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The Marian Consort|Singing in Secret: Clandestine Catholic Music by William Byrd

Singing in Secret: Clandestine Catholic Music by William Byrd

The Marian Consort & Rory McCleery

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Many listeners are aware that William Byrd's Latin religious works were often written for performance by so-called recusant Catholics, who refused to accept the state-mandated Anglican faith of Elizabethan England and maintained their faith, and their music, in small gatherings. Few performances, however, have asked what that might mean musically. That's what the Marian Consort and its director, Rory McCleery, do here. The small-group performance of Renaissance music is generally questionable inasmuch as groups like the Sistine Chapel Choir often had two dozen singers or more. Here, though, it's just right: Byrd was writing intimate, deeply philosophical music for household chamber performance. The Marian Consort for this performance is a group of eight. They all sing in Byrd's Mass for four voices, deploying two voices per part and letting the individual voices show through rather than making them blend. The program is set up in the way that a Renaissance mass would have been performed, with the sections of the mass interspersed with motets, and the motets are sung with one voice per part. It is not known how music was sung in recusant households, but the present solution seems entirely plausible. The youthful group is highly expressive as well as intonationally secure, and they sound lovely in Scotland's Crichton Collegiate Chapel, although a more intimate venue might have served the performers' aims better. This is an unusually adept and penetrating performance of Byrd's music.

© TiVo

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Singing in Secret: Clandestine Catholic Music by William Byrd

The Marian Consort

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1
Miserere mei Deus
00:03:04

William BYRD, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2019 Delphian Records LTD

2
Gaudeamus omnes
00:05:10

William BYRD, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

3
Mass for Four Voices: I. Kyrie
00:02:00

William BYRD, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

4
Mass for Four Voices: II. Gloria
00:05:54

William BYRD, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

5
Timete Dominum
00:04:28

William BYRD, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

6
Mass for Four Voices: III. Credo
00:08:12

William BYRD, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

7
Ave Maria
00:01:58

William BYRD, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

8
Laetentur caeli
00:03:34

William BYRD, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

9
Mass for Four Voices: IV. Sanctus & Benedictus
00:03:40

William BYRD, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

10
Justorum animae
00:02:29

William BYRD, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

11
Mass for Four Voices: V. Agnus Dei
00:02:51

William BYRD, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

12
Deo gratias
00:00:41

William BYRD, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

13
Beati mundo corde
00:03:01

William BYRD, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

14
Infelix ego
00:13:02

William BYRD, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

Album review

Many listeners are aware that William Byrd's Latin religious works were often written for performance by so-called recusant Catholics, who refused to accept the state-mandated Anglican faith of Elizabethan England and maintained their faith, and their music, in small gatherings. Few performances, however, have asked what that might mean musically. That's what the Marian Consort and its director, Rory McCleery, do here. The small-group performance of Renaissance music is generally questionable inasmuch as groups like the Sistine Chapel Choir often had two dozen singers or more. Here, though, it's just right: Byrd was writing intimate, deeply philosophical music for household chamber performance. The Marian Consort for this performance is a group of eight. They all sing in Byrd's Mass for four voices, deploying two voices per part and letting the individual voices show through rather than making them blend. The program is set up in the way that a Renaissance mass would have been performed, with the sections of the mass interspersed with motets, and the motets are sung with one voice per part. It is not known how music was sung in recusant households, but the present solution seems entirely plausible. The youthful group is highly expressive as well as intonationally secure, and they sound lovely in Scotland's Crichton Collegiate Chapel, although a more intimate venue might have served the performers' aims better. This is an unusually adept and penetrating performance of Byrd's music.

© TiVo

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