Albums

922 albums sorted by Date: from newest to oldest
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French Music - Released November 9, 2018 | Initial Artist Services

Hi-Res Distinctions 4F de Télérama
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French Music - Released November 2, 2018 | Universal Music Division Polydor

Hi-Res Distinctions 4F de Télérama
£64.49
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Rock - Released November 2, 2018 | Columbia - Legacy

Hi-Res Distinctions 4F de Télérama - Best New Reissue
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Alternative & Indie - Released October 19, 2018 | Communion Group Ltd

Hi-Res Distinctions 4F de Télérama - Qobuzissime
It wouldn't be right to reduce Tamino-Amir Moharam Fouad simply to an heir of Jeff Buckley with hints of Radiohead from their earlier years. The Belgian songwriter, only 21 years old, offers much more than that on his first album, even if Colin Greenwood, the bassist from Radiohead, does feature on the album... Tamino, an Antwerp-native and John Lennon-admirer, has always kept his Egyptian origins preserved in a corner of his head, under his jet-black mane. The Arabic music that his mother played at home must have been all the more influential when it was the work of Muharram Fouad, his singer-actor grandfather, a star in Cairo in the sixties... This eclecticism is at the heart of Tamino's music, which owes as much to Buckley folk music as it does to Beatles pop and even to the nonchalant melancholy of Leonard Cohen, another one of his idols. To fuse these disparate influences, the mysterious young man possesses a deadly weapon: his voice. It’s an equally versatile organ, capable of stretching slowly and transforming itself into a stunning falsetto, an impressive technique that he never abuses. It is this voice that transforms Amir into a long and poignant novel. A coming-of-age story that alternates between the dreamer (the pure folk on Verses) and the lyrical poet as on So It Goes, Each Time and Intervals, conceived around a section of Arabic strings. A Qobuzissime album that’s oozing with original and touching poetry. © Marc Zisman/Qobuz
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World - Released October 19, 2018 | Molpé Music

Booklet Distinctions 4F de Télérama
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Dub - Released October 19, 2018 | Jarring Effects

Distinctions 4F de Télérama
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Electro - Released October 19, 2018 | Neneh Cherry

Hi-Res Booklet Distinctions 4F de Télérama
She’s done punk, hip-hop, trip hop and electro… As soon as there’s a bust-up, Neneh Cherry is always there, right in the heart of the action! In 2014, with her album Blank Project, she couldn’t be faulted for playing the opportunistic comeback card. The Swedish stepdaughter of the great jazz trumpeter Don Cherry celebrated her fiftieth birthday by offering her songs to the master of electro-jazz Kieran Hebden, a.k.a. Four Tet, who sewed her a stunning sonic patchwork. Her vocals weave themselves into Hebden’s strange and fascinating textures, a kind of tribal and futuristic soul that dares to embrace trip hop, ethnic music and even pure experimental music... Four years later, Four Tet lends his genius once again to some of the tracks on Broken Politics, Neneh Cherry's fifth album. He is even joined by 3D from Massive Attack, with whom Neneh Cherry had worked with on the album Blue Lines in 1991. But this 2018 vintage album offers much more soul than the ones that came before it, with an added touch of melancholy. Through her lyrics, Neneh Cherry raises her fist in the air. She tackles the migrant crisis, women’s status in society and extremism of all kinds with some of her most politically charged songs to date, dressed in a kind of electro-soul blues. Languid on the outside and angry on the inside, Broken Politics is above all the work of an exciting artist who’s not ready to be caged up any time soon. © Marc Zisman/Qobuz
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Jazz - Released October 19, 2018 | Gazebo

Hi-Res Distinctions 4F de Télérama
Eric Le Lann and Paul Lay return to the roots of jazz here. THE root even. With Thanks a Million the trumpeter and pianist embark on a pilgrimage to planet Louis Armstrong. They obviously aren’t the first to celebrate and pay homage to this brilliant music, but their refined approach deserves respect. Besides the wonderful elegance in their interpretations of these pieces, Le Lann and Lay display a fascinating knack for complicity, putting their own original spin on the pieces (which have been heard many times over). With some great piano/trumpet duos this album is a superb Paso Doble that closes with Farewell to Louis, an original composition that’s drenched in melancholy. © Marc Zisman/Qobuz
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World - Released October 12, 2018 | Glitterbeat Records

Hi-Res Booklet Distinctions 4F de Télérama
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Rock - Released October 12, 2018 | Concord Records

Hi-Res Distinctions 4F de Télérama
From the release of his debut album, My Aim Is True, in 1977, Elvis Costello expressed his musical gluttony by mixing explosive pub rock, reggae tones, almost country-like ballads and pop songs sculpted with crystalline arpeggios. It was this eclecticism that allowed him to work with people as diverse as George Jones (the godfather of country music), Burt Bacharach (the master of pop lounge), the mezzo-soprano Anne Sofie von Otter, the jazz guitarist Bill Frisell, and even the rappers from The Roots, just to name a few… Forty years later, the elusive spectacled Brit (having always been fond of concept albums), releases Look Now with the Imposters, featuring Steve Nieve on keyboards, Davey Faragher on bass and Pete Thomas (already the drummer of his group Attractions). This group, with whom he recorded Momofuku in 2008, give him the chance to get his writing pen out once again… and it’s as sharp as ever. Here he has shared the writing responsibilities with the great Carole King on Burnt Sugar Is so Bitter, co-written 25 years earlier, as well as with Bacharach on Photographs Can Lie and Don't Look Now. Once again, it feels like Costello is searching for the perfect pop song. He takes an approach that screams 1960s. However, the timelessness of the album anchors the songwriter well in his time, in 2018. Costello succeeds in writing melodies and lyrics that stick in his listeners’ heads. A good song, as we all know, is ageless and Elvis Costello certainly reminds us of that here... © Marc Zisman/Qobuz
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Alternative & Indie - Released October 5, 2018 | Domino Recording Co

Hi-Res Distinctions 4F de Télérama
A guitar held up by the neck, a child's head pressed against the holder's body. Cat Power reveals a lot with the cover of her tenth album. The American is up and running again and now she is a mother. At 46, Chan Marshall seems to be doing... better? Well, It's not as if her life, which has been studded with internal chaos, turbulence, a lot of moving around, depression and addiction is going to be all plain sailing from here on in, but Wanderer contains some of her most beautiful songs yet. Stripped-down compositions. A simple piano. A few notes on a guitar. A lean rhythm section. It's clear that the message here is "less is more." Perhaps her aim is to return to the roots of her old folk and blues mentors. Bringing a child into the world during the Trump era is enough to get anyone thinking again... And Cat Power hasn't sung for years. Her tones with their bluesy style, unmistakeable from the first syllable, reach sublime heights here. After a slightly electro detour with Sun, mixed by Zdar from Cassius, she doesn't give us too many surprises here in terms of the pretty classical form of her songs, but the surprise comes in the sheer quality of the tracks. One of her biggest fans, Lana Del Rey, makes an appearance on the album on the track Woman maintaining the sober feel to this beautiful and honest record. © Marc Zisman/Qobuz  
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Jazz - Released October 5, 2018 | Universal Music Distribution Deal

Hi-Res Booklet Distinctions 4F de Télérama
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Reggae - Released October 5, 2018 | Yotanka Records

Hi-Res Distinctions 4F de Télérama
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Contemporary Jazz - Released October 5, 2018 | TRAIN FANTOME

Hi-Res Distinctions 4F de Télérama - Indispensable JAZZ NEWS
It takes guts to name your album L’Odyssée. But Fred Pallem has always been a real jazz adventurer, never happy to let the genre just run its cause... And his 2018 release is yet another daring and dense piece of work, built around strong rhythms and delicious arrangements. Here, Pallem, alongside his trusty Sacre du Tympan creates some layered pieces, often very funky and very filmic. Nothing surprising there, when you think of his 2017 album Soul Cinema about blaxploitation and his homage to François de Roubaix published the previous year, two records which have rubbed off on Odyssée. The Odyssée experience is like watching a spoof film that's part thriller, part comedy, with a sort of 70s vintage feel to it. The arrangements are precise and well crafted and the soloist parts are always very original. © Max Dembo/Qobuz
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French Music - Released September 28, 2018 | [PIAS] Le Label

Hi-Res Booklet Distinctions 4F de Télérama
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Rap - Released September 28, 2018 | BMG Rights Management GmbH

Hi-Res Distinctions 4F de Télérama
Eight years have passed since the Californians of Cypress Hill’s last album yet the band are still all over the scene, both with solo projects and collaborations. Cypress Hill’s energy on stage is unparalleled, which guarantees them a place at most festivals around the world. The promise of this new album, “Elephants on Acid”, is primarily based on the return of DJ Muggs, their brilliant producer, who is picking up right where he left off, between sixties psychedelics, blazing breakbeats and smoky mysticism. Just like on the very detailed gothic album cover, Muggs unearths a monster buried deep underground and resurrects the legend of “Temple of Boom”, the band’s labyrinth album released in 1995. Between drugs and spirituality, B-Real, the main rapper, reinterprets Cypress Hill’s rather dark repertoire, halfway between Los Angeles Latino culture and hallucinating fantasy à la H.P. Lovecraft. With a few more recreational tracks like “Crazy” or “Oh Na Na”, which make the group sound like a mutant gypsy marching band, Cypress Hill are revitalised, though slightly removed from the saturated guitars of their earlier releases. Ending on “Stairway To Heaven” which is reminiscent of the ethereal soul of Portishead or Massive Attack, “Elephants on Acid” is a multi-layered journey around the mind, in which listeners can both lose and find themselves. © Aurélien Chapuis/Qobuz
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Contemporary Jazz - Released September 21, 2018 | Label Bleu

Hi-Res Distinctions 4F de Télérama - Indispensable JAZZ NEWS
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Soul/Funk/R&B - Released September 21, 2018 | Warner Bros.

Hi-Res Distinctions 4F de Télérama - Pitchfork: Best New Reissue
Two years after his premature death, Prince’s Ali Baba cave has offered up its first treasure. With the aptly named album Piano & A Microphone 1983, it’s with the simplest devices that his art is heard. At only 25 years old, Prince had already released five albums (For You, Prince, Dirty Mind, Controversy and 1999) and was just about to release the album that would turn him into a global star, Purple Rain. The multi-instrumentalist spent his days and nights in the studio and we find him here alone at the piano for a medley of personal compositions and two covers: Joni Mitchell’s A Case Of You and the gospel song Mary Don’t You Weep. The intimate context of this recording only amplifies the intensity of this unpublished work. Just close your eyes and you’ll find yourself alone with Prince… With his elastic voice and skilled playing, the musician from Minneapolis proves to those who doubted him that he was a true artist; both entertainer and composer, showman and improviser. His stripped back version of Purple Rain touches on the sublime and the track Strange Relationship gives an insight into the evolution of his productions, as four years later the track appeared, more muscular this time, on the album Sign o’ the Times. While Piano & A Microphone 1983 may be primarily aimed at Prince fans, novices – if there are any left – will no doubt enjoy discovering this impressive artist. © Marc Zisman/Qobuz
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Alternative & Indie - Released September 14, 2018 | Naive

Hi-Res Booklet Distinctions 4F de Télérama
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World - Released September 14, 2018 | Cobalt

Distinctions 4F de Télérama