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Klassiek - Verschenen op 4 september 2015 | Naxos

Booklet Onderscheidingen 4 étoiles Classica
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Klassiek - Verschenen op 31 maart 2009 | Naxos

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 27 juli 2010 | Naxos

Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 29 september 2009 | Naxos

Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 5 juni 2020 | Ondine

Hi-Res Booklet
How intriguing! American conductor Robert Treviño has dedicated his debut release with Ondine to Beethoven’s symphony cycle. This is the first time the Finnish label has visited these landmarks of Western symphonic culture with a traditional Scandinavian orchestra, namely the Malmö Symphony Orchestra, which will celebrate its centenary in 2025. With a rather faded palette of sound-colour and a smooth legato, this is undoubtedly a traditional version of the nine symphonies that transports us back to an era of discographies from Herbert von Karajan and Otto Klemperer. But by no means does it belong in the past…Treviño has worked closely with the likes of Leif Segerstam, David Zinman and Michael Tilson Thomas, the two latter conductors having, incidentally, made many interventions of their own in the Beethovenian symphonies as each attempted to produce worthy reinterpretations. Tilson Thomas drastically reduced the number of musicians in his complete cycle for CBS, whilst David Zinman based his work on Jonathan Del Mar’s Barenreiter edition which restored many of the lost accents and phrases that had been altered from one hundred and fifty years of, at times, rather unscrupulous interpretations. Here, Robert Treviño’s interpretations are lyrical and rich, precise as regards polyphony and mindful of the need to find a balance rather than overstress the text. Treviño ensures that each section finds its proper place and doesn’t get lost in the overall composition, creating dialogues with a chamber-like aesthetic. The unusual “concertato” at the beginning of the last movement of Eroica is the prime example of this. © Pierre-Yves Lascar/Qobuz
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Klassiek - Verschenen op 22 november 2019 | Naxos

Hi-Res Booklet
The Malmö Symphony Orchestra and its conductor Jun Markl uphold a repertoire which is rarely heard live, specifically French music from the turn of the nineteenth and twentieth centuries. After Albéric Magnard (BIS in 1999 and 2000) and Vincent d’Indy (Naxos, 2019), they have published a Camille Saint-Saëns album (once again for Naxos). An untiring globe-trotter, Saint-Saëns peppers his music with effects which create a background of different sounds. As opposed to Louise by Gustave Charpentier or Pelléas by Debussy, Les Barbares by Saint-Saëns (conceived in 1901) is a new example of the purest tradition of of French lyricism. The harmonic richness of the score, its bountiful melodies and the opulence of its orchestration do not break any new ground. Indeed, it seems Saint-Saëns is more inventive when composing within a more classic framework. However, despite the anachronistic nature of this work, which is also identified in Ascanio, La princesse jaune, Jota aragonese, Andromaque and Ouverture d’un opéra-comique inachevé, the listener savours every note. The programme, which combines the orchestral pages of these scores (ballet, opera and other lyrical tragedy), allows the Malmö Symphony Orchestra to show the full range of their musical colour: sumptuous strings, soaring harps and an irresistible harmony make them sound like one lone supermusician. Indeed, Jun Markl sculpts the MSO with uniformity in mind - the sound recording sticks to this approach as well - highlighting the the powerful lyrical dimension of this repertoire. An inspiring and necessary account of the genius of French orchestration. © Elsa Siffert/Qobuz
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Klassiek - Verschenen op 10 mei 2019 | Naxos

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Klassiek - Verschenen op 30 oktober 2007 | Naxos

Booklet
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Klassiek - Verschenen op 27 mei 2008 | Naxos

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Klassiek - Verschenen op 31 maart 1992 | BIS

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Symfonische muziek - Verschenen op 31 januari 2000 | BIS

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Klassiek - Verschenen op 16 november 2010 | Naxos

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Klassiek - Verschenen op 5 juli 2019 | BIS

Hi-Res Booklet
The music on "Presentiment", a 2018 release with four orchestral works by Rolf Martinsson, was described by one critic as "bold and uncompromisingly personal, eschewing avant-garde modernism and engaging us with solidly expert conventional techniques of composition and orchestration" (MusicWeb International.com). The present volume features more of Martinssons music, performed by the Malmö Symphony Orchestra a body with which Martinsson has enjoyed a close relationship as its composer in residence. In two of the recorded works, the orchestra conducted by Paul Mägi is joined by another of Martinssons regular collaborators, the soprano Lisa Larsson. Larsson is the soloist in Ich denke Dein..., a song cycle setting five poems by Goethe, Rilke and von Eichendorff, and in Into Eternity, a longer work which in its second half incorporates two poems by the Swedish poet Karin Boye. Into Eternity was composed for the opening of the Malmö orchestra's new concert hall in 2015, and Martinsson wrote it, as well as Ich denke Dein..., with Lisa Larsson in mind. Larsson also appears on the composer's previous monograph on BIS, in his settings of poems by Emily Dickinson. © BIS Records
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Symfonische muziek - Verschenen op 30 juni 1994 | BIS

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Klassiek - Verschenen op 30 april 1992 | BIS

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Klassiek - Verschenen op 27 oktober 2009 | Naxos

Booklet
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Klassiek - Verschenen op 31 augustus 1992 | BIS

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Klassiek - Verschenen op 30 september 1990 | BIS