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Ambient - Verschenen op 4 juli 2011 | Warp Records

Hi-Res Onderscheidingen Album du mois Trax - Hi-Res Audio - Sélectionné par Ecoutez Voir
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Pop/Rock - Verschenen op 12 november 2012 | Warp Records

Hi-Res Onderscheidingen Hi-Res Audio - Sélectionné par Ecoutez Voir
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Ambient - Verschenen op 1 januari 2004 | EG Records

Onderscheidingen The Qobuz Ideal Discography
When listening to Music For Airports for the first time, fans of the glam-Brian Eno from the Roxy Music period and his album Here Come The Warm Jets must have been blown away… Goodbye bowiesque sounds, hello the experiments of Terry Riley, Steve Reich, John Cage, LaMonte Young and other wisemen who were mad about minimalist music. In 1978, Eno (ahead of his time) conceived four long tracks of instrumental music each over 10 minutes long. Sounding like movies soundtracks, these explorations to the borders of new age and these climatic developments of an astonishing sensuality prefigure an entire part of what the electronic music will sound like a few years later, and ambient music in particular. All that’s left is to listen to the atmospheric masterpieces in airports… © Marc Zisman/Qobuz
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Ambient - Verschenen op 1 januari 2005 | EG Records

Onderscheidingen The Qobuz Ideal Discography
When listening to Music For Airports for the first time, fans of the glam-Brian Eno from the Roxy Music period and his album Here Come The Warm Jets must have been blown away… Goodbye bowiesque sounds, hello the experiments of Terry Riley, Steve Reich, John Cage, LaMonte Young and other wisemen who were mad about minimalist music. In 1978, Eno (ahead of his time) conceived four long tracks of instrumental music each over 10 minutes long. Sounding like movies soundtracks, these explorations to the borders of new age and these climatic developments of an astonishing sensuality prefigure an entire part of what the electronic music will sound like a few years later, and ambient music in particular. All that’s left is to listen to the atmospheric masterpieces in airports… © Marc Zisman/Qobuz
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Pop - Verschenen op 21 augustus 2020 | All Saints Records

Onderscheidingen 4F de Télérama
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Rock - Verschenen op 1 januari 2004 | EMI Marketing

Onderscheidingen The Qobuz Ideal Discography
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Alternative en Indie - Verschenen op 13 november 2020 | UMC (Universal Music Catalogue)

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Ambient - Verschenen op 1 juli 1983 | UMC (Universal Music Catalogue)

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Rock - Verschenen op 1 januari 2004 | EMI Marketing

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Electronic - Verschenen op 1 januari 2005 | EMI Catalogue

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Electronic - Verschenen op 1 januari 2004 | EMI Marketing

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Alternative en Indie - Verschenen op 4 mei 2018 | UMC (Universal Music Catalogue)

A real soundtrack for a film by John Carpenter (such as, for example The Fog, written in 1980), Kazakhstan, the first track on this vast five-hour box set, sets the tone. Enormous blankets of sound, serpentine melodies, dustings of notes scattered across parallel dimensions, with in(de)finite contours. Music For Installations is the first collection of all of the music that Brian Eno (who turns 70 in 2018) composed for different art exhibitions from 1986 to the present day. When the Briton visited the Venice Biennale, the Russian Museum in St Petersburg or the Sydney Opera House, he decided to accompany each of these exhibitions with a new, tailor-made musical composition, and he brings magisterial skill to a genre of which he has been the uncontested champion since 1978’s visionary Ambient 1: Music for Airports: the atmospheric wanderings, the sensory, spartan touches, the minimalist and languorous structures dominate the field. By bringing together music and painting, Brian Eno has fun creating contrasts, and subverting common points of reference: “If you think of music", he says, "as a moving, changing form, and painting as a still form, what I’m trying to do is make very still music and paintings that move, “I’m trying to find in both of those forms, the space in between the traditional concept of music and the traditional concept of painting." There can be no doubt that this new collection of ambient sounds, always exhilarating, often utterly hypnotic, is one of the most exciting displays of Brian Eno's genius. This is not to be missed. © Pierre-Yves Lascar/Qobuz

Ambient - Verschenen op 1 november 2010 | Warp Records

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Electronic - Verschenen op 1 december 2014 | All Saints Records

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Electronic - Verschenen op 1 januari 2004 | EMI Marketing

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Electronic - Verschenen op 21 augustus 2020 | All Saints Records

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Rock - Verschenen op 1 januari 2004 | EMI Marketing

Electronic - Verschenen op 15 juli 2013 | All Saints Records

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Electronic - Verschenen op 1 januari 2004 | EMI Marketing

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Originele soundtracks - Verschenen op 22 maart 2005 | EMI Catalogue

A listener familiar with the pedigree of the albums of Brian Eno might assume that Virgin/Astralwerks' release More Music for Films is merely a re-packaging of Music for Films II, a bonus album included within the LP boxed set Working Backwards. Such an assumption would be incorrect, as More Music for Films represents a new spin on a variety of soundtrack material made by Eno in the years 1976-1983, including some tracks drawn from Music for Films II, others from Eno Box I: Instrumentals, and at least six selections never made public before. According to Virgin, these are taken from the limited-edition promo LP of Music for Films, a two album set pre-dating the familiar EG release by two years and only circulated to filmmakers and journalists. The last four tracks on More Music for Films relate to Apollo, a justly admired soundtrack jointly created by Eno, Roger Eno, and Daniel Lanois. Some of the previously unissued material is made up of alternate versions of pieces already familiar to listeners who know Eno's work well, but still others will appear to be wholly new even to his most seasoned fans. This is part of Virgin's Brian Eno The Soundtrack Series, and like the others has been remastered using the Direct Stream Digital method and comes encased in a thick, transparent plastic outer cover. The glue holding this cover together is starting to come apart, even though the review copy has only been in the office a couple of months, so don't expect this part of the package to hold up over time. Eno's music, though, has held up remarkably well in face of the enormous changes that have occurred in the realm of pop-oriented electronic music since the last of these tracks were laid down in 1983. Relatively few of these pieces jump out at the listener, and the overall mood fits comfortably within the realm of his ambient music, but taken as a whole the collection has a tad darker atmosphere than, say Music for Airports. The running time of More Music for Films is certainly more generous than the average entries in Brian Eno The Soundtrack Series, and even though it is not as essential as the original Music for Films collection, it nonetheless affords a fascinating glimpse into Eno's workshop during his early days -- a period some might say was Eno's best. © TiVo

Artiest

Brian Eno in het magazine
  • Eno x Eno
    Eno x Eno Magnificent, melancholic and weightless: the first full-scale collaboration between the Eno brothers Brian and Roger.