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The Marian Consort|Josquin, Lusitano & Williams: Inviolata

Josquin, Lusitano & Williams: Inviolata

The Marian Consort and Rory McCleery

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This triptych of Inviolata settings marks the beginning of The Marian Consort’s new relationship with Linn, and serves as something of a mission statement: interrogating the music of the past; reviving important, unjustly forgotten works; and using both as inspiration for new compositions. At the centre of this digital-only release is the neglected composer and theorist Vicente Lusitano. Much detail of his life remains unknown, but we can say with reasonable confidence that he was the first published composer of African heritage.

His 8-voice Inviolata is unmistakeably indebted to the most influential musical figure of the high Renaissance, Josquin des Prez, whose 5-voice setting opens the recording. Completing the programme, Roderick Williams’s Inviolata (after Lusitano) looks backwards – through its quotations of Lusitano, Josquin and Gregorian chant – and forwards, being originally conceived as a sound installation.

Co-commissioned by The Marian Consort and Classical Remix, this piece showcases the ensemble’s pioneering spirit as "brilliant discoverers, and exponents, of rare repertoire" (The Observer). © Linn Records

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Josquin, Lusitano & Williams: Inviolata

The Marian Consort

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1
Inviolata, integra et casta es (I)
00:07:48

Anonymous, Lyricist - Copyright Control, MusicPublisher - Josquin des Prez, Composer - The Marian Consort, Ensemble, MainArtist - Rory McCleery, MainArtist

2022 Outhere 2022 Linn Records

2
Inviolata, integra et casta es (II)
00:11:36

Anonymous, Lyricist - Copyright Control, MusicPublisher - The Marian Consort, Ensemble, MainArtist - Rory McCleery, MainArtist - Vicente Lusitano, Composer

2022 Outhere 2022 Linn Records

3
Inviolata
00:11:37

Anonymous, Lyricist - Roderick Williams, Composer - Edition Peters, MusicPublisher - The Marian Consort, Ensemble, MainArtist - Rory McCleery, MainArtist

2022 Outhere 2022 Linn Records

Album review

This triptych of Inviolata settings marks the beginning of The Marian Consort’s new relationship with Linn, and serves as something of a mission statement: interrogating the music of the past; reviving important, unjustly forgotten works; and using both as inspiration for new compositions. At the centre of this digital-only release is the neglected composer and theorist Vicente Lusitano. Much detail of his life remains unknown, but we can say with reasonable confidence that he was the first published composer of African heritage.

His 8-voice Inviolata is unmistakeably indebted to the most influential musical figure of the high Renaissance, Josquin des Prez, whose 5-voice setting opens the recording. Completing the programme, Roderick Williams’s Inviolata (after Lusitano) looks backwards – through its quotations of Lusitano, Josquin and Gregorian chant – and forwards, being originally conceived as a sound installation.

Co-commissioned by The Marian Consort and Classical Remix, this piece showcases the ensemble’s pioneering spirit as "brilliant discoverers, and exponents, of rare repertoire" (The Observer). © Linn Records

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