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Viool solo - Verschenen op 19 april 2019 | Channel Classics Records

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Klassiek - Verschenen op 23 maart 2018 | Channel Classics Records

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice - Exceptional sound
After the volumes dedicated to Vivaldi's great instrumental cycles, La Stravaganza (2004), La Cetra (2012) and L’Estro armonico (2015), English violinist Rachel Podger continues her work with her Brecon Baroque ensemble to bring out this version of the Four Seasons, which is rounded off with three violin concertos. Brecon Baroque is an offshoot of the festival of the same name that takes place every year at the end of October, in Wales. A magical place at the confluence of two rivers, where the spectacular countryside draws visitors every year in their hundreds. A passionate fan of the music of Vivaldi and Biber, Rachel Podger, who studied in Germany, demonstrates through her performances just how much the Red Priest's music (and her herself, following Biber) can cloak itself in the mysterious and bizarre, to the point that Vivaldi appears here as a distant descendant of the mannerists from the late Renaissance and early Baroque period. This is a particularly interesting and successful take.
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Klassiek - Verschenen op 12 april 2019 | Naxos

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Symfonieën - Verschenen op 28 juni 2019 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 2 augustus 2019 | BIS

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Viool solo - Verschenen op 26 april 2019 | Channel Classics Records

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Still relatively unknown outside of Northern Europe, Rosanne Philippens is one of the best Dutch violinists of her young generation. She has an exclusive recording contract with label Channel Classics. The fifth album of this fruitful collaboration, "Insight", is also the young musician’s very first solo programme, proposing works from Biber, Bach, Enescu and Ysaÿe, as well as a few improvisations, bridging the gap between pieces. Right from the incipit of Biber’s Passacaglia, Rosanne Philippens amazes with the fleshy, woody sonority of her instrument, the brightness of her phrasings and the flow of her conceptions. This programme features a dialogue between centuries, a conversation between wildly diverse aesthetics, and must be approached like a genuine journey, without markers, a dive into the unknown. The works are fragmented; J. S. Bach’s Partita No. 2 for instance is presented in two distinct pieces, and doesn’t even include the final Chaconne − maybe in volume two? Biber’s wonderful Passacaglia (perhaps its most beautiful recorded interpretation on a violin) opens and closes the album. To go along, some fantastic pieces by Enescu, starting with the Sarabande, a clear homage to the Thomaskantor. In the very rare Airs dans le genre roumain, Rosanne Philippens attests her natural insight into Eastern European compositions – she has already recorded many of Bartók and Szymanowski’s works. An artist worth discovering in a particularly bold programme. © Pierre-Yves Lascar/Qobuz
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Klassiek - Verschenen op 21 juni 2019 | Solo Musica

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Koormuziek - Verschenen op 19 april 2019 | Delos

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Kamermuziek - Verschenen op 1 maart 2019 | Champs Hill Records

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Klassiek - Verschenen op 10 april 2019 | Lawo Classics

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Kamermuziek - Verschenen op 27 maart 2019 | Channel Classics Records

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Alexander Borodin composed one of the most popular pieces in the romantic quartet repertoire, probably because it is a sort of love letter dedicated to Borodin's wife Ekaterina. (...) Dmitri Shostakovich composed an autobiography in music: After twenty-five years of 'inner emigration' he allowed himself once more to be personal, even if only in words to the wise. (...) And the third composer on this recording was was considered a well-kept secret of the Soviet Union for long for the western world: Moisei Vainberg, or (likewise in Russian) Mieczyslaw Weinberg.
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Klassiek - Verschenen op 1 maart 2019 | Steinway and Sons

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Klassiek - Verschenen op 15 mei 2019 | UNIVERSAL MUSIC LLC

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Klassiek - Verschenen op 20 maart 2019 | UNIVERSAL MUSIC LLC

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Klassiek - Verschijnt op 6 september 2019 | Challenge Classics

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Klassiek - Verschijnt op 23 augustus 2019 | Challenge Classics

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Klassiek - Verschijnt op 23 augustus 2019 | Reference Recordings

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Klassiek - Verschenen op 9 augustus 2019 | Naxos

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Ludwig van Beethoven was commissioned by the dancer and choreographer Salvatore Viganò to write the ballet The Creatures of Prometheus - an allegorical story based on the myth of Prometheus - and the composer’s piano version of the orchestral score was published not long after its premiere in 1801. Beethoven turned his symphonic style and skill in pictorial representation to conjure scenes of stormy excitement alongside elegant dances and the sublime aura of beauty surrounding the legendary musicians Orpheus, Amphion and Arion. The Finale is crowned by a theme that would later be used in the ‘Eroica’ Symphony. © Naxos
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Klassiek - Verschenen op 26 april 2019 | Sono Luminus

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Opera in het magazine