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Soul - Released March 16, 2012 | Polydor Records

Hi-Res Booklet Distinctions 4F de Télérama - Hi-Res Audio - Mercury Prize Selection
An age ago, major labels signed artists knowing it would take three, four, or even five records before she or he matured sufficiently to build a a dedicated audience. Some labels even signed "prestige artists," those who wouldn't necessarily make boatloads of cash, but their presence on one's roster would attract those who would. These days, the expectations for someone to deliver out of the gate are ridiculous. Michael Kiwanuka is the promising British singer/songwriter who won the BBC Sound of 2012 poll. Home Again is his full-length debut. From the front cover you can see -- then hear -- how everything about this album and Kiwanuka's image is laser-focused on the retro pop and soul vibe that saturates his country's music scene. The Bees' Paul Butler produced all but one track here. A throwback approach is his signature and, considering what Polydor wanted, may actually seem warranted given Kiwanuka's wise-beyond-his-years singing voice and songwriting style. There are very bright moments in this mesh of organic sounds (that are occasionally embellished -- very slightly -- by Moogs). Kiwanuka and Butler play an astonishing array of instruments here, and are ably assisted by select session players elsewhere. Standouts include the opening "Tell Me a Tale," the set's strongest cut. Kiwanuka's voice resembles Terry Callier's closely enough to warrant Butler virtually aping Charles Stepney's production style. "Bones," with its combination of doo wop backing chorus, brushed hi-hats, and jazzy guitar vamp, finds Kiwanuka in fine yet contrasting world-weary voice. The blues in "Worry Walks Beside Me" are underscored by a shimmering B-3 just behind a hazy electric guitar and stacked backing vocals. The title track commences with a fingerpicked acoustic guitar, but a Rhodes piano, multi-tracked cellos, and even a doubling of Kiwanuka's vocal brings us into contemporary indie terrain. But there are problems. Butler's attempt at making a record sound vintage paints by the numbers so carefully that he never gets below a song's surface -- despite the emotional intensity in Kiwanuka's voice. Also, while Kiwanuka is extremely talented, his songwriting needs work; some tunes are weighed down by clunky melodic or clumsy lyric turns. Despite difficulties, Home Again is a promising debut by an artist who will no doubt deliver big if developed properly. © Thom Jurek /TiVo
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Soul - Released May 27, 2016 | Polydor Records

Hi-Res Distinctions 4F de Télérama - Qobuzissime
28-year-old Michael Kiwanuka's second album, Love & Hate, comes 4 years after his first, and with it, a more refined sound. The same soulful tones that gave Kiwanuka such a broad following remain the focal point of the new album, as do the lilting melodies and baleful lyrics, but thanks to producers Dangermouse and Inflo, as well as a huge supporting cast of musicians, this album manages to throw the punch we were promised by the first. Beginning with a 9 minute, Pink Floyd inspired 'opus', the album feels expansive and varied. It feels like a coming of age record, a musical maturation for this singer, who is already being hailed as one of the greatest voices around. Ranging from sweeping orchestral arrangements to melancholy introspections, this second effort seems more mature and measured, but remains a 'nearly' moment. Overdone and overloaded, this second album has lost some of the immediacy and realness that made the first stand out. Kiwanuka's voice is sometimes overwhelmed by the size and scale of the arrangements, rather than playing to his strengths. Nevertheless, the overall quality of the record will undoubtedly make it a big winner this year. RK/Qobuz
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Soul - Released October 25, 2019 | Polydor Records

Hi-Res Distinctions 4F de Télérama
His third album is entitled Kiwanuka… does that mean that Michael Kiwanuka has finally come to peace with himself? Since starting out in 2012, the Londoner has not stopped questioning his place in the arts, his relationship to his musical influences, his own identity and his role in a society still plagued by racism… Following the release of his brilliant debut album Home Again, Kiwanuka was inaugurated as the next big thing for contemporary soul. His thought-provoking soul was blended with Terry Callier-style folk and scents of the seventies. Some even compared him to Bill Withers, Otis Redding and Marvin Gaye! On his second album, Love & Hate, released in 2016, the songwriter explored his rock side without forgetting his gospel and soul roots, and was joined by Danger Mouse in the production studio.Kiwanuka walks in the footsteps of the artist’s previous records: the lyrics are still politically engaged and the instrumentals just as rich, though he seems more relaxed on this album. Danger Mouse is once again behind the production console, this time adding a new dimension and strength to the sound: we find cinematic soul, larger-than-life gospel, funky wah-wah guitars, sensual strings, big bass, long instrumentals… we could go on! It’s all there right from the opening track You Ain’t The Problem, a real masterpiece of soul. Michael Kiwanuka has never tried to hide his love for Marvin Gaye and What’s Going On (his favourite album of all time) and Trouble Man often come to mind, even if the two men’s voices are fundamentally different. This third work from the 32-year-old Brit reveals an unprecedented density. And each time you listen you notice something new, be it a subtle arrangement, a thoughtful lyric or a thinly disguised instrument. A magnificent album. © Marc Zisman/Qobuz
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Soul - Released May 27, 2016 | Polydor Records

Distinctions 4F de Télérama
28-year-old Michael Kiwanuka's second album, Love & Hate, comes 4 years after his first, and with it, a more refined sound. The same soulful tones that gave Kiwanuka such a broad following remain the focal point of the new album, as do the lilting melodies and baleful lyrics, but thanks to producers Dangermouse and Inflo, as well as a huge supporting cast of musicians, this album manages to throw the punch we were promised by the first. Beginning with a 9 minute, Pink Floyd inspired 'opus', the album feels expansive and varied. It feels like a coming of age record, a musical maturation for this singer, who is already being hailed as one of the greatest voices around. Ranging from sweeping orchestral arrangements to melancholy introspections, this second effort seems more mature and measured, but remains a 'nearly' moment. Overdone and overloaded, this second album has lost some of the immediacy and realness that made the first stand out. Kiwanuka's voice is sometimes overwhelmed by the size and scale of the arrangements, rather than playing to his strengths. Nevertheless, the overall quality of the record will undoubtedly make it a big winner this year. RK/Qobuz
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Soul - Released January 1, 2012 | Polydor Records

Hi-Res Distinctions Hi-Res Audio
An age ago, major labels signed artists knowing it would take three, four, or even five records before she or he matured sufficiently to build a a dedicated audience. Some labels even signed "prestige artists," those who wouldn't necessarily make boatloads of cash, but their presence on one's roster would attract those who would. These days, the expectations for someone to deliver out of the gate are ridiculous. Michael Kiwanuka is the promising British singer/songwriter who won the BBC Sound of 2012 poll. Home Again is his full-length debut. From the front cover you can see -- then hear -- how everything about this album and Kiwanuka's image is laser-focused on the retro pop and soul vibe that saturates his country's music scene. The Bees' Paul Butler produced all but one track here. A throwback approach is his signature and, considering what Polydor wanted, may actually seem warranted given Kiwanuka's wise-beyond-his-years singing voice and songwriting style. There are very bright moments in this mesh of organic sounds (that are occasionally embellished -- very slightly -- by Moogs). Kiwanuka and Butler play an astonishing array of instruments here, and are ably assisted by select session players elsewhere. Standouts include the opening "Tell Me a Tale," the set's strongest cut. Kiwanuka's voice resembles Terry Callier's closely enough to warrant Butler virtually aping Charles Stepney's production style. "Bones," with its combination of doo wop backing chorus, brushed hi-hats, and jazzy guitar vamp, finds Kiwanuka in fine yet contrasting world-weary voice. The blues in "Worry Walks Beside Me" are underscored by a shimmering B-3 just behind a hazy electric guitar and stacked backing vocals. The title track commences with a fingerpicked acoustic guitar, but a Rhodes piano, multi-tracked cellos, and even a doubling of Kiwanuka's vocal brings us into contemporary indie terrain. But there are problems. Butler's attempt at making a record sound vintage paints by the numbers so carefully that he never gets below a song's surface -- despite the emotional intensity in Kiwanuka's voice. Also, while Kiwanuka is extremely talented, his songwriting needs work; some tunes are weighed down by clunky melodic or clumsy lyric turns. Despite difficulties, Home Again is a promising debut by an artist who will no doubt deliver big if developed properly. © Thom Jurek /TiVo
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Soul - Released March 6, 2020 | Polydor Records

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Soul - Released June 7, 2019 | Polydor Records

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Soul - Released October 25, 2019 | Polydor Records

His third album is entitled Kiwanuka… does that mean that Michael Kiwanuka has finally come to peace with himself? Since starting out in 2012, the Londoner has not stopped questioning his place in the arts, his relationship to his musical influences, his own identity and his role in a society still plagued by racism… Following the release of his brilliant debut album Home Again, Kiwanuka was inaugurated as the next big thing for contemporary soul. His thought-provoking soul was blended with Terry Callier-style folk and scents of the seventies. Some even compared him to Bill Withers, Otis Redding and Marvin Gaye! On his second album, Love & Hate, released in 2016, the songwriter explored his rock side without forgetting his gospel and soul roots, and was joined by Danger Mouse in the production studio.Kiwanuka walks in the footsteps of the artist’s previous records: the lyrics are still politically engaged and the instrumentals just as rich, though he seems more relaxed on this album. Danger Mouse is once again behind the production console, this time adding a new dimension and strength to the sound: we find cinematic soul, larger-than-life gospel, funky wah-wah guitars, sensual strings, big bass, long instrumentals… we could go on! It’s all there right from the opening track You Ain’t The Problem, a real masterpiece of soul. Michael Kiwanuka has never tried to hide his love for Marvin Gaye and What’s Going On (his favourite album of all time) and Trouble Man often come to mind, even if the two men’s voices are fundamentally different. This third work from the 32-year-old Brit reveals an unprecedented density. And each time you listen you notice something new, be it a subtle arrangement, a thoughtful lyric or a thinly disguised instrument. A magnificent album. © Marc Zisman/Qobuz
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Soul - Released June 18, 2019 | Polydor Records

Alternative & Indie - Released April 23, 2018 | Polydor Records

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Soul - Released February 24, 2017 | Polydor Records

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Soul - Released July 10, 2020 | Polydor Records

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Soul - Released August 13, 2019 | Polydor Records

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Soul - Released June 22, 2016 | Polydor Records

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Soul - Released March 6, 2020 | Polydor Records

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Soul - Released October 2, 2020 | Polydor Records

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Soul - Released August 13, 2019 | Polydor Records

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Soul - Released September 13, 2019 | Polydor Records

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Soul - Released July 10, 2020 | Polydor Records

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Soul - Released February 10, 2017 | Polydor Records

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Michael Kiwanuka in the magazine