It's that time of the year again, folks! The Gramophone Classical Music Awards, proudly sponsored in 2017 by Qobuz, are due to take place this coming September 13th at 5.45pm at 8 Northumberland Av... Signum Records
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Signum Records is fuelled by the passion to produce great music recorded with integrity and creativity at the highest level.
Signum is a privately-owned and steadily-growing record label that benefits from the commitment and services of its sister company, Floating Earth, the leading production and engineering specialist service provider in Europe.
Having started the label in 1997 Signum now boasts a catalogue of over 400 titles and many of which are award winners, nominees or five star review recipients from around the world.
The small Signum team strives to provide a first class service at all times with clients, artists, suppliers and colleagues. Signum works with new and emerging artists and composers through to established artists, making available much-loved areas of repertoire as well as previously unheard, innovative recordings.
Albums
932
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Concertos - To be released May 28, 2021 | Signum Records
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Classical - To be released May 21, 2021 | Signum Records
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Classical - To be released May 14, 2021 | Signum Records
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Chamber Music - To be released May 7, 2021 | Signum Records
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Classical - To be released April 23, 2021 | Signum Records
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Classical - To be released April 23, 2021 | Signum Records
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Classical - To be released April 16, 2021 | Signum Records
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Andrew Nethsingha and The Choir of St John’s College, Cambridge release the second volume in the highly-praised "Magnificat" series and present nine settings of the Evening Canticles by celebrated organist-composers, written between 1932 and 1952, and non-church musicians from 1974-1989. The recording culminates with a contemporay setting by Julian Anderson, composed for the Chapel’s 150th anniversary. “These first volumes are designed to complement one another. "Magnificat 1" started earlier, with Stanford in the 1880s; Volume Two brings us briefly up to the present day. The first release contained celebrated works by Tippett and Leighton from 1961 and 1972 respectively, in between the two main periods represented on this recording. Both albums contain iconic works by Howells, written a year apart. We hear composers creating different orders of priority for the parameters of composition” (Andrew Nethsingha). © Signum Classics
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Classical - To be released April 16, 2021 | Signum Records
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Classical - Released April 13, 2021 | Signum Records
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Classical - Released April 9, 2021 | Signum Records
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Classical - Released April 8, 2021 | Signum Records
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Classical - Released April 8, 2021 | Signum Records
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Classical - Released April 7, 2021 | Signum Records
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Chamber Music - Released April 3, 2021 | Signum Records
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Classical - Released April 2, 2021 | Signum Records
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Armonico Consort return to album on Signum with a collection of Handel arias, performed by leading counter-tenor William Towers. A noted soloist in both opera and oratorio, the programme is taken from roles which Towers has sung across his career in various productions across the globe. Towers writes: “It is the life-affirming, live-giving aspect of Handel that I’m aiming to celebrate. So frequently his operas reveal their most devastatingly beautiful and uplifting music when life is at its darkest. Here the arias shine brightest, here we find Radamisto’s ‘Ombra cara’ and the boundlessly optimistic ‘Dopo l’orrore’, looking out beyond the darkest clouds to the faint glimmer of a dawning hope. This is the uncrushable, indomitable spirit that lies in all of us ... We just need to take the time to listen.” © Signum
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Classical - Released April 1, 2021 | Signum Records
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Classical - Released March 31, 2021 | Signum Records
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Classical - Released March 31, 2021 | Signum Records
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Classical - Released March 30, 2021 | Signum Records
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Classical - Released March 26, 2021 | Signum Records
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Emmanuel Despax returns to Signum with a programme of JS Bach transcriptions. The title quotes Victor Hugo’s The Hunchback of Notre-Dame (“Breathe, Hope”), brought to Despax’s mind following the news of the fire at Notre-Dame Cathedral, where he had attended many concerts of Bach’s music as a child. Despax describes Bach’s music as being “of such clarity, coherence and expressive power, that it is able to transcend its original medium, and to some extent, style”. This virtuosic programme combines both well-known transcriptions, such as the mighty Bach-Busoni Chaconne and Saint-Saën’s Overture, with recordings of several arrangements by the late 19th/early 20th century pianist Theodor Szántó’s – featuring his monumental and uncompromising transcriptions of the Fantasia and Fugue in G minor, and the Passacaglia and Fugue in C minor. © Signum Classics
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Qobuz Exclusive: Win Tickets to Gramophone Classical Music Awards 2017!
It's that time of the year again, folks! The Gramophone Classical Music Awards, proudly sponsored in 2017 by Qobuz, are due to take place this coming September 13th at 5.45pm at 8 Northumberland Av...