Albums

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Opera - Verschenen op 12 juli 2019 | Delos

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Opera - Verschenen op 12 april 2019 | Orfeo

Booklet
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Opera - Verschenen op 19 april 2019 | Jube Classic

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Opera - Verschenen op 29 maart 2019 | Orange Juice Records Vintage

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Opera - Verschenen op 17 mei 2019 | Delos

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Opera - Verschenen op 4 april 2019 | JB Production CH

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Opera - Verschenen op 19 april 2019 | Dea Classic

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Opera - Verschenen op 10 mei 2019 | Music Play

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Opera - Verschijnt op 2 augustus 2019 | Sterling

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Opera - Verschenen op 28 mei 2019 | Xobe Records

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Operafragmenten - Verschenen op 22 september 2014 | Warner Classics

Hi-Res Booklet
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Opera - Verschenen op 1 januari 2014 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen The Qobuz Ideal Discography
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Operafragmenten - Verschenen op 5 oktober 2018 | Warner Classics

Hi-Res Booklet Onderscheidingen Diapason d'or - Qobuzism
For her first recital with orchestra album, young Franco-Danish soprano Elsa Dreisig had the idea of presenting five pairs of songs in which each part of the pair is ambiguously related to the other, like a mirror’s reflection. This process leads to striking juxtapositions of different musical styles, dramatic moments, historical periods and contrasting voices; classicism and romanticism complement each other, terror answers joy, and the result is a view of the feminine soul all its facets. The first pairing involves two mirrors: the one in which Marguerite from Gounod's Faust admires herself and Thaïs's mirror in Massenet's opera (Thaïs). There follows Puccini's vision of Manon Lescaut, and then Manon (sans Lescaut) as imagined by Massenet. Following this we have Juliette, this is a rather daring pairing of the largely-forgotten early romantic German composer Daniel Steibelt with Gounod's Juliette. Elsa Dreisig then moves onto the two famous Figaros, one from Rossini's Barber (Rosina) and the other from Mozart's Marriage, with the gentle tones of the Countess. Finally, and more daring still, we end with the Salome of the Hérodiade by Massenet, a tender young woman who is not after anyone's head; and then Strauss's Salome, with her sanguinary madness. Probably in order to avoid the temptation of comparisons with other recordings, our singer has opted for the 1907 French version – note that this work by Oscar Wilde was itself originally written in French. This is the most extraordinary selection that one could hope for in a first recording from any artist, all accompanied by the Montpelier Orchestra, conducted by Michael Schønwandt. © SM/Qobuz
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Opera - Verschenen op 19 september 2014 | Warner Classics

Hi-Res Booklet
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Opera - Verschenen op 19 september 2014 | Warner Classics

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Operafragmenten - Verschenen op 26 oktober 2018 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 étoiles de Classica
Puccini love duets galore! That’s what the Polish soprano Aleksandra Kurzak and the tenor Roberto Alagna offer up here. Both are regulars on the world's greatest stages and their voices seem to have been tailor-made for this repertoire. The heroines - Mimì, Minnie, Tosca, Giorgetta, Butterfly and Manon - represent the absolute woman with a femininity that fascinates the composer, attracting him, inspiring him and making him fall in love. The male characters are undoubtedly a reflection of his own personality. Rodolfo, Mario and Calaf too, who is so besotted with Turandot that he risks his life for her: man, lover, seducer, villain, deceiver, poet, artist, knight or traitor... No doubt Roberto Alagna sees himself in these characters as well. Their traits are similar from one opera to the next, but Puccini knew how to make each vocal idiom wonderfully unique. © SM/Qobuz
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Opera - Verschenen op 15 september 2017 | Warner Classics

Hi-Res Booklet Onderscheidingen Diapason d'or / Arte

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Opera in het magazine