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Jazz - Verschenen op 4 juni 2021 | Concord Jazz

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Jazz - Verschenen op 5 februari 2021 | Concord Jazz

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Jazz - Verschenen op 12 november 2020 | Concord Jazz

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Jazz - Verschenen op 30 oktober 2020 | Concord Jazz

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Jazz - Verschenen op 18 september 2020 | Concord Jazz

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Jazz - Verschenen op 11 september 2020 | Concord Jazz

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Jazz - Verschenen op 21 augustus 2020 | Concord Jazz

Hi-Res Onderscheidingen Pitchfork: Best New Music - Qobuzism
Although this release is Nubya Garcia's first real solo album, the artist is accustomed to being showered with praise, awards, prizes, projects and collaborations. At 29 years old, the Londoner is undoubtedly one of the major players on the new British jazz scene and her colourful, full-bodied saxophone playing has already resonated on numerous recordings such as those of the groups Nérija and Maisha, and on two thirds of We Out Here (2018), the iconic compilation album from Gilles Peterson’s Brownswood label which united the big names on the contemporary scene. It is with some of these musicians that she has recorded Source. Joined by Joe Armon-Jones (keys), Daniel Casimir (bass) and Sam Jones (drums), Garcia was certainly well-equipped to push the boundaries of contemporary jazz and the UK music scene. As is often the case with contemporary UK musicians, Afro-Caribbean and urban sounds come to influence the rhythms as well as the melodies. Such a fusion is often present in UK jazz albums which also have their own unique flavours. The influence of Herbie Hancock (from the Headhunters period/early Columbia Records) is never far away (Inner Game, The Message Continues). This sensation is amplified by the funky playing of the organ and synth magician, Joe Armon-Jones.But Nubya Garcia is hungry for other sounds and landscapes. On the title track Source, the dub influence is clear. On Together is a Beautiful Place To Be, she deploys a delicate soul and R&B sensuality. Stand With Each Other slaloms between spellbinding nyabinghi rhythms while the aptly named La cumbia me està llamando leaves no doubt as to its influences… All of these sequences paint the picture of a woman well anchored in her time, a musician who is in harmony with her roots and history and puts the notion of collectiveness at the forefront of her artistry. Garcia's notable invitees include Richie Sievwright, Cassie Kinoshi and Sheila Maurice-Grey from the group Kokoroko, the Colombians of La Perla (La cambia me està llamando) as well as Chicago singer Akenya Seymour (Boundless Beings). With this Qobuzissime winning album, Nubya Garcia succeeds in going that little bit further and breaking down the walls that try to hold jazz back. © Marc Zisman/Qobuz
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Jazz - Verschenen op 28 mei 2020 | Concord Jazz

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Jazz - Verschenen op 14 mei 2020 | Concord Jazz

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Jazz - Verschenen op 24 april 2020 | Concord Jazz

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Jazz - Verschenen op 3 april 2020 | Concord Jazz

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Jazz - Verschenen op 13 maart 2020 | Concord Jazz

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Jazz - Verschenen op 1 november 2019 | Concord Jazz

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In 2013, Chick Corea teamed up with a couple of gold-standard rhythmists - Christian McBride on the double bass and Brian Blade on drums - with whom he recorded Trilogy, a brilliant live album which saw him blend his own repertoire with classic standards by Thelonious Monk, Jerome Kern, Oscar Hammerstein, Kurt Weil, Irving Berlin & co. Just as the title indicates, Trilogy 2 repeats the exercise: same cast, same idea, same great result. Of course, the relationship between the three of them has been consolidated over the years. And while Corea’s piano remains one of the best of his generation, it’s the McBride/Blade tandem that really shines as a creative stroke of genius. The accuracy of their interventions and punctuations are staggering, never off-kilter and never over the top. Finally, the repertoire is a touch more original than on the previous Trilogy, with Steve Swallow’s Eiderdown, Monk’s Crepuscule with Nellie, 500 Miles High by Return to Forever, Lotus Blossom by Billy Strayhorn as well as Pastime Paradise by Stevie Wonder. © Max Dembo/Qobuz
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Jazz - Verschenen op 4 oktober 2019 | Concord Jazz

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In 2013, Chick Corea teamed up with a couple of gold-standard rhythmists - Christian McBride on the double bass and Brian Blade on drums - with whom he recorded Trilogy, a brilliant live album which saw him blend his own repertoire with classic standards by Thelonious Monk, Jerome Kern, Oscar Hammerstein, Kurt Weil, Irving Berlin & co. Just as the title indicates, Trilogy 2 repeats the exercise: same cast, same idea, same great result. Of course, the relationship between the three of them has been consolidated over the years. And while Corea’s piano remains one of the best of his generation, it’s the McBride/Blade tandem that really shines as a creative stroke of genius. The accuracy of their interventions and punctuations are staggering, never off-kilter and never over the top. Finally, the repertoire is a touch more original than on the previous Trilogy, with Steve Swallow’s Eiderdown, Monk’s Crepuscule with Nellie, 500 Miles High by Return to Forever, Lotus Blossom by Billy Strayhorn as well as Pastime Paradise by Stevie Wonder. © Max Dembo/Qobuz
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Jazz - Verschenen op 4 oktober 2019 | Concord Jazz

In 2013, Chick Corea teamed up with a couple of gold-standard rhythmists - Christian McBride on the double bass and Brian Blade on drums - with whom he recorded Trilogy, a brilliant live album which saw him blend his own repertoire with classic standards by Thelonious Monk, Jerome Kern, Oscar Hammerstein, Kurt Weil, Irving Berlin & co. Just as the title indicates, Trilogy 2 repeats the exercise: same cast, same idea, same great result. Of course, the relationship between the three of them has been consolidated over the years. And while Corea’s piano remains one of the best of his generation, it’s the McBride/Blade tandem that really shines as a creative stroke of genius. The accuracy of their interventions and punctuations are staggering, never off-kilter and never over the top. Finally, the repertoire is a touch more original than on the previous Trilogy, with Steve Swallow’s Eiderdown, Monk’s Crepuscule with Nellie, 500 Miles High by Return to Forever, Lotus Blossom by Billy Strayhorn as well as Pastime Paradise by Stevie Wonder. © Max Dembo/Qobuz
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Jazz - Verschenen op 27 september 2019 | Concord Jazz

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Jazz - Verschenen op 27 september 2019 | Concord Jazz

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Jazz - Verschenen op 20 september 2019 | Concord Jazz

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Jazz - Verschenen op 6 september 2019 | Concord Jazz

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Jazz - Verschenen op 30 augustus 2019 | Concord Jazz

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Since moving to the United States in 1981, it was only in 2015 with Made in Brazil and again in 2017 with Dance of Time that Eliane Elias returned to her native Brazil to record the two albums. The São Paulo singer-pianist-composer’s strength lies in transporting the listener to the seductive atmospheres of Brazil, even when the repertoire is rather well-known… very well-known in fact. With this aptly named Love Stories, Elias showcases her skills not only as a brilliant jazz pianist and sensual singer but also as an arranger, composer and producer! Sung almost entirely in English, this 2019 vintage blends three original pieces with seven covers of hits from the golden age of bossa nova and the sixties, popularized by the likes of Antonio Carlos Jobim or Frank Sinatra. Despite this, Love Stories is not an excessively nostalgic record. This collection of love songs exhibits the timeless grace of songs from the 20th century by Jobim with the great arranger Claus Ogerman. And with the very popular (maybe too popular?) compositions, such as the theme from Francis Lai’s film Un homme et une femme, Eliane Elias once again succeeds in fascinating us. Subtlety, vulnerability, finesse, refinement and grace: the Paulista demonstrates why these words are so often attached to her name. © Clotilde Maréchal/Qobuz