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Johnny Cash|A Concert Behind Prison Walls (Live)

A Concert Behind Prison Walls (Live)

Johnny Cash

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Since two of the defining albums of Johnny Cash's career were live sets recorded during prison concerts -- Johnny Cash at Folsom Prison and Johnny Cash at San Quentin -- it is hard to imagine a fan of the Man in Black not picking up this disc with high interest and reasonable expectations, but listeners should be aware that A Concert: Behind Prison Walls is a very different kettle of fish than Cash's earlier jailhouse sessions. While the Folsom Prison and San Quentin albums sounded as if Cash was performing for the prisoners like no one else in the world was listening and with an air of total communication between artist and audience, this set was recorded in 1976 at Nashville's Tennessee State Penitentiary for a television special and is a bit differet. The circumstances find Cash in more subdued form, though he never sounds less than committed, especially on "Sunday Morning Coming Down" and "Jacob Green." (This show also features Cash's '70s road band, which is a good deal slicker than the flinty report of the combo on Folsom Prison.) But most significantly, Cash only appears on seven of this album's 16 tracks. The remainder of the album was taken up by his televised "special guests," including Linda Ronstadt (who sounds fine, though one wonders if this was the best audience for either "You're No Good" or "Desperado"), Roy Clark (who sings "That Honeymoon Feeling," no matter what the liner notes say, and it is some sort of landmark in bathetic Nash-Vegas sludge), and comic Foster Brooks (who not only does his famous drunk bit but sings an unnerving sub-Robert Goulet interpretation of "Half As Much"). The television announcer's introductions have also been kept in to remind listeners just what the source for this material was, and this ultimately sounds just as bold and challenging as a television special from the mid-'70s -- which is to say that outside of 17-and-a-half minutes of Cash singing with his typical strength and authority, this doesn't merit a re-run. Spin the first three and last four tracks and leave the rest behind.

© Mark Deming /TiVo

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A Concert Behind Prison Walls (Live)

Johnny Cash

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1
Folsom Prison Blues (Live)
Johnny Cash
00:02:03

Johnny Cash, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Michael Davis, Mixer, StudioPersonnel - Carl Perkins, Electric Guitar, AssociatedPerformer - Tommy Williams, Fiddle, AssociatedPerformer - W.S. Holland, Drums, AssociatedPerformer - Marshall Grant, Bass Guitar, AssociatedPerformer - Bob Wootton, Electric Guitar, AssociatedPerformer - Doug Decker, Producer

℗ 2003 Jim Owens Entertainment, Nashville, TN.

2
Sunday Morning Coming Down (Live)
Johnny Cash
00:03:55

Johnny Cash, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer - Kris Kristofferson, ComposerLyricist - Michael Davis, Mixer, StudioPersonnel - Carl Perkins, Electric Guitar, AssociatedPerformer - Tommy Williams, Fiddle, AssociatedPerformer - W.S. Holland, Drums, AssociatedPerformer - Marshall Grant, Bass Guitar, AssociatedPerformer - Bob Wootton, Electric Guitar, AssociatedPerformer - Doug Decker, Producer

℗ 2003 Jim Owens Entertainment, Nashville, TN.

3
Jacob Green (Live)
Johnny Cash
00:03:13

Johnny Cash, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Michael Davis, Mixer, StudioPersonnel - Carl Perkins, Electric Guitar, AssociatedPerformer - Tommy Williams, Fiddle, AssociatedPerformer - W.S. Holland, Drums, Percussion, AssociatedPerformer - Marshall Grant, Bass Guitar, AssociatedPerformer - Bob Wootton, Electric Guitar, AssociatedPerformer - Doug Decker, Producer

℗ 2003 Jim Owens Entertainment, Nashville, TN.

4
Comedy Routine (Live)
Foster Brooks
00:04:50

Michael Davis, Mixer, StudioPersonnel - Not Applicable, ComposerLyricist - Unknown Artist, ComposerLyricist - Doug Decker, Producer - Foster Brooks, Singer/Speaker, MainArtist, AssociatedPerformer

℗ 2003 Jim Owens Entertainment, Nashville, TN.

5
Desperado (Live)
Linda Ronstadt
00:03:29

D. HENLEY, ComposerLyricist - Linda Ronstadt, Vocals, MainArtist, AssociatedPerformer - Andrew Gold, Piano, AssociatedPerformer - Glenn Frey, ComposerLyricist - Michael Davis, Mixer, StudioPersonnel - Doug Decker, Producer

℗ 2003 Jim Owens Entertainment, Nashville, TN.

6
You're No Good (Live)
Linda Ronstadt
00:03:01

Linda Ronstadt, Vocals, MainArtist, AssociatedPerformer - Andrew Gold, Electric Guitar, AssociatedPerformer - Clint Ballard Jr., ComposerLyricist - Michael Davis, Mixer, StudioPersonnel - Doug Decker, Producer

℗ 2003 Jim Owens Entertainment, Nashville, TN.

7
Rolling In My Sweet Baby’s Arms (Live)
Roy Clark
00:02:29

Traditional, ComposerLyricist - Michael Davis, Mixer, StudioPersonnel - Roy Clark, Arranger, Guitar, Vocals, Work Arranger, MainArtist, AssociatedPerformer - Buck Trent, Banjo, AssociatedPerformer - Doug Decker, Producer

℗ 2003 Jim Owens Entertainment, Nashville, TN.

8
That Honeymoon Feeling (Live)
Roy Clark
00:02:42

GARY PAXTON, ComposerLyricist - Michael Davis, Mixer, StudioPersonnel - Roy Clark, Guitar, Vocals, MainArtist, AssociatedPerformer - Buck Trent, Banjo, AssociatedPerformer - Ronald Wayne Hellard, Composer - Doug Decker, Producer

℗ 2003 Jim Owens Entertainment, Nashville, TN.

9
Shuckin' The Corn (Live)
Roy Clark
00:02:22

Louise Certain, ComposerLyricist - Gladys Stacey, ComposerLyricist - Buck Graves, ComposerLyricist - Michael Davis, Mixer, StudioPersonnel - Roy Clark, Banjo, MainArtist, AssociatedPerformer - Buck Trent, Banjo, AssociatedPerformer - Doug Decker, Producer

℗ 2003 Jim Owens Entertainment, Nashville, TN.

10
Half As Much (Live)
Foster Brooks
00:03:39

Michael Davis, Mixer, StudioPersonnel - Curly Williams, ComposerLyricist - Doug Decker, Producer - Foster Brooks, Vocals, MainArtist, AssociatedPerformer

℗ 2003 Jim Owens Entertainment, Nashville, TN.

11
Love Has No Pride (Live)
Linda Ronstadt
00:04:16

Eric Kaz, ComposerLyricist - Libby Titus, ComposerLyricist - Linda Ronstadt, Vocals, MainArtist, AssociatedPerformer - Andrew Gold, Piano, AssociatedPerformer - Michael Davis, Mixer, StudioPersonnel - Doug Decker, Producer

℗ 2003 Jim Owens Entertainment, Nashville, TN.

12
Silver Threads And Golden Needles (Live)
Linda Ronstadt
00:02:20

Jack Rhodes, ComposerLyricist - Dick Reynolds, ComposerLyricist - Linda Ronstadt, Vocals, MainArtist, AssociatedPerformer - Andrew Gold, Electric Guitar, AssociatedPerformer - Michael Davis, Mixer, StudioPersonnel - Doug Decker, Producer

℗ 2003 Jim Owens Entertainment, Nashville, TN.

13
Hey Porter (Live)
Johnny Cash
00:01:15

Johnny Cash, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Michael Davis, Mixer, StudioPersonnel - Carl Perkins, Electric Guitar, AssociatedPerformer - Tommy Williams, Fiddle, AssociatedPerformer - W.S. Holland, Drums, AssociatedPerformer - Marshall Grant, Bass Guitar, AssociatedPerformer - Bob Wootton, Electric Guitar, AssociatedPerformer - Doug Decker, Producer

℗ 2003 Jim Owens Entertainment, Nashville, TN.

14
Wreck Of The Old Ninety Seven (Live)
Johnny Cash
00:01:20

Johnny Cash, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Michael Davis, Mixer, StudioPersonnel - Bob Johnson, ComposerLyricist - Carl Perkins, Electric Guitar, AssociatedPerformer - Norman Blake, ComposerLyricist - Tommy Williams, Fiddle, AssociatedPerformer - W.S. Holland, Drums, AssociatedPerformer - Marshall Grant, Bass Guitar, AssociatedPerformer - Bob Wootton, Electric Guitar, AssociatedPerformer - Doug Decker, Producer

℗ 2003 Jim Owens Entertainment, Nashville, TN.

15
Orange Blossom Special (Live)
Johnny Cash
00:03:42

Johnny Cash, Vocals, Harmonica, MainArtist, AssociatedPerformer - Ervin T. Rouse, ComposerLyricist - Michael Davis, Mixer, StudioPersonnel - Carl Perkins, Electric Guitar, AssociatedPerformer - Tommy Williams, Fiddle, AssociatedPerformer - W.S. Holland, Drums, AssociatedPerformer - Marshall Grant, Bass Guitar, AssociatedPerformer - Bob Wootton, Electric Guitar, AssociatedPerformer - Doug Decker, Producer

℗ 2003 Jim Owens Entertainment, Nashville, TN.

16
A Boy Named Sue (Live)
Johnny Cash
00:03:12

Shel Silverstein, ComposerLyricist - Johnny Cash, Vocals, MainArtist, AssociatedPerformer - Michael Davis, Mixer, StudioPersonnel - Carl Perkins, Electric Guitar, AssociatedPerformer - Tommy Williams, Fiddle, AssociatedPerformer - W.S. Holland, Drums, AssociatedPerformer - Marshall Grant, Bass Guitar, AssociatedPerformer - Bob Wootton, Electric Guitar, AssociatedPerformer - Doug Decker, Producer

℗ 2003 Jim Owens Entertainment, Nashville, TN.

Album review

Since two of the defining albums of Johnny Cash's career were live sets recorded during prison concerts -- Johnny Cash at Folsom Prison and Johnny Cash at San Quentin -- it is hard to imagine a fan of the Man in Black not picking up this disc with high interest and reasonable expectations, but listeners should be aware that A Concert: Behind Prison Walls is a very different kettle of fish than Cash's earlier jailhouse sessions. While the Folsom Prison and San Quentin albums sounded as if Cash was performing for the prisoners like no one else in the world was listening and with an air of total communication between artist and audience, this set was recorded in 1976 at Nashville's Tennessee State Penitentiary for a television special and is a bit differet. The circumstances find Cash in more subdued form, though he never sounds less than committed, especially on "Sunday Morning Coming Down" and "Jacob Green." (This show also features Cash's '70s road band, which is a good deal slicker than the flinty report of the combo on Folsom Prison.) But most significantly, Cash only appears on seven of this album's 16 tracks. The remainder of the album was taken up by his televised "special guests," including Linda Ronstadt (who sounds fine, though one wonders if this was the best audience for either "You're No Good" or "Desperado"), Roy Clark (who sings "That Honeymoon Feeling," no matter what the liner notes say, and it is some sort of landmark in bathetic Nash-Vegas sludge), and comic Foster Brooks (who not only does his famous drunk bit but sings an unnerving sub-Robert Goulet interpretation of "Half As Much"). The television announcer's introductions have also been kept in to remind listeners just what the source for this material was, and this ultimately sounds just as bold and challenging as a television special from the mid-'70s -- which is to say that outside of 17-and-a-half minutes of Cash singing with his typical strength and authority, this doesn't merit a re-run. Spin the first three and last four tracks and leave the rest behind.

© Mark Deming /TiVo

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