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Klassiek - Verschenen op 4 maart 2016 | Sony Classical

Hi-Res Booklet Onderscheidingen 4 étoiles de Classica - 5 Sterne Fono Forum Klassik
German coloratura soprano Simone Kermes has chosen to declare his love as it was sung in France, Italy, Spain and England in the seventeenth century. But often, we are greeted by painful love, betrayal - far from the hot and languorous statements that can sometimes be found in other repertoires. Somewhere between Lamento della Ninfa of Monteverdi, which is the opening to the recording itself, Didon’s "When I am laid" and Aeneas by Purcell she manages to deliver one of the most heart wrenching moments in vocal music imaginable, travelling straight to the bottom of the heart of the poor humans in this troubled time - the dreadful Thirty Years War, the abominable English Civil War, the Franco-Spanish war, the War of Holland, to name but a handful. Simone Kermes unfolds the true extent of her vocal range here, a quasi-dramatic coloratura soprano in the high notes, to a gravelly voice crooner on the deeper notes - a musical "cosmopolitanism" that has annoyed some, and amazed others. She is accompanied by the ensemble La Magnifica Comunità Enrico Casazza, a dozen very talented baroque musicians. Recorded in April 2015 in Padua, Italy. ©SM/Qobuz
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Klassiek - Verschenen op 17 augustus 2012 | Sony Classical

Booklet Onderscheidingen 5 de Diapason - 4 étoiles de Classica
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Klassiek - Verschenen op 18 oktober 2013 | Sony Classical

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 19 juni 2008 | Phoenix Edition

Onderscheidingen 4 étoiles du Monde de la Musique
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Klassiek - Verschenen op 8 februari 2019 | Sony Classical

Hi-Res Booklet
While the German soprano follows in the footsteps of Cecilia Bartoli, her virtuoso voice separates her fans from the purists who prefer a less fanciful vocal-line. This long-awaited new album from Simone Kermes shows off her masterful voice in almost every register and there is no sign of the excessiveness for which she has previously been criticised. Typically referred to as a “Ba-rock” star, some people are irritated by her gestures and extreme theatrics during her concerts, but those mannerisms are long forgotten here in the absence of any images. The title of the album, “Mio caro Händel”, says a lot about the affinity Simone Kermes feels with the Saxon composer. She has selected his most popular pieces, such as Ombra mai fù(Largo of Love), Piangeró la sorte mia(I will lament my fate) and Lascia ch’io pianga(Let me weep), along with some much less well-known pieces, which are some of the most wonderful revelations and rare musical gems on the album. The singer recorded this testimony of love to Händel in Berlin’s famous Jesus-Christus-Kirche in 2018 accompanied by Amici Veneziani, an ensemble put together especially for her which mostly comprises of German musicians and is led by Russian violinist Boris Begelman. As a great traveller who went all over Europe, this captures Händel’s European spirit perfectly. © François Hudry/Qobuz
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Klassiek - Verschenen op 1 januari 2005 | Archiv Produktion

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Klassiek - Verschenen op 6 augustus 2009 | deutsche harmonia mundi

Booklet
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Opera - Verschenen op 13 maart 2009 | Berlin Classics

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Klassiek - Verschenen op 1 januari 2011 | Archiv Produktion

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Klassiek - Verschenen op 16 november 2012 | deutsche harmonia mundi

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Klassiek - Verschenen op 22 november 2013 | RCA Red Seal

Booklet
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Klassiek - Verschenen op 1 januari 2007 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 1 januari 2007 | Deutsche Grammophon (DG)

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Vocale recitals - Verschenen op 6 augustus 2009 | deutsche harmonia mundi

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Klassiek - Verschenen op 9 februari 2015 | Sony Classical

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Klassiek - Verschenen op 1 januari 2007 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 1 januari 2008 | Archiv Produktion

Booklet
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Klassiek - Verschenen op 25 november 2013 | RCA Red Seal