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The object of ECM's handsomely Digipak-aged Rarum series is to have its roster of artists -- past and present -- select their favorite performances on the label. Which leads to the next question: Is the artist always the best judge of his or her own material? With that in mind, Keith Jarrett's choices for his two-CD set, the first volume of this series, are sure to be some of the most interesting, wide-ranging, surprising, and controversial of the whole lot. Listeners have had fair warning -- ECM's previous Jarrett sampler, ECM Works, was also gleefully unpredictable -- but Rarum, Vol. 1: Selected Recordings gives you a much better idea of the staggering variety of Jarrett's interests over a 21-year span than the earlier disc. In his brief liner notes (it would have been nice to have had more memories about each of these selections), Jarrett confesses that he deliberately went for the esoteric; clearly the man is supremely confident that his fans will hear him out. Jarrett opens his treasure chest in a really eccentric way with three excerpts from his clavichord album Book of Ways -- two neo-Baroque, one a bit wearisome. There are no less than five rather engaging swatches from Jarrett's overlooked experimental Spirits album, where he overdubs himself on soprano sax, recorders, piano, and percussion. There is more from Jarrett's piping, edgy soprano saxophone in two excerpts from Invocations -- first in a cloud of reverb, then in a cloud of pipe organ -- and listeners hear one ferociously dissonant excerpt from the Spheres section of the pipe organ album Hymns/Spheres (now a rarity, since only Hymns was issued on CD). Jarrett the jazzman finally breaks out into the open toward the end of disc one with the jagged swinger "The Windup," kicking off a four-song set from his European quartet of the 1970s; on disc two, there is a great gospel-drenched choice from this band, "Late Night Willie." While you almost can't lose with the huge discography of the "standards trio," Jarrett's choices are top-notch -- the down-home title track of "The Cure" and "Bop Be" and "No Lonely Nights" from the June 1994 weekend at New York City's Blue Note club. The American quartet is nowhere to be found, but they did very little recording for ECM, so that's understandable. Finally, the solo piano choices are most curious, for they offer either obscure contemplative snapshots or, in the case of the Munich concert, the interminable avant-garde string-plucking, case-thumping section. There is plenty, then, for Jarrett's divided legions to jaw about, but even so, they may be pleasantly caught offguard by the offbeat directions this set takes.
© Richard S. Ginell /TiVo
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Book Of Ways (Keith Jarrett)
Keith Jarrett, Composer, Clavichord, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wieland, Mastering Engineer, Recording Engineer, StudioPersonnel
℗ 1987 ECM Records GmbH
Keith Jarrett, Composer, Clavichord, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wieland, Mastering Engineer, Recording Engineer, StudioPersonnel
℗ 1987 ECM Records GmbH
Keith Jarrett, Composer, Clavichord, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wieland, Mastering Engineer, Recording Engineer, StudioPersonnel
℗ 1987 ECM Records GmbH
Keith Jarrett, Composer, Piano, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wleland, Engineer, StudioPersonnel
℗ 1982 ECM Records GmbH
Keith Jarrett, Composer, Producer, Piano, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wieland, Remix Engineer, StudioPersonnel
℗ 1986 ECM Records GmbH
Keith Jarrett, Composer, Producer, Piano, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wieland, Remix Engineer, StudioPersonnel
℗ 1986 ECM Records GmbH
Keith Jarrett, Composer, Producer, Piano, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wieland, Remix Engineer, StudioPersonnel
℗ 1986 ECM Records GmbH
Keith Jarrett, Composer, Producer, Piano, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wieland, Remix Engineer, StudioPersonnel
℗ 1986 ECM Records GmbH
Keith Jarrett, Composer, Producer, Piano, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wieland, Remix Engineer, StudioPersonnel
℗ 1986 ECM Records GmbH
Spheres (Keith Jarrett)
Keith Jarrett, Composer, Organ, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wieland, Recording Engineer, StudioPersonnel
℗ 1976 ECM Records GmbH
Keith Jarrett, Composer, Piano, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Palle Danielsson, Double Bass, MainArtist, AssociatedPerformer - Jon Christensen, Drums, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Jan Garbarek, Tenor Saxophone, MainArtist, AssociatedPerformer
℗ 1974 ECM Records GmbH
Keith Jarrett, Composer, Piano, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Palle Danielsson, Double Bass, MainArtist, AssociatedPerformer - Jon Christensen, Drums, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Jan Garbarek, Tenor Saxophone, MainArtist, AssociatedPerformer
℗ 1974 ECM Records GmbH
Keith Jarrett, Composer, Piano, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Palle Danielsson, Double Bass, MainArtist, AssociatedPerformer - Jon Christensen, Drums, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Jan Garbarek, Tenor Saxophone, MainArtist, AssociatedPerformer
℗ 1978 ECM Records GmbH
Keith Jarrett, Composer, Piano, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Palle Danielsson, Double Bass, MainArtist, AssociatedPerformer - Jon Christensen, Drums, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Jan Garbarek, Tenor Saxophone, MainArtist, AssociatedPerformer
℗ 1978 ECM Records GmbH
DISC 2
Keith Jarrett, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - Manfred Eicher, Producer - Kimio Oikawa, Recording Engineer, StudioPersonnel
℗ 1988 ECM Records GmbH
Keith Jarrett, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - Manfred Eicher, Producer - Kimio Oikawa, Recording Engineer, StudioPersonnel
℗ 1988 ECM Records GmbH
Keith Jarrett, Composer, Organ, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wieland, Recording Engineer, StudioPersonnel
℗ 1981 ECM Records GmbH
Keith Jarrett, Composer, Organ, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wieland, Recording Engineer, StudioPersonnel
℗ 1980 ECM Records GmbH
Keith Jarrett, Composer, Piano, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wleland, Engineer, StudioPersonnel
℗ 1981 ECM Records GmbH
Keith Jarrett, Composer, Piano, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Palle Danielsson, Double Bass, AssociatedPerformer - Jon Christensen, Drums, AssociatedPerformer - Manfred Eicher, Producer - Jan Garbarek, Tenor Saxophone, AssociatedPerformer - Keith Jarrett Quartet, MainArtist
℗ 1989 ECM Records GmbH
Jack DeJohnette, Drums, AssociatedPerformer - Keith Jarrett, Composer, Piano, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Gary Peacock, Double Bass, AssociatedPerformer - Manfred Eicher, Producer - Keith Jarrett Trio, MainArtist
℗ 1991 ECM Records GmbH
Jack DeJohnette, Drums, AssociatedPerformer - Keith Jarrett, Composer, Piano, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Gary Peacock, Double Bass, AssociatedPerformer - Manfred Eicher, Producer
℗ 1995 ECM Records GmbH
Jack DeJohnette, Drums, AssociatedPerformer - Keith Jarrett, Composer, Piano, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Gary Peacock, Double Bass, AssociatedPerformer - Manfred Eicher, Producer
℗ 1995 ECM Records GmbH
Keith Jarrett, Composer, Organ, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wieland, Recording Engineer, StudioPersonnel
℗ 1976 ECM Records GmbH
Album review
The object of ECM's handsomely Digipak-aged Rarum series is to have its roster of artists -- past and present -- select their favorite performances on the label. Which leads to the next question: Is the artist always the best judge of his or her own material? With that in mind, Keith Jarrett's choices for his two-CD set, the first volume of this series, are sure to be some of the most interesting, wide-ranging, surprising, and controversial of the whole lot. Listeners have had fair warning -- ECM's previous Jarrett sampler, ECM Works, was also gleefully unpredictable -- but Rarum, Vol. 1: Selected Recordings gives you a much better idea of the staggering variety of Jarrett's interests over a 21-year span than the earlier disc. In his brief liner notes (it would have been nice to have had more memories about each of these selections), Jarrett confesses that he deliberately went for the esoteric; clearly the man is supremely confident that his fans will hear him out. Jarrett opens his treasure chest in a really eccentric way with three excerpts from his clavichord album Book of Ways -- two neo-Baroque, one a bit wearisome. There are no less than five rather engaging swatches from Jarrett's overlooked experimental Spirits album, where he overdubs himself on soprano sax, recorders, piano, and percussion. There is more from Jarrett's piping, edgy soprano saxophone in two excerpts from Invocations -- first in a cloud of reverb, then in a cloud of pipe organ -- and listeners hear one ferociously dissonant excerpt from the Spheres section of the pipe organ album Hymns/Spheres (now a rarity, since only Hymns was issued on CD). Jarrett the jazzman finally breaks out into the open toward the end of disc one with the jagged swinger "The Windup," kicking off a four-song set from his European quartet of the 1970s; on disc two, there is a great gospel-drenched choice from this band, "Late Night Willie." While you almost can't lose with the huge discography of the "standards trio," Jarrett's choices are top-notch -- the down-home title track of "The Cure" and "Bop Be" and "No Lonely Nights" from the June 1994 weekend at New York City's Blue Note club. The American quartet is nowhere to be found, but they did very little recording for ECM, so that's understandable. Finally, the solo piano choices are most curious, for they offer either obscure contemplative snapshots or, in the case of the Munich concert, the interminable avant-garde string-plucking, case-thumping section. There is plenty, then, for Jarrett's divided legions to jaw about, but even so, they may be pleasantly caught offguard by the offbeat directions this set takes.
© Richard S. Ginell /TiVo
About the album
- 2 disc(s) - 24 track(s)
- Total length: 02:34:26
- Main artists: Keith Jarrett
- Composer: Keith Jarrett
- Label: ECM Records
- Genre: Jazz
© 2002 ECM Records GmbH This Compilation ℗ 2002 ECM Records GmbH
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