets, trios, piano sonatas, fifteen or so masses and as many operas, and oratorios... Currently we know of three violin concertos (others being lost or apocryphal), two cello concertos (others... see above), one horn concerto, one for trumpet (there are no others) and at most about ten concertos for piano. Musically, they are fascinating works, but the level of technical skill they demand runs from moderate to a bit tricky. But the First Cello Concerto is not without its moments of difficulty, such as the rapid high notes in the final movement, and it offers some real fireworks. It should also be noted that most of the concertos were written for Esterházy, specifically for the first soloists in the house orchestra of Konzertmeister Luigi Tomasini and first cellist Joseph Weigl. The orchestral accompaniments offered the soloists some fine backdrops: in particular in the second movement of the Concerto for violin in C Major , with the orchestra's string section accompanying the solo violin with a sort of lute-playing that becomes a kind of serenade à la Don Giovanni. Amandine Beyer takes up the violin for this recording, while Marco Ceccato deals with the cello solo – both members of the Gli Incogniti ensemble ("The Unknowns"), a fluid grouping that plays without a conductor. Their leaderless style means that the musicians all listen to one another: it's a lovely way of making music (and sadly rare in the world of orchestras). © SM/Qobuz
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Cello Concertos - Released October 25, 2018 | Myrios Classics

Hi-Res Booklet
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Keyboard Concertos - Released October 12, 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Distinctions Diapason d'or - Le Choix de France Musique - Choc de Classica
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Cello Concertos - Released October 5, 2018 | La Dolce Volta

Hi-Res Booklet Distinctions 5 de Diapason

Concertos - Released September 28, 2018 | PentaTone

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Violin Concertos - Released September 28, 2018 | naïve classique

Hi-Res Booklet Distinctions 5 de Diapason
Fabio Biondi had his work cut out for him with the complete recordings of Vivaldi's violin concertos, as the Venetian left behind more than 250 works for one, two, three or four violins. Volume VI here offers a group of six concertos written in Prague and Bohemia in the course of his stay there between 1730 and 1731. Today, musicology has become much more of a science, and it is possible to put a date on these manuscripts by means of a precise analysis of the paper used by the composer if the music doesn't speak for itself. The Antonio Vivaldi of these pieces retains the style for which he is known and loved across Europe. Fabio Biondi notes that as there are only a few hints of Bohemian music in these concertos, which are more resemblant of Vivaldi's younger work. We might conclude that while abroad, the composer was writing pieces which, while new, were destined for use by his beloved students in the Pietà. Venetian chroniclers from the time often wrote of Vivaldi's virtuoso violin playing, admiring the inventiveness that he brought to the cadenzas of his concertos (the section at the end of a movement which is left open for creative improvisation) and the fantasy that he worked into his improvisations. While we have no proof that Vivaldi was the soloist for his own works during his Bohemian trip, Fabio Biondi, a true connoisseur of Vivaldi's style, clearly aims to apply this spirit to his recordings, and nowhere more so than here. © François Hudry/Qobuz
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Concertos - Released September 28, 2018 | Vohnic Music LLC

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Concertos - Released September 14, 2018 | ADF Musique

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Violin Concertos - Released September 10, 2018 | Channel Classics Records

Hi-Res Booklet Distinctions Diapason d'or de l'année - Diapason d'or - Exceptional sound - Hi-Res Audio
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Concertos - Released September 10, 2018 | Channel Classics Records

Hi-Res Booklet Distinctions Diapason d'or - Choc de Classica - Exceptional sound - Hi-Res Audio
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Violin Concertos - Released September 10, 2018 | Channel Classics Records

Hi-Res Booklet Distinctions Hi-Res Audio
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Concertos - Released September 10, 2018 | Channel Classics Records

Hi-Res Booklet
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Concertos - Released September 10, 2018 | Channel Classics Records

Hi-Res Booklet
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Concertos - Released September 10, 2018 | Channel Classics Records

Booklet

Concertos - Released September 7, 2018 | Chandos

Booklet Distinctions 5 de Diapason
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Concertos - Released September 7, 2018 | Royal Philharmonic Orchestra

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