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Rock - Verschenen op 1 januari 2014 | EMI Catalogue

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Originele soundtracks - Verschenen op 1 januari 2014 | EMI Catalogue

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Originele soundtracks - Verschenen op 19 februari 2013 | EMI Catalogue

Just as the film pays homage to the 1939 classic The Wizard of Oz, Danny Elfman delivers a love letter to the classic scores of old Hollywood on the soundtrack to Oz the Great and Powerful. Filled with whimsy, melodrama, and grandeur, the score wears its emotions on its sleeve, taking listeners on the kind of fantastical voyage that Elfman has become a master of. Just like the magical land of Oz, the score of Oz the Great and Powerful feels like an avenue of escape for dreamers looking for something to break up the monotony of their humdrum days, and while this score might lack the catchy musical numbers of its predecessor, it's nevertheless a solid outing from Elfman. © Gregory Heaney /TiVo
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Kinderen - Verschenen op 1 januari 2013 | EMI Catalogue

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Originele soundtracks - Verschenen op 11 september 2012 | EMI Catalogue

The debut album from singer/actor Ross Lynch is also the soundtrack to his Disney TV show, Austin & Ally. On the show, Lynch, who looks a lot like former teen pop idol Aaron Carter, plays a mischievous vocalist who posts an online video of a song written by his strait-laced, stage fright-stricken friend Ally. The vid goes viral and hijinks ensue. Musically, the album flows from the One Direction style dance-pop of "Heard It On the Radio," to Justin Timberlake-sounding cuts like "Illusion," to even more contemporary sounding songs like the very Maroon 5-ish "Double Take." In that sense, Austin & Ally will definitely appeal to its pre-teen demographic and might even charm a few more grown-up fans of catchy, radio-ready dance pop. © Matt Collar /TiVo

Originele soundtracks - Verschenen op 23 juli 2012 | EMI Catalogue

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Brave drew attention for being Pixar's first film to feature a female protagonist, the headstrong, flame-haired Scottish princess Merida. However, as Brave's soundtrack reveals, the movie is also noteworthy for being one of the studio's most musical films, especially for one not featuring music by Pixar's go-to songwriter Randy Newman. Instead, Brave's songs make the most of the film's girl-power sentiments and Celtic setting with Patrick Doyle's lively score and songs performed by the cast, as well as Scottish folksinger Julie Fowlis and English singer/songwriter Birdy. Though Fowlis often sings in Scots Gaelic, she sounds just as soaring and sweet in English on "Touch the Sky" and "Into the Open Air"; likewise, Birdy -- accompanied by folk-rock sensations Mumford & Sons -- channels Merida's longing for freedom and wide-open spaces in "Learn Me Right." The princess' mom and dad get in on the act too, with Billy Connolly leading the cast through "Song of Mor'Du," a rousing song about a local monster, while Emma Thompson and Peigi Barker sing the lovely lullaby "Noble Maiden Fair (A Mhaighdean Bhan Uasal)." Meanwhile, Doyle's score embellishes its orchestral pieces with plenty of pipes, fiddles, and lilting melodies, particularly on "Fate and Destiny" and "Merida's Home," but also delivers some wonderfully cartoony moments with "The Games" and "Through the Castle," and downright tense cues such as "Merida Rides Away" and "Not Now!" Judged purely on its musical merits, Brave might not be the most memorable of Pixar soundtracks, but it maintains the studio's reputation for creative and fitting details in every part of its productions. © Heather Phares /TiVo
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Kinderen - Verschenen op 1 januari 2012 | EMI Catalogue

Originele soundtracks - Verschenen op 23 juli 2012 | EMI Catalogue

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Brave drew attention for being Pixar's first film to feature a female protagonist, the headstrong, flame-haired Scottish princess Merida. However, as Brave's soundtrack reveals, the movie is also noteworthy for being one of the studio's most musical films, especially for one not featuring music by Pixar's go-to songwriter Randy Newman. Instead, Brave's songs make the most of the film's girl-power sentiments and Celtic setting with Patrick Doyle's lively score and songs performed by the cast, as well as Scottish folksinger Julie Fowlis and English singer/songwriter Birdy. Though Fowlis often sings in Scots Gaelic, she sounds just as soaring and sweet in English on "Touch the Sky" and "Into the Open Air"; likewise, Birdy -- accompanied by folk-rock sensations Mumford & Sons -- channels Merida's longing for freedom and wide-open spaces in "Learn Me Right." The princess' mom and dad get in on the act too, with Billy Connolly leading the cast through "Song of Mor'Du," a rousing song about a local monster, while Emma Thompson and Peigi Barker sing the lovely lullaby "Noble Maiden Fair (A Mhaighdean Bhan Uasal)." Meanwhile, Doyle's score embellishes its orchestral pieces with plenty of pipes, fiddles, and lilting melodies, particularly on "Fate and Destiny" and "Merida's Home," but also delivers some wonderfully cartoony moments with "The Games" and "Through the Castle," and downright tense cues such as "Merida Rides Away" and "Not Now!" Judged purely on its musical merits, Brave might not be the most memorable of Pixar soundtracks, but it maintains the studio's reputation for creative and fitting details in every part of its productions. © Heather Phares /TiVo
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Pop - Verschenen op 1 januari 2012 | EMI Catalogue

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Originele soundtracks - Verschenen op 1 januari 2012 | EMI Catalogue

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Pop - Verschenen op 15 oktober 2012 | EMI Catalogue

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Originele soundtracks - Verschenen op 15 oktober 2012 | EMI Catalogue

Composer Danny Elfman's score for director Tim Burton's black-and-white stop-motion tale of a boy and his newly reanimated dog is steeped in the kind of rich, choir-driven, harmlessly macabre innocence that supplied 1990's Edward Scissorhands with the heart it needed to break free of its overly quirky trappings. With nods to the frantic, pinball-like precision of Pee Wee's Big Adventure ("Electricity") and the good-natured malevolence of The Nightmare Before Christmas ("Invisible Fish/Search for Sparky"), Frankenweenie is fun, breathlessly atmospheric, and surprisingly affecting. Employing an effortless mix of menace, heartache, and joy, Elfman has crafted his most sentimental and nuanced score since 2003's Big Fish, and while it may borrow liberally from some of his previous works, it's still a joy to listen to from start to finish. © James Christopher Monger /TiVo
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Pop - Verschenen op 1 januari 2012 | EMI Catalogue

Originele soundtracks - Verschenen op 3 december 2012 | EMI Catalogue

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The team behind Disney's Wreck-It Ralph, the tale of a video game villain who wants to go good, committed to authenticity at every level of the movie, from including Q-Bert and and Clyde (aka the orange ghost from Pac-Man) as minor characters to making sure the film's music conveyed the golden age of arcade games and the feel of the games that followed. Wreck-It-Ralph shows that composer Henry Jackman and the other artists featured here did an impressive job of capturing that spirit without getting geeky enough to alienate anyone not steeped in gamer culture. That said, this soundtrack relishes that culture, most notably on "Wreck-It, Wreck-It-Ralph" by Buckner & Garcia, the duo who had their fingers on the pulse of the early '80s with "Pac-Man Fever." While "Wreck-It, Wreck-It Ralph" isn't quite as charmingly wacky as its predecessor, it still harks back to a time when a hit song could be written about a video game, instead of a game including a hit song on its soundtrack. Elsewhere, the J-pop group AKB48 embodies the kawaii feel of many Japanese games with the theme song for the candy-based racing game "Sugar Rush," while Skrillex's "Bug Hunt (Noisia Remix)" delivers a more-than-reasonable facsimile of the tense, aggressive music that soundtracks the first-person shooters of the 21st century. Jackman's score mostly follows suit, especially when it incorporates electronic elements as on "Royal Raceway"'s bleepy synth-pop paradise, the brilliantly rudimentary 8-bit doodles of "Life in the Arcade," or the relentless beat of "Rocket Fiasco." However, Jackman's music also relies heavily on orchestral arrangements that, while perfectly effective and even inspired in some cases ("Vanellope von Schweetz"'s playful pauses and dynamics recall the way Looney Tunes used these kind of cues) aren't quite as distinctive as an all- or mostly electronic score would have been. While Wreck-It-Ralph misses out on being a Tron for the preteen set, the soundtrack still scores high when it comes to playfulness and devotion to its subject matter. © Heather Phares /TiVo
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Originele soundtracks - Verschenen op 1 januari 2012 | EMI Catalogue

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Originele soundtracks - Verschenen op 1 januari 2012 | EMI Catalogue

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Originele soundtracks - Verschenen op 23 juli 2012 | EMI Catalogue

Brave drew attention for being Pixar's first film to feature a female protagonist, the headstrong, flame-haired Scottish princess Merida. However, as Brave's soundtrack reveals, the movie is also noteworthy for being one of the studio's most musical films, especially for one not featuring music by Pixar's go-to songwriter Randy Newman. Instead, Brave's songs make the most of the film's girl-power sentiments and Celtic setting with Patrick Doyle's lively score and songs performed by the cast, as well as Scottish folksinger Julie Fowlis and English singer/songwriter Birdy. Though Fowlis often sings in Scots Gaelic, she sounds just as soaring and sweet in English on "Touch the Sky" and "Into the Open Air"; likewise, Birdy -- accompanied by folk-rock sensations Mumford & Sons -- channels Merida's longing for freedom and wide-open spaces in "Learn Me Right." The princess' mom and dad get in on the act too, with Billy Connolly leading the cast through "Song of Mor'Du," a rousing song about a local monster, while Emma Thompson and Peigi Barker sing the lovely lullaby "Noble Maiden Fair (A Mhaighdean Bhan Uasal)." Meanwhile, Doyle's score embellishes its orchestral pieces with plenty of pipes, fiddles, and lilting melodies, particularly on "Fate and Destiny" and "Merida's Home," but also delivers some wonderfully cartoony moments with "The Games" and "Through the Castle," and downright tense cues such as "Merida Rides Away" and "Not Now!" Judged purely on its musical merits, Brave might not be the most memorable of Pixar soundtracks, but it maintains the studio's reputation for creative and fitting details in every part of its productions. © Heather Phares /TiVo
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Pop - Verschenen op 1 januari 2012 | EMI Catalogue

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Originele soundtracks - Verschenen op 13 augustus 2012 | EMI Catalogue

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Pop - Verschenen op 24 juni 2012 | EMI Catalogue