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Willie Nelson|One Hell Of A Ride

One Hell Of A Ride

Willie Nelson

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Navigating Willie Nelson's immense body of recordings can be daunting even for committed fans. There is so much music and so much of it good that it's hard to keep straight, especially as each of his many eras has been compiled, collected, and reissued countless time, leading to a discography thick with redundancies -- and then there's the stubborn fact that for Willie, making music is like breathing, something that comes naturally, something that happens every day, so he keeps building upon that discography, releasing an album or two each year, which only adds to the confusion for neophytes and longtime fans alike. All of this is a roundabout way to say that there are plenty of Willie Nelson albums out there, that there's a surplus of compilations, but of all these, nothing offers such a complete, useful overview of his entire career as Columbia/Legacy's four-disc 2008 box One Hell of a Ride. This is not the first Willie box that Legacy has released, of course -- in 1995 they put out the triple-disc Revolutions of Time: The Journey 1975-1993 -- but this is the first box to ever attempt a thorough overview of his career, beginning with his earliest singles for Sarg and D, running through the countrypolitan Nashville productions of his Liberty Records and his wonderfully rambling RCA recordings of the '60s, then settling into the star-making sides for Columbia in the '70s and '80s, yet the set doesn't end there, as it runs through his albums for Island and Mercury in the '90s and 2000s. For sheer scope, this beats all, but what makes One Hell of a Ride so useful is that it covers all the ground accurately, picking a blend of hits, concert staples, and relative obscurities to present a career overview that may be illuminating even for serious fans, as this tells a full, complete story with its 100 tracks
Like many great stories, the details may be fudged a bit here -- on the second disc the tracks don't quite follow in chronological order -- but that doesn't matter because all this tweaking is done in service of the bigger picture, which is as it should be when a picture is this large. Listening to the whole of One Hell of a Ride, it's hard not to marvel yet again at the enormity of Willie's career. If he had only authored the standards "Nite Life," "Crazy," "Hello Walls," and "Funny How Time Slips Away," his place in history would be assured, but this set illustrates how Nelson strengthened the jazzy sophistication underpinning these tunes by digging deeper into Western swing, just as he slyly brought rock, folk, and pop flourishes into his music. By the time the Outlaw years roll around in the midst of the second disc here, his music was hard to peg -- certainly it was country, but not in the strictest definition, as it encompassed so much more, from the stark Red Headed Stranger to the lush Stardust, and what is remarkable about One Hell of a Ride is that by listening to it from beginning to end, none of these moves feel forced, all the evolutions feel natural, and the excellent fourth disc -- which neatly cherry-picks from a rollercoaster two decades of recordings -- illustrates that his evolution did not end when he achieved superstardom, but rather he kept finding new truths in music, sometimes through new tunes, sometimes by revisiting the past, as the nifty book-ending of the set with a new version of his first recording "When I've Sung My Last Hillbilly Song" makes clear. Willie will continue to build upon the legacy offered within this box, but that will not change the fact that this is the best place to learn and appreciate that legacy, and to learn to love it.

© Stephen Thomas Erlewine /TiVo

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One Hell Of A Ride

Willie Nelson

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1
When I've Sang My Last Hillbilly Song
Willie Nelson
00:01:28
2
No Place For Me
Willie Nelson
00:01:18
3
Man With the Blues
Willie Nelson
00:02:06
4
Night Life
Willie Nelson
00:02:31
5
Hello Walls (Album Version)
Willie Nelson
00:02:23
6
Funny How Time Slips Away (1962 Version) (Album Version)
Willie Nelson
00:03:01
7
Crazy (Album Version)
Willie Nelson
00:02:51
8
Half A Man
Willie Nelson
00:02:25
9
Mr. Record Man
Willie Nelson
00:02:12

Willie Nelson, Composer - Willie Nelson, Lyricist - Willie Nelson, Performer - Chet Atkins, Producer

Originally released 1965. All rights reserved by Sony Music Entertainment

10
One in a Row
Willie Nelson
00:02:33

Willie Nelson, Performer - Willie Nelson, Composer - Willie Nelson, Lyricist - Chet Atkins, Producer

Originally released 1967. All rights reserved by Sony Music Entertainment

11
The Party's Over
Willie Nelson
00:02:25

Willie Nelson, Composer - Willie Nelson, Vocal - Willie Nelson, Lyricist - Chet Atkins, Producer - Jim Malloy, Engineer

Originally released 1966. All rights reserved by Sony Music Entertainment

12
Texas In My Soul
Willie Nelson
00:02:00

Ernest Tubb, Composer - Ernest Tubb, Lyricist - Zeb Turner, Composer - Zeb Turner, Lyricist - Willie Nelson, Performer - Chet Atkins, Producer

Originally recorded prior to 1972. All Rights Reserved by Sony Music Entertainment

13
Good Times (Album Version)
Willie Nelson
00:02:26

Willie Nelson, Vocal - Willie Nelson, Composer - Willie Nelson, Performer - Willie Nelson, Lyricist - Unknown, Producer

Orginally Recorded Prior To 1972. All Rights Reserved by Sony Music Entertainment

14
Sweet Memories
Willie Nelson
00:03:12

Suzee Waters, Vocal - Mike Leech, Arranger - Felton Jarvis, Producer - Willie Nelson, Performer - Chet Atkins, Producer - Mickey Newbury, Composer - Mickey Newbury, Lyricist - The Lea Jane Singers, Vocal - Pat Carter, Overdub Engineer

Originally Recorded 1968. All Rights Reserved by Sony Music Entertainment

15
Little Things
Willie Nelson
00:03:17

David Briggs, Arranger - The Nashville String Machine, Strings - Felton Jarvis, Producer - Willie Nelson, Composer - Willie Nelson, Lyricist - Willie Nelson, Performer - Shirley Nelson, Composer - Shirley Nelson, Lyricist

Originally Recorded Prior To 1972 All Rights Reserved By Sony Music Entertainment

16
Any Old Arms Won't Do
Willie Nelson
00:02:31

Willie Nelson, Composer - Willie Nelson, Lyricist - Willie Nelson, Performer - Hank Cochran, Composer - Hank Cochran, Lyricist

Originally released 1969. All rights reserved by Sony Music Entertainment.

17
Everybody's Talkin' (Album Version)
Willie Nelson
00:03:23

Felton Jarvis, Producer - Fred Neil, Lyricist - Fred Neil, Composer - Willie Nelson, Performer

Originally Recorded Prior To 1972 All Rights Reserved by Sony Music Entertainment

18
Pins And Needles (In My Heart)
Willie Nelson
00:03:17

Felton Jarvis, Producer - Willie Nelson & Family, Performer - Floyd Jenkins, Lyricist - Floyd Jenkins, Composer

(P) Recorded prior to 1972. All rights reserved by Sony Music Entertainment

19
Once More With Feeling
Willie Nelson
00:02:37

Felton Jarvis, Producer - Willie Nelson, Performer - Shirley Nelson, Composer - Shirley Nelson, Lyricist

Originally Recorded Prior to 1972. All Rights Reserved by Sony Music Entertainment

20
I Gotta Get Drunk
Willie Nelson
00:02:14

Felton Jarvis, Producer - Willie Nelson, Composer - Willie Nelson, Lyricist - Willie Nelson, Performer

Originally released 1969. All rights reserved by Sony Music Entertainment

21
Laying My Burdens Down
Willie Nelson
00:02:36

Felton Jarvis, Producer - Willie Nelson, Performer - Willie Nelson, Composer - Willie Nelson, Lyricist

(P) Recorded prior to 1972. All Rights Reserved by Sony Music Entertainment

22
What Can You Do To Me Now?
Willie Nelson
00:03:27

Felton Jarvis, Producer - Willie Nelson, Composer - Willie Nelson, Lyricist - Willie Nelson, Performer - Hank Cochran, Composer - Hank Cochran, Lyricist

Originally Recorded prior to 1972. All Rights Reserved by Sony Music Entertainment

23
Kneel At The Feet Of Jesus
Willie Nelson
00:02:46

Felton Jarvis, Producer - Willie Nelson, Composer - Willie Nelson, Lyricist - Willie Nelson & Family, Performer

(P) Recorded prior to 1972. All Rights Reserved by Sony Music Entertainment

24
I'm A Memory
Willie Nelson
00:02:23

Felton Jarvis, Producer - Willie Nelson, Performer - Willie Nelson, Composer - Willie Nelson, Lyricist - Glen Spreen, Arranger

(P) Originally Recorded Prior To 1972 All Rights Reserved By Sony Music Entertainment

25
Family Bible
Willie Nelson
00:03:11

Walt Breeland, Composer - Walt Breeland, Lyricist - Claude Gray, Composer - Claude Gray, Lyricist - Felton Jarvis, Producer - Willie Nelson, Performer - Paul Buskirk, Composer - Paul Buskirk, Lyricist

Originally released 1971. All rights reserved by Sony Music Entertainment

26
Summer Of Roses (Album Version)
Willie Nelson
00:02:05

Grady Martin, Guitar - Jody Payne, Guitar - Bobbie Nelson, Piano - W. Nelson, Lyricist - W. Nelson, Composer - Mickey Raphael, Harmonica - B. Spears, Producer - Denny Purcell, Mastering Engineer - Johnny Gimble, Fiddle - Johnny Gimble, Mandolin - Larry Greenhill, Engineer - Bee Spears, Arranger - Bee Spears, Bass - Willie Nelson, Arranger - Willie Nelson, Producer - Willie Nelson, Performer - Willie Nelson, Guitar - Willie Nelson, Vocal - Paul English, Drums

(P) Originally released 1971. All rights reserved by Sony Music Entertainment.

27
Yesterday's Wine
Willie Nelson
00:03:12

Felton Jarvis, Producer - Willie Nelson, Composer - Willie Nelson, Lyricist - Willie Nelson, Performer

Originally released 1971. All rights reserved by Sony Music Entertainment

28
Me and Paul
Willie Nelson
00:03:48

Felton Jarvis, Producer - Willie Nelson, Composer - Willie Nelson, Lyricist - Willie Nelson, Performer

(P) 1985 Sony Music Entertainment

29
The Words Don't Fit the Picture
Willie Nelson
00:02:47

Felton Jarvis, Producer - Willie Nelson, Performer - Willie Nelson, Composer - Willie Nelson, Lyricist

(P) 1972 Sony Music Entertainment

DISC 2

1
Good Hearted Woman
Willie Nelson
00:02:56

Felton Jarvis, Producer - Willie Nelson, Performer - Willie Nelson, Composer - Willie Nelson, Lyricist - Waylon Jennings, Composer - Waylon Jennings, Lyricist

(P) 1972 Sony Music Entertainment

2
You Left A Long, Long Time Ago
Willie Nelson
00:02:39

Willie Nelson, Composer - Willie Nelson, Lyricist - Willie Nelson, Performer

(P) 1981 Sony Music Entertainment

3
She's Not For You
Willie Nelson
00:02:30

Willie Nelson, Composer - Willie Nelson, Lyricist - Willie Nelson, Performer - Chet Atkins, Producer

Originally Recorded Prior To 1972 All Rights Reserved By Sony Music Entertainment

4
You Ought to Hear Me Cry
Willie Nelson
00:02:40

Felton Jarvis, Producer - Willie Nelson, Performer - Willie Nelson, Composer - Willie Nelson, Lyricist - Chet Atkins, Producer

Originally released 1967. All rights reserved by Sony Music Entertainment

5
It Should Be Easier Now
Willie Nelson
00:02:44

Willie Nelson, Composer - Willie Nelson, Lyricist - Willie Nelson, Performer - Chet Atkins, Producer

Originally released 1965. All rights reserved by Sony Music Entertainment

6
Mammas, Don't Let Your Babies Grow Up to Be Cowboys
Waylon Jennings & Willie Nelson
00:02:33

Waylon Jennings & Willie Nelson, Performer - Ed Bruce, Composer - Ed Bruce, Lyricist - Patsy Bruce, Composer - Patsy Bruce, Lyricist - Chips Moman, Producer - Jerry Bradley, Producer

(P) 1977 Sony Music Entertainment

7
If You Can Touch Her At All
Willie Nelson
00:03:01

Felton Jarvis, Producer - Willie Nelson, Performer - Lee Clayton, Composer - Lee Clayton, Lyricist

(P) 1978 Sony Music Entertainment

8
I Can Get off on You (Remastered For Buddha - October 30, 2000)
Waylon Jennings & Willie Nelson
00:02:22

Elliot Federman, Re-Mastering Engineer - Mike Hartry, Producer - Waylon Jennings & Willie Nelson, Performer - Willie Nelson, Composer - Willie Nelson, Lyricist - Waylon Jennings, Composer - Waylon Jennings, Lyricist

(P) 1978 Sony Music Entertainment

9
Blackjack County Chain
Willie Nelson
00:02:01

Felton Jarvis, Producer - Red Lane, Composer - Red Lane, Lyricist - Chet Atkins, Producer - Willie Nelson, Performer

(P) 1981 Sony Music Entertainment

10
Johnny One Time
Willie Nelson
00:02:43

Charles Felton Jarvis, Producer - Chet Atkins, Producer - A.L."Doodle" Owens, Lyricist - A.L."Doodle" Owens, Composer - Willie Nelson, Performer - Dallas Frazier, Composer - Dallas Frazier, Lyricist

Originally Recorded 1968. All Rights Reserved by Sony Music Entertainment

11
Bring Me Sunshine (Previously Unreleased in the U.S.)
Willie Nelson
00:02:12

Felton Jarvis, Producer - Sylvia Dee, Composer - Sylvia Dee, Lyricist - Willie Nelson, Performer - Chet Atkins, Producer - Arthur Kent, Composer - Arthur Kent, Lyricist

Originally Recorded 1968. All rights reserved by Sony Music Entertainment

12
I Just Can't Let You Say Goodbye
Willie Nelson
00:02:43

Chet Atkins, Producer - Willie Nelson, Composer - Willie Nelson, Lyricist - Willie Nelson, Performer

Originally Recorded 1965. All rights reserved by Sony Music Entertainment

13
Shotgun Willie
Willie Nelson
00:02:40
14
Sad Songs And Waltzes
Willie Nelson
00:03:06
15
Troublemaker (Album Version)
Willie Nelson
00:01:50

Bruce Belland, Lyricist - Bruce Belland, Composer - Willie Nelson, Performer - Willie Nelson, Guitar - Willie Nelson, Vocal - David Somerville, Lyricist - David Somerville, Composer - Arif Mardin, Producer

(P) 1976 Sony Music Entertainment

16
Uncloudy Day (Album Version)
Willie Nelson
00:04:40

Margie Hunt, Executive Producer - Dan Spears, Bass - Bobbie Nelson, Piano - Doug Sahm, Background Vocal - Doug Sahm, Fiddle - James Clayton Day, Dobro - Jeff gutcheon, Organ - Traditional, Composer - Traditional, Lyricist - Rita Cox, Executive Producer - Sammi Smith, Background Vocal - Willie Nelson, Producer - Willie Nelson, Vocal - Willie Nelson, Arranger - Willie Nelson, Guitar - Willie Nelson, Performer - Larry Gatlin, Background Vocal - Larry Gatlin, Guitar - Paul English, Drums - Dee Moeller, Background Vocal - David Mitson, Engineer

(P) 1976 Sony Music Entertainment

17
Bloody Mary Morning
Willie Nelson
00:02:48
18
I Still Can't Believe You're Gone
Willie Nelson
00:04:17
19
Blue Eyes Crying In the Rain (Album Version)
Willie Nelson
00:02:19

Margie Hunt, Executive Producer - Jody Payne, Guitar - Jody Payne, Mandolin - Bobbie Nelson, Piano - Billy English, Drums - Bucky Meadows, Guitar - Mickey Raphael, Harmonica - F. Rose, Composer - F. Rose, Lyricist - Paul English, Drums - Rita Cox, Executive Producer - Willie Nelson, Producer - Willie Nelson, Guitar - Willie Nelson, Performer - Willie Nelson, Vocal - Bee Spears, Bass - David Mitson, Engineer

(P) 1975 Sony Music Entertainment

20
I'd Have to Be Crazy (Album Version)
Willie Nelson
00:03:25

Phil York, Engineer - Willie Nelson, Producer - Willie Nelson, Vocal - Willie Nelson, Performer - Steven Fromholz, Composer - Steven Fromholz, Lyricist

(P) 1976 Sony Music Entertainment

21
If You've Got The Money I've Got the Time (Album Version)
Willie Nelson
00:02:04

J. Beck, Composer - J. Beck, Lyricist - Margie Hunt, Executive Producer - Bobbie Nelson, Piano - Jody Payne, Guitar - Rex Ludwick, Drums - Mickey Raphael, Harmonica - Rita Cox, Executive Producer - Bee Spears, Bass - Willie Nelson, Producer - Willie Nelson, Vocal - Willie Nelson, Performer - Willie Nelson, Guitar - Paul English, Drums - L. FRIZZELL, Composer - L. FRIZZELL, Lyricist - David Mitson, Engineer

(P) 1976 Sony Music Entertainment

Album review

Navigating Willie Nelson's immense body of recordings can be daunting even for committed fans. There is so much music and so much of it good that it's hard to keep straight, especially as each of his many eras has been compiled, collected, and reissued countless time, leading to a discography thick with redundancies -- and then there's the stubborn fact that for Willie, making music is like breathing, something that comes naturally, something that happens every day, so he keeps building upon that discography, releasing an album or two each year, which only adds to the confusion for neophytes and longtime fans alike. All of this is a roundabout way to say that there are plenty of Willie Nelson albums out there, that there's a surplus of compilations, but of all these, nothing offers such a complete, useful overview of his entire career as Columbia/Legacy's four-disc 2008 box One Hell of a Ride. This is not the first Willie box that Legacy has released, of course -- in 1995 they put out the triple-disc Revolutions of Time: The Journey 1975-1993 -- but this is the first box to ever attempt a thorough overview of his career, beginning with his earliest singles for Sarg and D, running through the countrypolitan Nashville productions of his Liberty Records and his wonderfully rambling RCA recordings of the '60s, then settling into the star-making sides for Columbia in the '70s and '80s, yet the set doesn't end there, as it runs through his albums for Island and Mercury in the '90s and 2000s. For sheer scope, this beats all, but what makes One Hell of a Ride so useful is that it covers all the ground accurately, picking a blend of hits, concert staples, and relative obscurities to present a career overview that may be illuminating even for serious fans, as this tells a full, complete story with its 100 tracks
Like many great stories, the details may be fudged a bit here -- on the second disc the tracks don't quite follow in chronological order -- but that doesn't matter because all this tweaking is done in service of the bigger picture, which is as it should be when a picture is this large. Listening to the whole of One Hell of a Ride, it's hard not to marvel yet again at the enormity of Willie's career. If he had only authored the standards "Nite Life," "Crazy," "Hello Walls," and "Funny How Time Slips Away," his place in history would be assured, but this set illustrates how Nelson strengthened the jazzy sophistication underpinning these tunes by digging deeper into Western swing, just as he slyly brought rock, folk, and pop flourishes into his music. By the time the Outlaw years roll around in the midst of the second disc here, his music was hard to peg -- certainly it was country, but not in the strictest definition, as it encompassed so much more, from the stark Red Headed Stranger to the lush Stardust, and what is remarkable about One Hell of a Ride is that by listening to it from beginning to end, none of these moves feel forced, all the evolutions feel natural, and the excellent fourth disc -- which neatly cherry-picks from a rollercoaster two decades of recordings -- illustrates that his evolution did not end when he achieved superstardom, but rather he kept finding new truths in music, sometimes through new tunes, sometimes by revisiting the past, as the nifty book-ending of the set with a new version of his first recording "When I've Sung My Last Hillbilly Song" makes clear. Willie will continue to build upon the legacy offered within this box, but that will not change the fact that this is the best place to learn and appreciate that legacy, and to learn to love it.

© Stephen Thomas Erlewine /TiVo

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