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Classical - Released November 15, 2019 | harmonia mundi

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Joseph Haydn composed around 15 masses between 1748 and 1802. The Missa Cellensis in honorem Beatissimae Virginis Mariae, presented here in this new release from the Akademie für Alte Musik and the excellent RIAS-Kammerchor Berlin conducted by Justin Doyle, is better known by the later name Missa Sanctae Caeciliae ("Mass for Saint Cecilia"). It's the most vast of Haydn's masses and his only mass-cantata in the solemn Neapolitan style, whose numbers alternate between arias, ensembles and choirs. It seems that Haydn had intended the composition of this mass to be a great coup: it is a deft mix of the "modern" writing of his day and the "baroque" writing of his predecessors. In his monumental biography of the composer, Marc Vignal notes correctly that Haydn's masses are first-rate, not only set against the production of his quartets or symphonies, but also when set against the religious music of his times. This recording, taken at a June 2018 concert at the Berlin Konzerthaus, completes a RIAS-Kammerchor discography which is already rich in choral works but which hadn't yet tackled Haydn's masterpieces. © François Hudry/Qobuz
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Symphonies - Released January 1, 2009 | Decca

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Classical - Released January 1, 1991 | Decca Music Group Ltd.

Distinctions Gramophone Record of the Year - The Qobuz Ideal Discography
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Classical - Released February 1, 2019 | harmonia mundi

Hi-Res Booklet Distinctions Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
After having released his complete recording of Mozart’s Sonatas and collaborated with the singer Mark Padmore (Beethoven, Schubert, Schumann), Kristian Bezuidenhout continues to expand his discography with Joseph Haydn this time. Under the record label Harmonia Mundi, the South-African pianist emphasizes the whimsical and fanciful elements of a selection of Haydn’s works that were influenced by Carl Philipp Emanuel Bach, a composer from whom he learnt a lot and described with a certain fondness. Here, the Sonata in C major (Hob. XVI:48) is halfway between the Variations on a Theme and a totally unbridled fantasy, whereas the Sonata in C minor (Hob.XVI:20) unlocks the full dramatic potential of keyboard music. The later works on this album are contrasted with earlier ones such as the charming and spirited Sonata in G major (XVI:6) which is followed by two sequences of variations. This repertoire showcases Haydn’s inexhaustible creative energy as well as his ability to reinvent himself with each of his works. The performer relishes the performance here, playing on a Paul McNulty fortepiano modelled on an Anton Walter Viennese piano from 1805. © François Hudry/Qobuz
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Classical - Released April 20, 2018 | harmonia mundi

Hi-Res Booklet Distinctions 5 de Diapason - Gramophone Editor's Choice
After celebrating thirty years of life and work together with the Trios by Dvořak, our three wandering companions (Vincent Coq, piano, Jean-Marc Phillips-Varjabédian, violin and Raphaël Pidoux, cello) have brought out another round of Trios, this time by Joseph Haydn, the inventor of this form, which is an inheritor of the baroque trio sonata, with a cello part often providing the basso continuo. There are 39 authentic compositions by Haydn for this instrumental format, which he wrote at various points throughout his life. The music is of very high quality and it unites all the characteristic forms of his style, his vivacity, expression, freedom of tone and form, and the zest of his cheering humour. The Wanderers have judiciously selected their works from three different epochs for this new album which offers the Trios n° 14, 18, 21, 26 & 31 which offer plenty of surprises and rare tonalities from Haydn, like A-flat major, F-sharp minor, or E-flat minor. The performance is both fluent and lucid. © François Hudry/Qobuz
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Quartets - Released September 1, 2017 | naïve classique

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Classical - Released November 17, 2017 | Warner Classics

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Classical - Released November 3, 1986 | Decca Music Group Ltd.

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Classical - Released March 24, 2017 | Warner Classics

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Symphonic Music - Released February 22, 2019 | Alpha

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Classical - Released August 17, 2012 | Sony Classical

Distinctions Choc Classica de l'année
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Classical - Released July 5, 2019 | Chandos

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After leaving the boys’ choir of St Stephens Cathedral in Vienna, one of the ways the young Haydn found to support himself was as a harpsichord teacher. The three early sonatas featured on this recording were almost certainly intended for his students: short, light pieces with few technical demands. The two larger sonatas, both in the key of E-flat major, were written some twenty years later and are far more extensive. Both require significantly greater prowess from the performer, and represent Haydn’s ingenuity and skill to the full. The two additional works included here, whilst single-movement compositions, are substantial pieces. The Adagio ma non troppo would become the slow movement of Piano Trio No. 36, whilst the Variations on ‘Gott erhalte’ is based on the second movement of the ‘Emperor’ Quartet (Op. 76 No. 3), which is itself a set of variations on an anthem composed by Haydn at the request of an Austrian politician for the 29th birthday of the Emperor, and intended as a patriotic hymn comparable to ‘God Save the King’ in England – and a response against the "Marseillaise". © Chandos
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Sacred Vocal Music - Released October 6, 2009 | harmonia mundi

Distinctions Exceptional Sound Recording
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Symphonic Music - Released March 29, 2010 | naïve

Booklet Distinctions Diapason d'or
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Symphonies - Released April 21, 2015 | Alpha

Hi-Res Booklet Distinctions 4F de Télérama - Choc de Classica
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Cello Concertos - Released May 26, 2014 | harmonia mundi

Distinctions Choc de Classica
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Classical - Released January 1, 1979 | Decca Music Group Ltd.

Booklet Distinctions Diapason d'or - Gramophone Record of the Year
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Oratorios (secular) - Released July 31, 2007 | harmonia mundi

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Classical - Released January 1, 2000 | Decca Music Group Ltd.

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Classical - Released September 15, 2014 | ARTALINNA

Hi-Res Booklet Distinctions 4F de Télérama
Still little known by music lovers, Japanese pianist Hiroaki Takenouchi has a boundless admiration for the works of Joseph Haydn, whose terrific inventiveness he has been analyzing for many years. For this first album on the Artalinna label, he proposes four sonatas that were composed in the early 1770s. They feature a dense, spirited, serene, and joyful Haydn that is consistently uncluttered. © Artalinna/Qobuz