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Haiou Zhang|My 2020

My 2020

Haiou Zhang

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“Masterpieces are irreplaceable with their timelessness. I still clearly remember when, for the first time, I heard a couple of bars in the last movement of Beethoven’s Opus 109 – it was about 20 years ago and I felt deeply touched and captured at that moment... It was something truly indescribable to me. I have always believed that I should only record pieces of music to which I feel strongly attached. I felt that this composition would grow as if it were an extension of my own musical language. It is now very clear to me that Opus 109 will always be the music to accompany me through all the ups and downs of life, and the same is also true for Opus 111. It has to be admitted that I totally fell in love with the variations to be found in Opus 111. I desperately wanted to be part of that particular world encompassed by the fragile and sublime colors which are to be found between the “pp and ppp (“very quiet” and “extremely quiet”) parts of the work, which permeate the whole special atmosphere. It seems as if one is being driven towards infinity - somehow it might even take one to a sublime place without conflicts, pain and evil“ (Haiou Zhang)
© Haenssler Classic

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My 2020

Haiou Zhang

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Piano Sonata No. 30 in E major, Op. 109 (Ludwig van Beethoven)

1
I. Vivace ma non troppo - Adagio espressivo
00:03:36

Ludwig van Beethoven, Composer - Haiou Zhang, Artist, MainArtist

(C) 2021 haenssler CLASSIC (P) 2021 haenssler CLASSIC

2
II. Prestissimo
00:02:22

Ludwig van Beethoven, Composer - Haiou Zhang, Artist, MainArtist

(C) 2021 haenssler CLASSIC (P) 2021 haenssler CLASSIC

3
III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo
00:12:35

Ludwig van Beethoven, Composer - Haiou Zhang, Artist, MainArtist

(C) 2021 haenssler CLASSIC (P) 2021 haenssler CLASSIC

Piano Sonata No. 32 in C minor, Op. 111 (Ludwig van Beethoven)

4
I. Maestoso - Allegro con brio ed appassionato
00:09:44

Ludwig van Beethoven, Composer - Haiou Zhang, Artist, MainArtist

(C) 2021 haenssler CLASSIC (P) 2021 haenssler CLASSIC

5
II. Arietta. Adagio molto semplice e cantabile
00:17:46

Ludwig van Beethoven, Composer - Haiou Zhang, Artist, MainArtist

(C) 2021 haenssler CLASSIC (P) 2021 haenssler CLASSIC

Organ Sonata No. 5 in C major, BWV 529 (Johann Sebastian Bach)

6
II. Largo (Arr. for S. Feinberg Piano)
00:08:08

Johann Sebastian Bach, Composer - Haiou Zhang, Artist, MainArtist

(C) 2021 haenssler CLASSIC (P) 2021 haenssler CLASSIC

Hunt Cantata, BWV 208 (Johann Sebastian Bach)

7
No. 9, Sheep May Safely Graze (Arr. D. Lipatti for Piano)
00:05:26

Johann Sebastian Bach, Composer - Haiou Zhang, Artist, MainArtist

(C) 2021 haenssler CLASSIC (P) 2021 haenssler CLASSIC

Piano Concerto No. 4 in G major, Op. 58 (Ludwig van Beethoven)

8
III. Cadenza
00:04:45

Ludwig van Beethoven, Composer - Haiou Zhang, Artist, MainArtist

(C) 2021 haenssler CLASSIC (P) 2021 haenssler CLASSIC

Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" (Ludwig van Beethoven)

9
Bagatelle No. 25 in A Minor, WoO 59 "Für Elise"
00:03:01

Ludwig van Beethoven, Composer - Haiou Zhang, Artist, MainArtist

(C) 2021 haenssler CLASSIC (P) 2021 haenssler CLASSIC

Album review

“Masterpieces are irreplaceable with their timelessness. I still clearly remember when, for the first time, I heard a couple of bars in the last movement of Beethoven’s Opus 109 – it was about 20 years ago and I felt deeply touched and captured at that moment... It was something truly indescribable to me. I have always believed that I should only record pieces of music to which I feel strongly attached. I felt that this composition would grow as if it were an extension of my own musical language. It is now very clear to me that Opus 109 will always be the music to accompany me through all the ups and downs of life, and the same is also true for Opus 111. It has to be admitted that I totally fell in love with the variations to be found in Opus 111. I desperately wanted to be part of that particular world encompassed by the fragile and sublime colors which are to be found between the “pp and ppp (“very quiet” and “extremely quiet”) parts of the work, which permeate the whole special atmosphere. It seems as if one is being driven towards infinity - somehow it might even take one to a sublime place without conflicts, pain and evil“ (Haiou Zhang)
© Haenssler Classic

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