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Klassiek - Verschenen op 6 februari 2012 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - Exceptional Sound Recording - Hi-Res Audio
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Kamermuziek - Verschenen op 12 januari 2015 | harmonia mundi

Hi-Res Booklet Onderscheidingen 4F de Télérama - Gramophone Editor's Choice - Diapason d'or / Arte - 4 étoiles Classica
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Piano solo - Verschenen op 29 juni 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Preis der deutschen Schallplattenkritik
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Klassiek - Verschenen op 19 augustus 2015 | harmonia mundi

Hi-Res Booklet Onderscheidingen 4F de Télérama - 4 étoiles Classica - 5 Sterne Fono Forum Klassik
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Kamermuziek - Verschenen op 27 augustus 2009 | harmonia mundi

Booklet Onderscheidingen 5 de Diapason - Choc de Classica
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Piano solo - Verschenen op 18 oktober 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason
"This first volume in the complete cycle must already be given pride of place in the discography,” declared Classica magazine upon the release of Prokofiev’s Sonatas nos. 2, 6, and 8 (awarded a “Choc” in 2016). With this new volume, Alexandre Melnikov has chosen to delve into three distinct periods of the composer’s career, ranging from the dazzling though seldom-heard No. 4 to the magisterial No. 9. Inbetween those two, the Sonata No. 7 once again evokes the troubled atmosphere characteristic of the three so-called “war sonatas.” Sviatoslav Richter claimed to have learned the piece in a mere four days! © harmonia mundi
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Klassiek - Verschenen op 9 februari 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
"Four oeuvres, four pianos" might be a better way of looking at the cover of this album by Alexander Melnikov: Schubert is played on a (simply stunning) Viennese Graf fortepiano from around 1835, Chopin on an Érard grand piano from 1837, Liszt on a Bösendorfer from 1875 and Stravinsky on a modern-day Steinway - the only work which is not played on an instrument contemporary to its composition, as Petrushka dates from 1911, and most certainly not from 2014 like the Steinway in question! The differences between the four instruments are not immediately obvious, but Melnikov's project is to demonstrate just how closely art and instrument follow one another: the Wanderer Fantasy benefits from the clarity of the Graf fortepiano which, while it lacks powerful volume, offers a startling palette of different sounds for the artist to explore. Chopin's twelve Études Op. 10 on the Érard – still within a few years of the Graf – increased the power of the sound in particular, but at the cost of reducing the range of colours in the palette. With the Réminiscences de Don Juan by Liszt, the Bösendorfer unleashes real pianistic thunderbolts, which almost overshadows the content! Finally, Petrushka on the Steinway takes us back into a rather more familiar territory. This is a concept of pairing from Melnikov, whose fondness for historical instruments is well-known. © SM/Qobuz
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Piano solo - Verschenen op 18 november 2016 | harmonia mundi

Hi-Res Booklet Onderscheidingen 4F de Télérama
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Kamermuziek - Verschenen op 4 maart 2011 | harmonia mundi

Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 21 april 2006 | harmonia mundi

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Klassiek - Verschenen op 31 januari 2008 | harmonia mundi

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Klassiek - Verschenen op 31 juli 2007 | harmonia mundi

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Klassiek - Verschenen op 1 juli 2015 | SACRAMBOW

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Concertmuziek - Verschenen op 1 januari 1991 | Pavane Records

Booklet