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Klassiek - Verschenen op 1 januari 1996 | naïve classique

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CD€ 17,49

Klassiek - Verschenen op 22 november 2019 | Alia Vox

Hi-Res Booklet
A tireless researcher of ancient and baroque music across all continents, Jordi Savall hadn't ever tackled Handel's Messiah before a series of five concerts in Dole, Besançon, Paris, Barcelona and Versailles in December 2017. And it's that latter concert which features on this new album. In it, we find the Concert des Nations with Manfredo Kraemer as the concertmeister and the faithful instrumentalists of La Capella Reial de Catalunya. Savall assembled a team of soloists with Rachel Redmond, soprano, Damien Guillon, countertenor (who sings parts originally written for a woman's voice), Nicholas Mulroy, tenor and Matthias Winckler, bass. This project was made possible thanks to a Franco-Spanish collaboration. The project matured in the beautiful and historic surroundings of the Royal Saltworks of Arc-et-Senans, before taking off for a tour of the two countries and winding up as a Christmas present for many fans of Catalan music. © François Hudry/Qobuz
CD€ 23,99

Volledige opera's - Verschenen op 21 september 2009 | Opus 111naïve

Booklet Onderscheidingen 5 de Diapason - 10 de Répertoire
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Volledige opera's - Verschenen op 5 december 2011 | Opus 111

Booklet
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Sacred Oratorios - Verschenen op 25 oktober 2019 | Alia Vox

Hi-Res Booklet
 For a long time, we have subsisted on a fine version recorded in concert in Berlin, in 1974, performed by Vittorio Negri for the now-defunct Philips label. It was graced by some very lively conducting from great soloists including Elly Ameling (a magnificent Vaghaus), Birgit Finilä and Julia Hamari. The memory of this Juditha Triumphans is reinforced once again by the display on this album from Alia Vox which reproduces the famous work by Cristofani Allori, which hangs today in the Palazzo Pitti in Florence.First performed in Venice in 1716 to mark the victory of the Most Serene Republic over the Turks, this religious opera was written for the orphans of the girls' orphanage of Ospedale della Pietà, hence its all-female cast. This is the only one of Vivaldi's oratorios which has survived to the present day, and in its dramatic force and expressive power it heralds the coming of Georg Friedrich Handel's great oratorios. Recorded at the Philharmonie de Paris at a concert played in October 2018, this is one of the latest projects of the ever-inventive Jordi Savall. And it is Savall who captivates us most of all, thanks to the care taken over the details of an orchestra made up of a very wide variety of the instruments that were used in the famous Venetian institution: end-blown flutes, a chalumeau, clarinettes, a viola and a mandolin.Among the soloists on this recording, we should give particular attention to the vocal valiance of Rachel Redmond, who plays a very convincing servant of Holofernes, her musical agility reaching its peak in the aria Armatae Face. Jordi Savall shines new light on this score, imbuing it with an energy that unites charm and drama in a perfect balance. © François Hudry/Qobuz
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Klassiek - Verschenen op 25 november 2005 | Warner Classics

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Klassiek - Verschenen op 16 januari 2012 | Alia Vox

Booklet Onderscheidingen Diapason d'or
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Klassiek - Verschenen op 2 maart 2018 | Warner Classics

CD€ 12,49

Klassiek - Verschenen op 7 september 2009 | Warner Classics

Booklet
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Muziek voor vocale ensembles - Verschenen op 1 april 1991 | deutsche harmonia mundi

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Klassiek - Verschenen op 18 mei 1994 | deutsche harmonia mundi

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CD€ 10,99

Kamermuziek - Verschenen op 7 december 2018 | Alia Vox

Hi-Res Booklet Onderscheidingen 5 de Diapason
These were the days when France was considered a European beacon of art and culture. This symbol of refinement and sophistication is brilliantly embodied here by Le Concert des Nations conducted by Jordi Savall in a dream French-German arrangement that combines the music of Jean-Ferry Rebel and Georg Philipp Telemann, who express themselves in a supranational musical style to reach a sort of baroque dance climax.Savall gives leans heavily on the carefree splendour of Louis XV’s reign with these successive rococo ballets for which one can easily imagine the astounding dancing steps depicted by paintings from the likes of Watteau, Lancret and Hallé.Jordi Savall’s interpretation is simultaneously rich, skilful and extremely refined. The whole vocabulary for dance and decorum is used in these scores which rely on the very rhythms of that era: minuet, jig, rigadoon, passepied and gavotte, as well as, at times, a form of nostalgia inherited from the previous century in memory of the end of the Great King’s reign.This is a deep dive into the lavish world of the wealthy living in a perfect bubble that the French Revolution would brutally pop at the end of this Age of Enlightenment; an era of political and social reflection that saw the emergence of the idea of tolerance before ending in a bloodbath, a bloodbath from which the modern world was about to be born. © François Hudry/Qobuz
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Klassiek - Verschenen op 8 maart 2019 | Alia Vox

Hi-Res Booklet
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Originele soundtracks - Verschenen op 1 januari 2001 | Aliavox

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Kamermuziek - Verschenen op 24 augustus 2018 | Alia Vox

Hi-Res Booklet Onderscheidingen 5 de Diapason
The twenty pieces which make up the musical collection the Codex Trujillo of Peru (compiled around 1780 by Baltasar Jaime Martínez Compañón, the cantor of Lima and later bishop of Trujillo), represent an exceptional case in the history of the indigenous music of the New World. This ensemble of Tonadas, Cachuas, Tonadillas, Bayles, Cachuytas and Lanchas, lets us to get to know the country's traditional music, or as one of the Cachua texts puts it, "al uso de nuestra tierra" ("according to the ways of our land") More specifically we get to know the songs and dances of the people of the "Viceroyalty of Peru" in the late 18th century.These songs were written to be sung whilst dancing, hence the title of the album Bailar Cantando. The majority of the words are in Castilian (the Peruvian dialect) but there are also some songs in Quechua. All these elements explain the very specific character of these songs, which are very different from Spanish songs but also different to the music of other parts of the New World from the same era. The subtitle, "Fiesta Mestiza en el Perú", "Mestizo fiesta in Peru" shows the interaction between "natives" and Hispanics. It was symbolic feast celebrated with the marvellous Codex, in which all the different tribes and castes that lived together in this rich and stratified society would participate. When the Spanish arrived in Peru, following in the wake of Francisco Pizarro in 1532, the indigenous population already had more than two millennia of rich culture. As a result, the musical practices in the second half of the 17th century were fusion of local traditions and foreign influence: Iberian but also African. Jordi Savall leads the Tembembe Ensamble Continuo with many different native instruments, alongside the Ensemble Hespèrion XXI and vocalists from the Capella Reial de Catalunya. © SM/Qobuz
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Klassiek - Verschenen op 28 oktober 2013 | Alia Vox

Hi-Res Booklet Onderscheidingen 5 de Diapason - Hi-Res Audio
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CD€ 10,99

Klassiek - Verschenen op 1 juli 2013 | Alia Vox

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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CD€ 10,99

Klassiek - Verschenen op 3 november 2014 | Alia Vox

Hi-Res Booklet Onderscheidingen 5 de Diapason - Exceptional Sound Recording
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Klassiek - Verschenen op 1 januari 1999 | Alia Vox

Onderscheidingen Choc du Monde de la Musique - 10 de Répertoire - 4F de Télérama
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CD€ 9,99

Klassiek - Verschenen op 1 december 2014 | Alia Vox

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica