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Electronic - Released October 15, 2021 | Warner (France)

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Electronic - Released October 8, 2021 | Warner (France)

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Electronic - Released October 1, 2021 | Warner (France)

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Hip-Hop/Rap - Released September 24, 2021 | Warner (France)

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French Music - Released December 4, 2020 | Warner (France)

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French Music - Released November 13, 2020 | Warner (France)

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Pop - Released October 23, 2020 | Warner (France)

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French Music - Released July 10, 2020 | Warner (France)

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French Music - Released July 10, 2020 | Warner (France)

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French Music - Released June 26, 2020 | Warner (France)

4 stars out of 5 -- "[Sheila's] awkward, distracted vocals enhance these tales of celebrity ennui and jet-set discontent..." © TiVo
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French Music - Released June 19, 2020 | Warner (France)

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French Music - Released June 19, 2020 | Warner (France)

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French Music - Released June 12, 2020 | Warner (France)

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French Music - Released June 5, 2020 | Warner (France)

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French Music - Released May 29, 2020 | Warner (France)

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French Music - Released December 9, 2019 | Warner (France)

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Disco - Released December 6, 2019 | Warner (France)

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French Music - Released November 15, 2019 | Warner (France)

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French Music - Released October 18, 2019 | Warner (France)

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Jazz - Released October 11, 2019 | Warner (France)

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It is impossible to be disappointed by an Erik Truffaz album when each recording by the trumpeter is such a rich, dense and especially exotic sensory journey. Lune rouge certainly does not break this rule, created with his regular collaborators Benoît Corboz, Marcello Giuliani and the drummer Arthur Hnatek. Vinyls from the past twenty years of the quartet’s work adorn the walls of the recording studio, not as trophies but rather as pieces of a mosaic still in process. “For this record, we wanted to try some new things. We entrusted Arthur Hnatek  to compose the base material from which the quartet was able to work some sounds, arrange and rearrange certain elements… We improvised a whole load of parts which acted as hinges between the compositions.” The final material is manipulated, stretched, cut then reassembled to obtain this enchanting soundtrack punctuated with rock here, some dub there, and ambient music elsewhere. Repetitive sequences gives way to lyrical passages, and Truffaz never forgets to include space and air into this idle music which subverts time, space and stylistic conventions. His efforts sometimes disconnect from the solid ground to try and reach the sky. His filiation with Miles Davis fades away more than ever. Magical. © Max Dembo/Qobuz