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Feel Good, not Superfly, is the sound of early-'70s pimping -- even when the tempo slows down, which happens rarely, it's for a slow blues grind, not a ballad, and songs like Tina's "Kay Got Laid (Joe Got Paid)" make no apologies for mythologizing pimps. This results in a supremely sleazy, utterly addictive record, one that's relentless in its rhythms and fearless in its funk as Ike lays down nasty rock & roll guitar -- check his solos on "Feel Good," where he's as elastic as rubber -- and Tina tears it up with pure, unbridled passion. Feel Good is quintessentially '70s -- the fuzztoned funk practically conjures up platform shoes and mile-wide collars -- but it doesn't belong to any one sound, it casually draws from Southern soul, James Brown funk, black pride, Superfly style and juke joint R&B, a sound that is uniquely identified with Ike & Tina. And while this contains no flat-out classics like "Nutbush City Limits" or "Proud Mary," as an album Feel Good undoubtedly ranks among their very best: it's a non-stop party.
© Stephen Thomas Erlewine /TiVo
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Steve Marriott, ComposerLyricist - Ike Turner, Producer - Tina Turner, Composer - Jackie Clark, Producer - Ike & Tina Turner, MainArtist - Claude Williams, Trumpet, AssociatedPerformer - Soko Richardson, Producer, Drums, AssociatedPerformer - Jackie Clarke, Guitar, AssociatedPerformer - Jimmie Smith, Tenor Saxophone, AssociatedPerformer - Edward Burks, Trombone, AssociatedPerformer - McKinley "Mack" Johnson, Trumpet, AssociatedPerformer - Warren Dawson, Producer, Bass Guitar, AssociatedPerformer - Gerhard Augustin, Producer
℗ 1973 Capitol Records, LLC
Ike Turner, Producer - Tina Turner, Composer - Ike & Tina Turner, MainArtist - Gerhard Augustin, Producer
℗ 1972 Capitol Records, LLC
Ike Turner, Composer, Producer - Tina Turner, Composer - Ike & Tina Turner, MainArtist - Jesse James, Composer - Gerhard Augustin, Producer
℗ 1972 Capitol Records, LLC
Ike Turner, Composer, Producer - Tina Turner, Composer - Ike & Tina Turner, MainArtist - Claude Williams, Trumpet, AssociatedPerformer - Soko Richardson, Drums, AssociatedPerformer - Jackie Clarke, Guitar, AssociatedPerformer - Jimmie Smith, Tenor Saxophone, AssociatedPerformer - Edward Burks, Trombone, AssociatedPerformer - McKinley "Mack" Johnson, Trumpet, AssociatedPerformer - Warren Dawson, Electric Bass, AssociatedPerformer - Gerhard Augustin, Producer
℗ 1972 Capitol Records, LLC
Ike Turner, Composer, Producer - Tina Turner, Composer - Ike & Tina Turner, MainArtist - Gerhard Augustin, Producer
℗ 1972 Capitol Records, LLC
Ike Turner, Producer - Tina Turner, ComposerLyricist - Ike & Tina Turner, MainArtist - Gerhard Augustin, Producer
℗ 1972 Capitol Records, LLC
John Lennon, ComposerLyricist - Paul Mccartney, ComposerLyricist - Ike Turner, Producer, Engineer, Guitar, AssociatedPerformer, StudioPersonnel - Tina Turner, Vocals, AssociatedPerformer - Barry Keane, Engineer, StudioPersonnel - Ike & Tina Turner, MainArtist - Gerhard Augustin, Producer - Jim Saunders, Engineer, StudioPersonnel
℗ 1972 Capitol Records, LLC
Ike Turner, Composer, Producer - Tina Turner, Composer - Ike & Tina Turner, MainArtist - Gerhard Augustin, Producer
℗ 1972 Capitol Records, LLC
Ike Turner, Composer, Producer - Tina Turner, Composer - Ike & Tina Turner, MainArtist - Gerhard Augustin, Producer
℗ 1972 Capitol Records, LLC
Ike Turner, Composer - Tina Turner, Composer - Ike & Tina Turner, MainArtist - Claude Williams, Trumpet, AssociatedPerformer - Soko Richardson, Drums, AssociatedPerformer - Jackie Clarke, Guitar, AssociatedPerformer - Jimmie Smith, Tenor Saxophone, AssociatedPerformer - Edward Burks, Trombone, AssociatedPerformer - McKinley "Mack" Johnson, Trumpet, AssociatedPerformer - Warren Dawson, Electric Bass, AssociatedPerformer - Gerhard Augustin, Producer
℗ 1972 Capitol Records, LLC
Album review
Feel Good, not Superfly, is the sound of early-'70s pimping -- even when the tempo slows down, which happens rarely, it's for a slow blues grind, not a ballad, and songs like Tina's "Kay Got Laid (Joe Got Paid)" make no apologies for mythologizing pimps. This results in a supremely sleazy, utterly addictive record, one that's relentless in its rhythms and fearless in its funk as Ike lays down nasty rock & roll guitar -- check his solos on "Feel Good," where he's as elastic as rubber -- and Tina tears it up with pure, unbridled passion. Feel Good is quintessentially '70s -- the fuzztoned funk practically conjures up platform shoes and mile-wide collars -- but it doesn't belong to any one sound, it casually draws from Southern soul, James Brown funk, black pride, Superfly style and juke joint R&B, a sound that is uniquely identified with Ike & Tina. And while this contains no flat-out classics like "Nutbush City Limits" or "Proud Mary," as an album Feel Good undoubtedly ranks among their very best: it's a non-stop party.
© Stephen Thomas Erlewine /TiVo
About the album
- 1 disc(s) - 10 track(s)
- Total length: 00:28:25
- Main artists: Ike & Tina Turner
- Composer: Various Composers
- Label: CAPITOL CATALOG MKT (C92)
- Genre: Soul/Funk/R&B Soul
© 1972 Capitol Records, LLC ℗ 1972 Capitol Records, LLC
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